Sacrament (Mass Market Paperback)

by Clive Barker (Author) "To every hour, its mystery..." (more)
Key Phrases: harbor wall, Lord Fox, Burnt Yarley, Domus Mundi (more...)

Editorial Reviews

Amazon.com Review
A boy has an encounter with a man who causes extinctions of other species, so he grows up to be a man who documents (and thus appeals for a halt to) those extinctions. This dark fantasy tale is unlike Clive Barker's other recent ones: it is more tightly plotted, and more of this world. In a sequence of well-executed stories within stories (comparable to Russian dolls), Barker unfolds a compelling examination of what it means to be human, to be a man, and to be a gay man--on a planet where aging, disease, and death bring "the passing of things, of days and beasts and men he'd loved." A satisfying long novel packed with vivid images, memorable characters, and a melancholy mood that reaches for hope.

From Publishers Weekly
A giant of horror strides toward mainstream fiction in this awesome but skewed novel. Not that Barker (Everville, etc.) has forsaken the fantastic and outre; but here, the premier metaphysician of dark fantasy mutes his usually riotous imagery, placing it in the service of an elegy for the natural world. He also creates his first proudly gay hero, Will Rabjohns, celebrated for his photographs of endangered species. Will's profession, as well as his sojourns in San Francisco's gay community, reflect the themes of the novel?creation and, above all, extinction, both of animals and of humans, especially of gay men through AIDS. The story opens with Will being mauled by a polar bear and plunging into a coma from which he recalls his boyhood in England. In flashback, Will meets Steep, a gaunt, inhuman creature clad in human form, and Steep's lethal, lamia-like partner, Rosa. Steep's passion is to snuff species into extinction; his mate's, to give birth to her and Steep's progeny. Awakening from his coma, Will travels to S.F., then to England for an apocalyptic climax at a hovel inhabited by lost species and souls. Barker's prose is as fertile as always, and his characters are rubbed raw with life and death; but the story line lacks the narrative urgency and grand arcs of his other works. The symbolism can be strained at times. Likewise, despite the thematic paste, the gay and fantasy elements don't bond well, though both provoke moments of breathtaking drama. Even in this fractured tale, Barker presents an astonishing array of ideas, visions and epiphanies; but they're seen as if through a glass beveled and crazed. $175,000 ad/promo; simultaneous HarperAudio; dramatic rights: Sterling Lord Literistic; author tour.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Mass Market Paperback: 624 pages
• Publisher: HarperTorch (January 23, 1997)
• Language: English
• ISBN-10: 0061091995
• ISBN-13: 978-0061091995
• Product Dimensions: 6.8 x 4.2 x 1.4 inches
• Shipping Weight: 10.4 ounces
• Average Customer Review: 4.0 out of 5 stars See all reviews (47 customer reviews)
• Amazon.com Sales Rank: #780,147 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

4.0 out of 5 stars Very good, if not quite wonderful, February 20, 2000

By	C. Fletcher (California) - See all my reviews (REAL NAME)

I bought "Sacrament" a few years ago when it first came out in hardcover (at a bookstore in the mall in Pennsylvania where George Romero filmed "Dawn of the Dead"). I thought it would be cool to have a Clive Barker book that had breathed that air. But for some reason, I never read the book until just recently. I had read everything Clive Barker had written up to then and have now read all of his books except for "Galilee," which I plan to read soon.

"Sacrament" is a good book, and at times a very good book (there are occasional flashes of brilliance), but it never quite achieves the imaginative momentum to crest the "wonderful book" horizon as "Weaveworld," "Damnation Game" or some of the "Books of Blood" did.

I really enjoyed reading this book, but felt that the narrative meandered at times and the book probably could have been about 100 pages shorter. Barker does grapple with some deep and moving themes, however, and this book is definitely worth the read.

The protagonist, Will Rabjohns, a nature photographer, obsessed since childhood with bearing witness to the terrible end of things, is a well-drawn character that will illicit the reader's empathy and involvement in the story. Will must come to terms with what it means to be a living (and therefore mortal) creature in the world. He also comes to appreciate the pain and joy that come from realizing that we are responible for the creation of our own selves.

