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Editorial Reviews
From Publishers Weekly
"I got so mad I cut my beard and mailed it in an envelope to the district attorney." Sometimes lovely, sometimes slapdash, and sure to appeal to his broad contingent of fans, this sprawling compilation of 154 "essays" (many run only a page or so) memorializes Ginsberg's stances, opinions, reactions, experiences and proclamations. Gathering reams of fugitive prose from magazines and anthologies, and excluding prose found in Ginsberg's books of poems, this is more an omnium-gatherum than a best-of, inviting readers to sort through and make their own lists. Ginsberg (1926-1997) had begun to organize what would become this book when he died; editor Morgan, who took over the process, divides the work by theme into eight sections. "Politics and Prophecies" fittingly opens the collection, giving full vent to Ginsberg's Blakean visions of '60s, '70s and '80s America: these essays both epitomize their times and retain the most interest for most readers now. Other segments address "Drug Culture," "Mindfulness and Spirituality," "Censorship and Sex Laws," "Autobiographical Fragments," Ginsberg's own "Literary Technique" and appreciations of other writers, from Blake and Whitman to Auden and Andy Warhol. Ginsberg's best poems look casual, but the rereader of "Howl" or "Kaddish" may discover complexity, tragedy and form curled up inside their excitable wildness: this is also true sometimes, but hardly always, for these prose pieces. Yet even at their most fragmentary and notational, these paragraphs, essays, lists, declarations and blurbs recall Ginsberg's other virtues: a welcoming energy, an ecstatic drive, a belief in the eternal value of saying, as soon as possible, just what he thought. (Mar.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
A comprehensive, well-organized collection of uneven prose by the late Beat Poet (Journals Mid-Fifties, 1995; Death and Fame, 1999). The essays, articles, and letters here were first printed in magazines like Evergreen Review, Rolling Stone, small presses, religiously affiliated publications or (a score) nowhere at all. Many blurbs and puff pieces of unknowns collected in the Writers section here should not have been reprinted either. But essays on Ginsbergs intellectual love, Walt Whitman, and one of his physical loves, Peter Orlovsky, add much to the literary and biographical worth of the anthology. In the seven other sections, at least two or three works are essential for the Ginsberg freak or anyone researching pre-revolution Amerika of 30 to 50 years ago. In Politics and Prophecies, Ginsberg takes on Vietnam, nukes, Un-American Activities, and most government agencies. He supports the Hells Angels and has the chutzpah to write that to be a junky in America is like having been a Jew in Nazi Germany. And this isn't even in the section devoted to Drug Culture, where, testifying at a Senate hearing, he compares mind- expanding LSD to the ritual taking of peyote. In Mindfulness and Spirituality, the bard lectures in Emersons old pulpit and intones mantras over the Canadian Broadcasting Corporation. Ginsberg outted homosexuality itself, but few will defend the pro-pederasty defense of NAMBLA which appears in the Censorship and Sex Laws section. Admirers of Kerouac, Burroughs, and Blake will most appreciate Literary Technique and the Beat Generation and the following section, especially the essays on the making of Howl and Kaddish. Finally, in Further Applications, Ginsberg proclaims that with John Lennon and Bob Dylan we see that poetry has returned through music back to the human body. Except for historians and fans of the Beats, nothing to howl about. -- Copyright ©2000, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
"I got so mad I cut my beard and mailed it in an envelope to the district attorney." Sometimes lovely, sometimes slapdash, and sure to appeal to his broad contingent of fans, this sprawling compilation of 154 "essays" (many run only a page or so) memorializes Ginsberg's stances, opinions, reactions, experiences and proclamations. Gathering reams of fugitive prose from magazines and anthologies, and excluding prose found in Ginsberg's books of poems, this is more an omnium-gatherum than a best-of, inviting readers to sort through and make their own lists. Ginsberg (1926-1997) had begun to organize what would become this book when he died; editor Morgan, who took over the process, divides the work by theme into eight sections. "Politics and Prophecies" fittingly opens the collection, giving full vent to Ginsberg's Blakean visions of '60s, '70s and '80s America: these essays both epitomize their times and retain the most interest for most readers now. Other segments address "Drug Culture," "Mindfulness and Spirituality," "Censorship and Sex Laws," "Autobiographical Fragments," Ginsberg's own "Literary Technique" and appreciations of other writers, from Blake and Whitman to Auden and Andy Warhol. Ginsberg's best poems look casual, but the rereader of "Howl" or "Kaddish" may discover complexity, tragedy and form curled up inside their excitable wildness: this is also true sometimes, but hardly always, for these prose pieces. Yet even at their most fragmentary and notational, these paragraphs, essays, lists, declarations and blurbs recall Ginsberg's other virtues: a welcoming energy, an ecstatic drive, a belief in the eternal value of saying, as soon as possible, just what he thought. (Mar.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
A comprehensive, well-organized collection of uneven prose by the late Beat Poet (Journals Mid-Fifties, 1995; Death and Fame, 1999). The essays, articles, and letters here were first printed in magazines like Evergreen Review, Rolling Stone, small presses, religiously affiliated publications or (a score) nowhere at all. Many blurbs and puff pieces of unknowns collected in the Writers section here should not have been reprinted either. But essays on Ginsbergs intellectual love, Walt Whitman, and one of his physical loves, Peter Orlovsky, add much to the literary and biographical worth of the anthology. In the seven other sections, at least two or three works are essential for the Ginsberg freak or anyone researching pre-revolution Amerika of 30 to 50 years ago. In Politics and Prophecies, Ginsberg takes on Vietnam, nukes, Un-American Activities, and most government agencies. He supports the Hells Angels and has the chutzpah to write that to be a junky in America is like having been a Jew in Nazi Germany. And this isn't even in the section devoted to Drug Culture, where, testifying at a Senate hearing, he compares mind- expanding LSD to the ritual taking of peyote. In Mindfulness and Spirituality, the bard lectures in Emersons old pulpit and intones mantras over the Canadian Broadcasting Corporation. Ginsberg outted homosexuality itself, but few will defend the pro-pederasty defense of NAMBLA which appears in the Censorship and Sex Laws section. Admirers of Kerouac, Burroughs, and Blake will most appreciate Literary Technique and the Beat Generation and the following section, especially the essays on the making of Howl and Kaddish. Finally, in Further Applications, Ginsberg proclaims that with John Lennon and Bob Dylan we see that poetry has returned through music back to the human body. Except for historians and fans of the Beats, nothing to howl about. -- Copyright ©2000, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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