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Editorial Reviews
From Publishers Weekly
Encompassing dramatic shifts in place and time, from the end of the Civil War to the heyday of Coney Island, this sprawling, splendidly imagined novel dramatizes Victorian age yet eminently familiar dilemmas of race, spirituality and sexual identity through the unforgettable journey of a wonderfully motley cast of characters. The eponymous pianist-cum-spiritualist, Augustus Fitzwilliam "Fitz" Boyd, first meets Isaac Kemp, his lifelong love, on a Civil War battlefield, where teenage Isaac is a slave accompanying his master's son. Augustus, himself only 14, has been captured after playing the flute to entertain the Union troops. When both boys are set free, they take off for New York, where, after various vicissitudes, clever, enterprising Isaac becomes Fitz's manager, traveling with him to his s ance-like piano concerts all over the world. Eventually, to Fitz's chagrin, Isaac takes a white wife, Alice Pangborn, a puritanical New England bluestocking. Soon the couple's two children are also traveling as part of the entourage of "Dr. August." At the height of his popularity, Fitz performs for the privileged classes on an international circuit; both the cultural landscape and the musical selections are detailed with beguiling immediacy. Though the surroundings are glamorous, Fitz and his clan find it difficult to make ends meet. So when they are invited to stay in Constantinople with an old acquaintance of Fitz's, once a whore and now a wealthy widow, they seize the chanceDbut a tragedy tests the bonds that hold their most unconventional family together. Bram (Father of Frankenstein; Almost History) tells his story through Fitz's own recollections asDlate in lifeDhe dictates his candid memoirs to Isaac's son, who has never known the full story of his family. Informed by sources as disparate as Ricky Jay's Learned Pigs and Fireproof Women and Edmund Wilson's Patriotic Gore, this provocative, imaginative exploration is generously endowed with evocative period details and rich characterizations of people from all walks of life. 6-city author tour. (June) FYI: Father of Frankenstein was the basis of the movie Gods and Monsters.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
It is difficult to summarize this latest work from Bram (Father of Frankenstein) without sounding tawdry and doing a disservice to his thought-provoking exploration of the human soul. Narrated by the effete Fitz Boyd, who works under the stage name of Dr. August in New York, Paris, London, and Constantinople, the novel ostensibly describes the life of an improvisational pianist working as a musician of the metaphysical, employing chicanery and parlor tricks to capitalize on the 19th-century fascination with the spirit world. But the novel is much more than that, using the complex relationships among Fitz, former slave Isaac Kemp, and Kemp's Caucasian wife, Alice, to explore the meaning of freedom. It is the challenge of discovering whether any one of us can be free of the past and choose the future that stands in such stark contrast to Dr. August's vaudeville tricks, making the novel such a complex and compelling read. Recommended for most collections.DCaroline M. Hallsworth, Sudbury P.L., Ont.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Encompassing dramatic shifts in place and time, from the end of the Civil War to the heyday of Coney Island, this sprawling, splendidly imagined novel dramatizes Victorian age yet eminently familiar dilemmas of race, spirituality and sexual identity through the unforgettable journey of a wonderfully motley cast of characters. The eponymous pianist-cum-spiritualist, Augustus Fitzwilliam "Fitz" Boyd, first meets Isaac Kemp, his lifelong love, on a Civil War battlefield, where teenage Isaac is a slave accompanying his master's son. Augustus, himself only 14, has been captured after playing the flute to entertain the Union troops. When both boys are set free, they take off for New York, where, after various vicissitudes, clever, enterprising Isaac becomes Fitz's manager, traveling with him to his s ance-like piano concerts all over the world. Eventually, to Fitz's chagrin, Isaac takes a white wife, Alice Pangborn, a puritanical New England bluestocking. Soon the couple's two children are also traveling as part of the entourage of "Dr. August." At the height of his popularity, Fitz performs for the privileged classes on an international circuit; both the cultural landscape and the musical selections are detailed with beguiling immediacy. Though the surroundings are glamorous, Fitz and his clan find it difficult to make ends meet. So when they are invited to stay in Constantinople with an old acquaintance of Fitz's, once a whore and now a wealthy widow, they seize the chanceDbut a tragedy tests the bonds that hold their most unconventional family together. Bram (Father of Frankenstein; Almost History) tells his story through Fitz's own recollections asDlate in lifeDhe dictates his candid memoirs to Isaac's son, who has never known the full story of his family. Informed by sources as disparate as Ricky Jay's Learned Pigs and Fireproof Women and Edmund Wilson's Patriotic Gore, this provocative, imaginative exploration is generously endowed with evocative period details and rich characterizations of people from all walks of life. 6-city author tour. (June) FYI: Father of Frankenstein was the basis of the movie Gods and Monsters.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
It is difficult to summarize this latest work from Bram (Father of Frankenstein) without sounding tawdry and doing a disservice to his thought-provoking exploration of the human soul. Narrated by the effete Fitz Boyd, who works under the stage name of Dr. August in New York, Paris, London, and Constantinople, the novel ostensibly describes the life of an improvisational pianist working as a musician of the metaphysical, employing chicanery and parlor tricks to capitalize on the 19th-century fascination with the spirit world. But the novel is much more than that, using the complex relationships among Fitz, former slave Isaac Kemp, and Kemp's Caucasian wife, Alice, to explore the meaning of freedom. It is the challenge of discovering whether any one of us can be free of the past and choose the future that stands in such stark contrast to Dr. August's vaudeville tricks, making the novel such a complex and compelling read. Recommended for most collections.DCaroline M. Hallsworth, Sudbury P.L., Ont.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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