An entertaining and thought-provoking book. More grounded in the spiritual dilemmas of our world than many of Barker's other excellent fantasy tales.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Barker answers the question: Why are we here?, September 13, 1996

By A Customer

This review is from: Sacrament (Hardcover)

In books like Weaveworld and Imajica, Clive Barker created new a new mythology and reinvented the religious parable, respectively. Now, in his most ambitious and creatively daring book thus far, Barker departs from the tried and true of the world of dark fantasy and delves deeper into the human condition than he has previously explored. As admitted by the author, Sacrament contains just enough autobiographical detail to allow his readers further insight into his philosophies, which this time around are far more reality-based and less abstract than previous ventures. In telling the story of Will Rabjohns, a famous wildlife photographer who has gained recognition through capturing dark images of nature at its most disturbing and violent, Barker relates a parable on the value of life, human and otherwise. The antagonist of the story, Jacob Steep, is representative of human nature at its most distructive. As a creature that has learned to be a man by watching men, he carries the belief that man holds dominion over beasts to the point that he has created a mission for himself to destroy the last of every species of creature on the earth, to know God by playing God. At the same time, Will Rabjohns personifies both the good and bad in human nature: while he eventually discovers the value of all life and the connections involved in the cycles of birth,life, and death, at the same time he experiences the same bloodlust as Steep when he is young and it is this same type of lust for violence that drives him to the corners of the world to capture his photographic images. Another, even deeper layer runs through the book as Will watches friends and loved ones in his adopted home of San Francisco fall to the twin curses of disease and excess. Ultimately, Sacrament is a moving, intelligent, and deeply satisfying novel of hope, renewal, and enlightenment.

5 of 5 people found the following review helpful:

4.0 out of 5 stars A Great Read..., September 11, 2004

By	P. Robinson "Relic113" (Calgary) - See all my reviews (REAL NAME)

Sacrament is the least read of Clive Barker's novels. It apparently only sold half the usual number of his books, and there is one simple reason for this: the protagonist is gay. In this day and age it is a real shame that readers have been put off by such an unimportant detail...
The story concerns Will Rabjohns, a wildlife photographer who is attacked by a grizzly bear and left in a coma. During months of unconsciousness he goes dreaming of his childhood in Yorkshire, where he met two enigmatic characters, Jacob Steep and Rosa McGee, who have lived for centuries in ignorance of what they are or how they came about, and have strange ideas about what the world is and their role in it. Will re-discovers how Steep shaped his life, and on waking from his coma is drawn back into contact with him again, as Steep goes about his murderous crusade. Steep, you see, has a perverse desire to make certain species of animals extint and hunts them with a satanic glee...
This, of course, is just the barest bones of the story. As ever with Barker's books there is a world of content on these bones: his sharply realised characters, his natural sense of pace, his prose approaches perfection here, his ability to tell his story with original, unpredictable scenes, and the nuggets of philosophy that his work always contains. It is in this last capacity that Barker has excelled himself with this novel. The nature of God, existence, life and death are examined with an intelligent, well-considered insight that I have never encountered before in any media anywhere else, including Barker's own. If that makes the book sound like a tough read, it isn't at all. Barker has an instinct for description that makes reading his stuff effortless; you don't so much read it as see it, and you glide through the pages so quickly.
For anyone whose mind is sharper than the average turnip, and can't help but wonder occasionally about whether or not there's a God and what life is for etc this is a book for you. It doesn't pretend to supply answers, of course, but throws up so many possibilities, and so many words of wisdom, that you absolutely come away with the parameters of your own mind stretched. I can safely say that you've never read a book like this before. There's nobody out there that mingles reality and fantasy like Barker, and gives a sense of there being more to the world than meets the eye.
If you're looking for a book with real weight, real imagination and intelligence, get your paws on this before you yourself become extint...