Amazon.com Review
The collision of Cuban dreams with sometimes harsh American realities has been Oscar Hijuelos's great theme, most notably in
Mambo Kings Play Songs of Love. Certainly it's at the heart of his fifth novel,
Empress of the Splendid Season, which chronicles the trials, tribulations, and infrequent triumphs of a Cuban American clan over the course of a half century. The protagonist, Lydia Espana, has grown up in pre-Castro Cuba, the pampered daughter of a prosperous businessman. But when she has the audacity to violate her father's small-town code of conduct--by sleeping with an itinerant musician--she pays a terrible penalty: "Her family, turning unfairly against her with a nearly Biblical wrath, had banished her, unprepared to contend with an indifferent world."
Where is Lydia banished to? New York, of course. And in this most indifferent of cities, the former "queen of the Congo line" finds herself in a less exalted role: that of a cleaning woman. This demotion she accepts with a very credible mixture of resignation and rock-ribbed realism: "The hardest part of being a cleaning woman had to do with the way people looked at her; often as if she were 'nothing.' It hurt her most when men did not notice her. The nature of the work itself, the outfit, the end-of-the-day fatigue, the messiness of that labor were not glamorous, so what could she expect." Lydia is less sanguine about her family's difficulties, from her husband Raul's near-fatal heart attack to her son's brushes with the law. Empress of the Splendid Season is in fact an ensemble piece that passes the point of view from character to character, from generation to generation. But it's Lydia's sensibility--at once stoic and sensuous--that ultimately enlivens this latest take on the American (or perhaps Cuban American) Dream. --William Davies
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
As in The Mambo Kings Play Songs of Love, Pulitzer Prize-winning novelist Hijuelos imagines the life of a humble Cuban-American from the late '40s to the present. Latin sensuality turns to Yankee drudgery when Lydia Espana the spoiled daughter of a small-town Cuban alcalde, is banished from her home in 1947 for staying out till dawn after a dance. Romantic and uneducated, she moves to New York, where marries, and becomes a cleaning woman to keep her sick husband (a handsome waiter with refined manners) and two children from the brink of poverty. Lydia worries and dotes in the manner of a quintessential immigrant mother trying to maintain respectability and make ends meet. While the drab black-and-white of her daily life runs its course, a rich Technicolor fantasy of time-before plays through her head. In memory, Lydia is again the Empress of the Splendid Season, beautiful enough to catch the eye of a Hollywood star. Depicting Spanish Harlem with relentless realism, Hijuelos penetrates the lives behind the humble tenements and massive university buildings. With poignancy, he captures the lonely fear of Lydia's son as he makes his way up the ladder of American success, the apex of which is perhaps not as enviable as he and Lydia assume. Familiar Hijuelos elements?Latin music, introspective men, touches of magic realism in quietly powerful prose?render here a tender and undramatic portrait of a complex woman and her culture. Agent, Harriet Wasserman. Literary Guild selection.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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