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51 of 54 people found the following review helpful:
5.0 out of 5 stars
Come away with me, in the night, February 23, 2006
As I write this review, it is February 2006. The year, such as it is, is about a sixth over. There is plenty of time for original stories to be published, new works of fiction to pop-up overnight, and fabulous samples of writing to catch the eye. On some level, I know this. I accept it. But then I look down on my review copy of "Fly By Night" and my eyes practically fill with tears. I am looking, you see, at my favorite book of 2006. I already know this. Oh sure, back in January I was sure that my favorite book of 2006 was going to be Karen Cushman's, "The Loud Silence of Francine Green". But while my love for "Francine" is just as clear and concise as ever, Frances Hardinge's whopper of a first novel has truly stolen my heart away. Not since Philip Pullman has a book created such a finely wrought and delicately planned out alternative world. But unlike Pullman (who has his charms BUT) Hardinge's book has a distinct advantage over its competitors. It's brilliant, yes. Well-plotted, well-paced, and well-characterized, yes. But it is also drop dead funny. We're talking about a book in which a girl named after a housefly with a pipe in her teeth goes prancing across the country with her homicidal goose in tow. I haven't a clue if children will actually like this book. Quite frankly, I do not care. I love it as deeply as I have ever loved any title and you can put THAT in your own pipe and smoke it.
Mosca Mye didn't quite intend to burn up her aunt and uncle's mill while escaping from the overly sodden town of Chough. This much we know. She did, however, have every intention of freeing a rapscallion caught in the stocks that very night. The man's name is Eponymous Clent and he's a con man of the most florid degree. Mosca grew up learning how to read from her bookworm father and now, orphaned and trapped in a life she does not like, she sees Clent and his beautiful way with words as a means of getting out of town. They won't be skipping out alone, of course. Clasped firmly under her arm is Mosca's faithful and deadly goose Saracen. On their travels the two run afoul of a ship's captain, rescue a lady from a highwayman, and then dig themselves deeper and deeper into the political intrigue and schemes of the town of Mandelion's rulers, guildsmen, and potential oppressors. Who could know that the very fate of a nation rests on a single eyebrowless girl's slim shoulders and the wingtips of a particularly snarky bird.
What my little description here doesn't do is give you an idea of where this book takes place. Hardinge has created what she calls a Fractured Realm. This world bears some similarities to England at the beginning of the eighteenth century, but with definite differences. In this land, Parliament has dispossessed all royalty and has been trying to figure out which potential ruler should have the crown for several decades now. In their stead, Guilds of skilled working men have grown strong and powerful. The top three, for the purposes of this book, are The Company of Locksmiths (who can enter any domicile with their keys), The Company of Stationers (who have every right to burn and ban the books they deem heresy), and The Company of Watermen (who guard and police the rivers). Got all that? Cause I haven't even gotten into the religious aspects. In this world every day and hour has a different saint or Beloved. People worship different ones. Mosca, in this case, was born under Palpitattle, better known as He Who Keeps Flies out of Jams and Butter Churns. Hence her name. At one point during the height of the political problems a sect known as The Birdcatchers caused unparalleled destruction and chaos all in the name of destroying the religion of The Beloved. They were put down eventually but the country is still reeling from their ascent.
Does this sound like a children's book to you? No? Well bear with me then. There are children out there who read voraciously. For whom a little Tolkein and a little Pullman are nothing but a walk in the park. To these children, I offer up, "Fly By Night". It hasn't any literary equivalent, of course. There's the obvious ode to Dickens here and there (Clent is just a modified dandified Fagan with a pretty tongue) but an even stronger connection to Leon Garfield's old books. If you happen to know anyone who enjoyed "Smith" or "Black Jack" or "The Strange Affair of Adelaide Harris", then this book is an obvious follow-up. If you have never read these books yourself, go and do so immediately and don't come back to me until you've safely devoured them. They are brilliant, but Hardinge is more intelligent and well-written by far. Partly this is due to her language. She writes descriptions that are lovely in their simplicity. Sentences like, "How strange it was to look down the barrel of a pistol! It was not exactly fear, more a soft shock, like being hit in the stomach with a snowball". And best of all you like the characters. You like the villains who become heroes and the heroes who become villains. You revel in never knowing whom to trust, just as Mosca never does. You do know one thing though. Whatever storm happens to blow, you can always trust Mosca and Saracen. There's a wonderful certainty in that.
I will end with a small passage from the book in which Clent starts using his tongue to its truest advantage. It is a description of a man. In it Clent says, "Mabwick Toke is the head of the Stationers' chapter in Mandelion. He can quote the whole of Pessimese's `Endeavors,' from Amblebirth to Aftermath, in the original Acrylic. He can speak twenty languages, half of them living, including two from the Aragash Heights, and one that can only be spoken with a coin under the tongue. When he travels, his carriage is lined with shelves so snug with books that the very breeze must squeeze for entry. He once uncovered a league of subversives by identifying a single silken thread in the paper weave of an opera ticket. If wits were pins, the man would be a veritable hedgehog". If you are a person hoping to write a children's book someday, I strongly urge you NOT to read "Fly By Night". Such passages like the one quoted above can only bring you to tears. This was written as Hardinge's FIRST novel for children. It's enough to make you weep and crow with joy all at once. Let us hope that many many more will be in the works soon.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
A highly original read, October 27, 2005
This is a sophisticated tale, full of atmosphere and adventure. The language is as rich as a fruitcake, so it won't appeal to reluctant readers. Kids with reading ages ahead of their years will find it a delight, however. There are too few books that cater for the other end of the spectrum - challenging language and complicated concepts,whilst remaining emotionally appropriate.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
The Fly Girl and the Goose, June 10, 2006
This is the story of a young girl born in The Fractured Realm, a fictional place vaguely resembling eighteenth century England. Citizens of the Realm worship a multitude of gods, named “The Beloved”, individual “beloveds” being determined by the day and time of the person’s birth. The girl is born at dusk on the sacred day of Goodman Palpitattle, He Who Keeps Flies out of Jams and Butter Churns, and because of this, she is named Mosca (The Fly) by her widowed father. Due to the lack of a son, her father teaches her the forbidden art of reading, thereby making the girl unique in this ability, and an endangered species later on in the story.
After the death of her father, Mosca goes to live in a watery town named Chough, doing the accounts and generally being a slave to her uncle. For company she keeps an aggressive goose named Saracen who doubles as a guard goose and body guard.
When she crosses paths with a man of many words but of dubious character named Eponymous Clent, she immediately feels a sort of kinship to him, and while saving him from the long arm of the law, she accidentally becomes an arsonist and fugitive.
The story follows this unlikely pair through a series of dangerous adventures, including the search for an illegal printing press, a secret subversive school, and interacting with various groups of influential people who are looking to increase their power by fair means or foul. On the subject of “fowl”, Saracen also plays a vital role throughout the story.
The characterization in this book is superb, and the plot brilliantly imaginative, but it is a bit lengthy at 483 pages and complicated in its political intrigue for the average young reader. Never-the-less, for older readers and well-read children, this book stands out as being different to anything you’ve read before.
Rated 4.5 stars
Amanda Richards, June 11, 2006
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