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18 of 18 people found the following review helpful:
5.0 out of 5 stars
This not a novel; it is a work of art, December 23, 2000
This book (and the other in the duology, Sailing to Sarantium) is, in my opinion, Kay's best work. I have just finished reading this for the second time, and I think the second time might have been better than the first one. The characters are expertly developped, as if by a painter painting a portrait (many small ones actually), or even by a mosaicist practicing his craft. Kay really should get into epic fantasy works. In two books, he manages to introduce more multi-dimensional characters than Robert Jordan has been able to do in 9 books, or Terry Goodkind in 6. He has, also, managed to craft a world that is entirely believable and probably took a long time to create, even if it is a reflection of our own. The most important factor in this book is that, like most of Kay's other writings, this evokes feelings and may even bring tears at times. The ending is extremely well done in my opinion (if a little rushed), yet it leaves us wanting for more. Kay is too good a writer; finishing the book brought me an intense dissatisfaction, and I was almost inclined to throw it across the room. I can't wait for his next novel. If you've read this book, you probably can't, either.
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18 of 18 people found the following review helpful:
5.0 out of 5 stars
Human Complexity in a Quiet Voice, November 10, 2000
Many reviewers have complained that this work is disjointed. What they don't see is that Kay intended it so - he has taken an artistic discipline, and mirrored it in his writing. The Byzantines made the art of mosaic more central to their cultural and spiritual life than any civilisation before or since. Kay has used mosaic as a writer's conceit. The lives of his various characters are presented to us in fragments, like pieces of tile; allowed to scintillate on their own while being assembled into a greater whole. Up close, each piece is unique and tells us its own particular story. But as we recede from near to far, the form and pattern of an empire emerges.The use of this kind of metaphor is not new. Kay has used it earlier in his Fionavar trilogy. There, the metaphor was a tapestry and the lives of each character a thread. But in that earlier work, he could not resist the temptation to push his metaphor in our face. Here he has learned restraint. In fact, he submerges the metaphor so successfully into the texture of his work, that its presence passes most of us by. This is as it should be. It is meant to be felt, not noticed. There is something else admirable about this work - its quiet voice. In Kay's earlier works, his characters undergo the profoundest changes through singularly defining experiences. I often found such changes abrupt and contrived. Here, it is different. Here, Kay takes his time. The main character lays aside his survivor's guilt and rediscovers his joy for life in increments. His life change is entirely believable because we are witness to its evolution. This is a wonderful duology for people who find pleasure in the nuances of human complexity. It is oblique, subtle, restrained, multi-layered and evocative. But it does not conform to the trappings of fantasy. There's little magic and even less mayhem. The only battle scenes involve two urban riots - hardly the fiery stuff of typical sword and sorcery. It's a shame, really, that this work has been co-opted into the fantasy genre. Hard core genre readers will find it tepid while detractors of the genre will avoid it through association. For my part, I hope that Kay continues to evolve. His latest work puts him within the first rank of Canadian writers.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Essential for Kay fans, June 12, 2000
I didn't care for Sailing to Sarantium as much as most of Kay's novels; although the characters were compelling and the world was impressively detailed, the novel seemed a bit slow-paced and didn't fully grip me. Furthermore, the novel's conclusion was hardly as moving as most of his--and Kay has a rare talent for writing satisfying endings. (Of course this was the consequence of it being first in a series, but I was nevertheless disappointed.)I was very happy to find that Lord of Emperors was more to my taste. As in the previous novel, Kay achieves a sort of panaromic sweep as he puts us all over his world and in the minds of his many characters--but I also found there to be more force and direction to the story. Midway through the novel, as events begin coming to a climax, I found myself captured sufficiently to read without pause through to the conclusion. Admittedly, events in the final pages seem contrived, but overall I found the ending to be moving and effective. If you liked Sailing to Sarantium, definitely don't wait for the paperback. If you're new to Kay, the Sarantine Mosaic may not be the place to start. Of his works, I still feel Lions of Al-Rassan is the best crafted and Tigana the one fans of conventional fantasy should read first. If you love those as I do, then by all means read the Sarantine Mosaic.
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