From School Library Journal
Grade 8 Up–Sixteen-year-old Russel Middlebrook hopes to escape his identity as the token gay guy at school by spending the summer as a counselor in a camp for burn victims. At first he finds that controlling eight hyperactive, 10-year-old hellions is grueling, but once he charms them with a retelling of a fable based on Native American legend in which a multicolored crow is burnt black by fire, he has no trouble taming them. And with their cooperation and enthusiasm, he creates the Order of the Poison Oak, a special club dedicated to outcasts of all types. With its titillating cover, high dramatics, and steamy romance triangles, Hartinger's novel will definitely score big with teens hankering for a sequel to
Geography Club (HarperCollins, 2003). But even with improved characterizations and fast pacing, it's not enough to cloak the author's less-than-subtle attempt at equating burn-scar victims with victims of homophobic bigotry and prejudice. Unfortunately, this well-intended yet domineering metaphor smothers many of the novel's better elements, and ultimately will render more groans than shouts of triumph from its readers.
–Hillias J. Martin, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Library Binding
edition.
Gr. 7-10. In this sequel to
Geography Club (2003), 16-year-old Russel, now openly gay and tired of being the freak at school, tries to escape as a counselor in a rural summer camp with his two best friends. The camp kids are 10-year-old burn survivors, scarred and disfigured, and Russel identifies with them. They also have fun together, once he stops seeing them as "all nervous and noble." But Russel fights with his friends, especially after discovering that he and bisexual Min are attracted to the same gorgeous counselor guy--who tries to have unprotected sex with each of them. There's too much metaphor and message, including the stories Russel tells the kids about raging fires, hidden beauty, and developing toughness. What readers will like best is the honest, tender, funny, first-person narrative that brings close what it's like to have a crush and hate a friend. In one unforgettable scene, some teenagers call the scarred kids freaks, and to his lasting shame, Russel says nothing.
Hazel RochmanCopyright © American Library Association. All rights reserved