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Nobody's unhappy family was ever quite like that of Lorna Sage, whose ruthlessly funny, excruciating, inspiring memoir
Bad Blood won England's Whitbread Biography Award. She grew up in the '40s on the Welsh border, in the crossfire between her grandparents, a bitter, bibulous, bookish vicar resembling Jack Sprat and his short, "fat doll" of an ignorant wife. He preached earthy sermons about how one might prefer for a wife "Martha before dinner, Mary after dinner." His wife's "notion of marriage [was] that a man signed you up to have his wicked way with you and should spend the rest of his life
paying through the nose." Grandma blackmailed the vicar with his diary of adultery, in which she scribbled vicious comments invaluable to the family historian. She gobbled sweets; he drank, fumed, and helped make Lorna Sage a noted literary critic. There is much more: the vicar's affair with his daughter's school chum, the cosmic impact of Bill Haley and his Comets, Lorna's precocious pregnancy, and the strange way lives ricochet and echo each other. Sage manages to give her rural upbringing a brooding Gothic poignance and the comic force of
Cold Comfort Farm. She describes a moment after her grandfather's death in the vicarage, "where everything seemed to be wearing thin and getting see-through, as though a spell were dissolving." But the shades of her clan won't quite fade, and thanks to this book, they're here to stay.
--Tim Appelo
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
The late British literary critic Sage spent her youth in the home of her grandparents, in the vicarage of Hanmer, a village in Flintshire, England. Her father was off fighting in World War II, her mother off in her own dreamy rerun of adolescence, so young Lorna hung onto the "skirts" of her vicar grandpa, a histrionic, bitterly intelligent philanderer with the "habit of living irritably in his imagination." His idiosyncrasies were almost endearing: he spent days stalking the graveyard muttering Shakespearean soliloquies and blacking out the spines of the books in his library to deter casual theft. Grandma, "a fat doll tottering on tiny swollen feet," considered Hanmer a "dead-alive dump" and never forgave her husband for talking her into marriage and leaving the gynocentric Eden of her family's shop in South Wales. What made her grandparents' marriage "more than a run-of-the-mill case of domestic estrangement" was Grandma's "refusal to accept her lot" she remained "furious" with her husband and, by extension, with all men, including her daughter's and granddaughter's husbands. In such a dysfunctional household, where "nobody wants to play the part of parent," Sage didn't have the option of passing for normal not that the "functional illiteracy" of her village peers was anything to envy. Ultimately, it was books and sheer orneriness her grandpa's "bad blood" that saved her from the oblivion her mother and grandmother had chosen. Sage finds such delicious ironies in all the awful detail that readers can't help but be entertained., wickedly. (Mar.)Forecast: Sage won the prestigious Whitbread Biography Award (2000) and has received kudos from the likes of Jonathan Raban and Doris Lessing. Her book is perfect book club reading, combining social history and great writing. Expect strong sales.
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--This text refers to an out of print or unavailable edition of this title.
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