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A.A. Attanasio presents a flamboyant recounting of the myths of Camelot in
The Wolf and the Crown, which continues the story of
The Dragon and the Unicorn and
The Eagle and the Sword. This particular Camelot features a demonic Merlin, Hollow Hills full of tiny faeries "in nightgowns of fog and sticky halos," and a callow High King whose devout prayers to Mary close each of his viewpoint chapters. Attanasio loves the surface flash of words, and
The Wolf and the Crown is as dazzling as a jeweled necklace, with occasional flaws, such as references to Brownian motion or "Bunsen blue," that intrude into the concoction of fantasy, mythology, and Arthurian lore. The myths of Camelot, dear to fantasy readers, provide Attanasio with the perfect setting for his intricate lapidary.
--Blaise Selby
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Though he possesses the legendary sword Excalibur, the boy-king "Arthor" discovers that he must earn the respect of the warring lords of Britain before he can truly claim his place at their head. The third volume in Attanasio's epic re-creation of the Arthurian cycle follows young "Arthor" through his first difficult year of kingship. Drawing liberally from both Norse and Celtic mythologies, the author adds his own cosmic embellishments to a story that spans not only the island of Britain but the lands of faerie, the Otherworld, and the spaces between the stars as well. Along with the other series titles, The Dragon and the Unicorn (HarperCollins, 1996) and The Eagle and the Sword (LJ 6/15/97), this mythic fantasy belongs in most libraries.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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