From Publishers Weekly
Sofer's family escaped from Iran in 1982 when she was 10, an experience that may explain the intense detail of this unnerving debut. On a September day in 1981, gem trader Isaac Amin is accosted by Revolutionary Guards at his Tehran office and imprisoned for no other crime than being Jewish in a country where Muslim fanaticism is growing daily. Being rich and having had slender ties to the Shah's regime magnify his peril. In anguish over what might be happening to his family, Isaac watches the brutal mutilation and executions of prisoners around him. His wife, Farnaz, struggles to keep from slipping into despair, while his young daughter, Shirin, steals files from the home of a playmate whose father is in charge of the prison that holds her father. Far away in Brooklyn, Isaac's nonreligious son, Parviz, struggles without his family's money and falls for the pious daughter of his Hasidic landlord. Nicely layered, the story shimmers with past secrets and hidden motivations. The dialogue, while stiff, allows the various characters to come through. Sofer's dramatization of just-post-revolutionary Iran captures its small tensions and larger brutalities, which play vividly upon a family that cannot, even if it wishes to, conform.
(Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Dalia Sofer, who was forced to flee postrevolutionary Iran at the age of ten after her own father was unjustly imprisoned, captures her family's experiences in this moving, semiautobiographical tale. Citing Sofer's evocative prose, sensitive characterizations, and suspenseful plot, reviewers called Sofer's debut novel persuasive and memorable. Though she ruminates on themes of faith, love, and the heavy toll of political and religious oppression, Sofer's honesty and balanced outlook prevent the story from lapsing into sensational melodrama or lurid allegory. Her descriptions of torture, though vivid, are not gratuitously violent. A few small complaints included some contrived dialogue and Parviz's annoying self-pity, but critics agreed that these do not detract from an otherwise "powerful, timely book" (
Rocky Mountain News).
Copyright © 2004 Phillips & Nelson Media, Inc.
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