Who Is Mark Twain? (Hardcover)

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Editorial Reviews

Review

"Twain's wit and lethally precise powers of description are on full display in Who Is Mark Twain?" (Maud Newton )

"[Twain] was, in the phrase of his friend William Dean Howells, 'the Lincoln of our literature'.At the heart of his work lies that greatest of all American qualities: irreverence." (Washington Post )

"As funny and insightful as any of [Twain's] published and well-known works, these essays take on the federal government, religion, race, fame, and even the literary canon with a sharp-eyed clarity we can chuckle over as we read while feeling uncomfortable knowing that they feel all too contemporary." (Walter Mosley )

"Who Is Mark Twain? is a refreshing reintroduction to both [Twain's] critical analytical thought and his playful sense of humor." (Los Angeles Times )

"More than 100 years after [Twain] wrote these stories, they remain not only remarkably funny but remarkably modern..Ninety-nine years after his death, Twain still manages to get the last laugh." (Vanity Fair )

Product Description

You had better shove this in the stove," Mark Twain said at the top of an 1865 letter to his brother, "for I don't want any absurd 'literary remains' and 'unpublished letters of Mark Twain' published after I am planted." He was joking, of course. But when Mark Twain died in 1910, he left behind the largest collection of personal papers created by any nineteenth-century American author.

Here, for the first time in book form, are twenty-four remarkable pieces by the American master—pieces that have been handpicked by Robert Hirst, general editor of the Mark Twain Project at the University of California, Berkeley. In "Jane Austen," Twain wonders if Austen's goal is to "make the reader detest her people up to the middle of the book and like them in the rest of the chapters." "The Privilege of the Grave" offers a powerful statement about the freedom of speech while "Happy Memories of the Dental Chair" will make you appreciate modern dentistry. In "Frank Fuller and My First New York Lecture" Twain plasters the city with ads to promote his talk at the Cooper Union (he is terrified no one will attend). Later that day, Twain encounters two men gazing at one of his ads. One man says to the other: "Who is Mark Twain?" The other responds: "God knows—I don't."

Wickedly funny and disarmingly relevant, Who Is Mark Twain? shines a new light on one of America's most beloved literary icons—a man who was well ahead of his time.

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Product Details

• Hardcover: 240 pages
• Publisher: HarperStudio (April 21, 2009)
• Language: English
• ISBN-10: 0061735000
• ISBN-13: 978-0061735004
• Product Dimensions: 8.1 x 5.3 x 1 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #23,997 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

11 of 14 people found the following review helpful:

5.0 out of 5 stars A Treasure, April 23, 2009

By	Sarah C. "Sarah C." (Columbus, OH) - See all my reviews

I saw this on The New Yorker's website yesterday and downloaded the free audio of the book (John Lithgow reading). After listening I felt I had to have the book to browse and to put on my shelf. This is an American treasure.

13 of 18 people found the following review helpful:

5.0 out of 5 stars Must-Read for Twain Fans, April 22, 2009

By	E. L. Fay (New York) - See all my reviews (REAL NAME)

In 1900, Mark Twain wrote an editorial entitled "The Missionary in World Politics," originally intended for publication in the London "Times." Palpable anger smolders beneath the polished veneer of a journalistic conviction intended to persuade the reader over the breakfast table. Now you, complacent Westerner, Twain charges, now you imagine what it would feel like to watch foreigners traverse, uninvited, throughout your homeland, telling your children that your native religion is the sure ticket to eternal damnation, which has doubtlessly been the fate of all your heathen ancestors. And we wonder at the murderous rage this inspires, he continues, and then fail to see that the insult is only compounded when colonial punishment is meted out and a new, overbearing church is built in memorial to the fallen Christian martyr. "[The missionary] has loaded vast China onto the Concert of Christian Birds of Prey; and they were glad, smelling carrion; but they have lit and are astonished, finding the carcase alive. And it may remain alive - Europe cannot tell, yet," Twain concludes, ominously foretelling a dark future should European exploitation of China continue unabated. The editorial is signed with an anonymous X, but it was never published anyway - it turned out that the "massacre of the Ministers" had been a mere rumor. The topic of the piece nevertheless remains pertinent today, while the tone and the imagery further emphasize the anti-imperialist sentiments of an author all too often derided as a racist.

"The Missionary in World Politics" also brings together two main themes - free speech and issues with the American publishing industry - that run throughout HarperStudio's new book "Who is Mark Twain?," a collection of twenty-four previously unpublished essays, sketches, thoughts, and short stories by the famed writer whose real name was Samuel Clemens. Although he never left explicit instructions for dealing with his vast collection of written remains - roughly half a million pages of everything from personal correspondence to bills to manuscripts to miscellaneous notebooks - Twain certainly implied that he would greatly prefer that most of it be published only after his death. "He seems to have been wholly willing to let posterity read them," says editor Robert H. Hirst, "unafraid of the light they might cast on his talent, or the way he wrote. That unusual willingness to let the world see how he worked, including how he failed or simply misfired, had only one precondition - he must not be alive at the time." As indicated by the title, the purpose of this newly-released compendium is to contribute to a greater understanding of an American literary giant: to clarify and illuminate him as both an artist and an individual. But, as an occupant of the grave, Twain is also protected from whatever public outcry and vilification he felt would accompany the publication of his more controversial works. Pure, unadulterated free speech, he felt, is a risky endeavor for the living, but the dead are more easily forgiven.

