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Editorial Reviews
Amazon.com
Yes, the same Joyce Carol Oates who packs one of the most lethal punches in American literature also happens to be an astute observer of the sweet science. Oates filters her knockout collection of essays through multifaceted prisms of art, history, sexuality, and politics to directly confront and explore boxing's physical and commercial brutality, but also the sense of human struggle and survival that's at boxing's purest core. "In the boxing ring," she writes, "man is in extremis, performing an atavistic rite ... for the mysterious solace of those who can participate only vicariously in such drama: the drama of life in the flesh. Boxing has become America's tragic theater." And from her ringside perspective, Oates, a true heavyweight of letters, analyzes the performances just brilliantly. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
A fight fan since her youth, novelist Oates follows in the tradition of boxing-loving writers like Hemingway and Mailer. In a slim volume expanded from a New York Times Magazine article, she candidly assays "The Sweet Science" for its spectacle, aesthetic elements, and its history from ancient Greece and Rome to today's ring dominated by callous promoters, casinos, and TV. Oates concedes boxing's brutality and often seamy side but finds positive merits as tragic theater. Good fare for fans and haters alike, especially those who have read Thomas Hauser's The Black Lights ( LJ 10/15/85) and Sam Toperoff's Sugar Ray Leonard and Other Noble Warriors ( LJ 11/1/86). Morey Berger, Monmouth Cty. Lib., Freehold, N.J.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Yes, the same Joyce Carol Oates who packs one of the most lethal punches in American literature also happens to be an astute observer of the sweet science. Oates filters her knockout collection of essays through multifaceted prisms of art, history, sexuality, and politics to directly confront and explore boxing's physical and commercial brutality, but also the sense of human struggle and survival that's at boxing's purest core. "In the boxing ring," she writes, "man is in extremis, performing an atavistic rite ... for the mysterious solace of those who can participate only vicariously in such drama: the drama of life in the flesh. Boxing has become America's tragic theater." And from her ringside perspective, Oates, a true heavyweight of letters, analyzes the performances just brilliantly. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
A fight fan since her youth, novelist Oates follows in the tradition of boxing-loving writers like Hemingway and Mailer. In a slim volume expanded from a New York Times Magazine article, she candidly assays "The Sweet Science" for its spectacle, aesthetic elements, and its history from ancient Greece and Rome to today's ring dominated by callous promoters, casinos, and TV. Oates concedes boxing's brutality and often seamy side but finds positive merits as tragic theater. Good fare for fans and haters alike, especially those who have read Thomas Hauser's The Black Lights ( LJ 10/15/85) and Sam Toperoff's Sugar Ray Leonard and Other Noble Warriors ( LJ 11/1/86). Morey Berger, Monmouth Cty. Lib., Freehold, N.J.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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