Each item in the book was handpicked by Hirst, general editor of the Mark Twain Project at the University of California in Berkeley. While some are complete short works, others remain unfinished or unedited ("Conversations with Satan," for example, starts out very promisingly but soon veers off onto a tangent about taste in cigars and then abruptly cuts off). Opening the collection is, appropriately, a farcical essay entitled "Whenever I Am About to Publish a Book." Although Twain never knows exactly what kind of book he is writing until the literary critics tell him, he still wants to know what the general public will think of it, so he lists fourteen distinct "focus groups" (i.e. "Men and women with no sense of humor, "Men and women with a prodigious sense of humor," "A sentimental person") to whom he likes to gives private readings. "I seem to be making a distinction here," he observes, "I seem to be separating the professional reviewer from the human family; I seem to be intimating that he is not a part of the public, but a class by himself." That is not entirely the case, he goes on to explain: the professional reviewer simply represents a tiny sliver of the reading public, the crème de la crème who has the God-given authority to determine if you should be enjoying your new book or not. But whether or not he actually decides to publish the book in the first place depends largely on the opinion of the "Man who always goes to sleep," who must remain awake for at least three-quarters of an hour during the Twain's test run.

"Whenever I Am About to Publish a Book" also establishes Twain's tenuous relationship to the press, particularly the American press. The context of "The Missionary in World Politics," as well as the disparity Twain has noted between the freedom of speech accorded to the living and the dead, both indicate an ongoing resentment of the de facto social restrictions on what can and cannot be published. Two other pieces entitled "The Force of 'Suggestion'" and "Interviewing the Interviewer" also reveal a frustration with the often sensationalist and salacious nature of the "yellow journalism" that prevailed at the time. In the latter work, Twain takes aim at Charles A. Dana of the New York "Sun" and envisions a meeting between the two of them wherein Twain (ironically) plays the role of humble advice-seeker. "My son, unto none but you would I reveal the secret," he imagines Dana telling him, ". . . The first great end and aim of journalism is to make a sensation. Never let your paper go to press without a sensation. If you have none, make one. . . an uncalled-for onslaught upon a neighboring editor who has made you play second fiddle in journalism can take the bread out of his mouth and send him in disgrace from his post, let him have it! Do not mind a little lying, a liberal garbling of his telegrams, a mean prying into his private affairs and a pitiful and treacherous exposure of his private letters. It takes a very small nature to get down to this, but I managed it and you can - and it makes a princely sensation."

Dana's imaginary "advice" also graphically reflects Twain's wariness of attracting public animosity as a living man writing controversial material. And yet, the last piece in the book, "The American Press," appears almost as a note of redemption for the hitherto darkly satirical portrayals of the state of American publishing. Twain is responding to English poet and cultural critic Matthew Arnold's disparagement of American newspapers as lacking in reverence and respect. "Goethe says somewhere that 'the thrill of awe' - that is to say, REVERENCE - 'is the best thing humanity has,'" Arnold is quoted as saying. On the contrary, Twain contends, the European newspapers remain stupidly and thoughtlessly committed to propping up their nations' archaic governments and, to that end, maintain a sonorously serious aspect utterly lacking in any sense of humor. "Professor Mahaffy on Equality" also counters another European mischaracterization of American culture, as Twain responds to Mahaffy's apparent confusion of "physical equality" with the Constitution's proclamation of political equality. For all his difficulties with his country and its institutions, Twain was also more than willing to defend America from its misinformed detrators and proclaim it as the greatest, most free nation on earth.

At the same time, however, Twain's travel memoir "Roughing It" certainly leaves the reader with a profound sense of disillusionment as, one by one, American dreams and myths are acerbically torn down. The overall tone of the works in "Who is Mark Twain?" is likewise one of hard realism and a playfully pessimistic view of human nature, with a witty edge reminiscent (to modern readers) of TV's Dr. Gregory House ("Everybody lies!"). In "The Undertaker's Tale," a family in the graveyard business lists their sick neighbors as business assets and despairs of ever having a "good season," especially after the cholera epidemic misses their town. "Dr. Van Dyke as a Man and as a Fisherman" ironically makes use of the parable (in this case, the noble Christian Van Dyke luring an innocent fish to his hook of death) to illustrate the impossibility of man's ever living up to his own lofty ideals. But not that Twain is blind to his own faults: "Satan would not allow me to take his hat, but put it on the table himself, and begged me not to put myself to any trouble about him, but treat him just as I would an old friend; and added that that was what he was - an old friend of mine, and also one of my most ardent and grateful admirers."

"Conversations with Satan" is emblematic of the entire collection: a small fragment of Twain, raw and unfinished, but still recognizably Twain in its biting satire (of courtly manners and the author himself) and brazen honesty. Despite having been previously unpublished, the selections in "Who is Mark Twain?" are definitely not second-rate when compared to his famous works. Twain's unique voice is heard in multiple genres, from travel accounts to indignant editorials to a wide range of short stories (one of my favorites, the sad and adorable "Telegraph Dog," surprised me with its striking tenderness and the pathos surrounding loyal, tragic little Billy). "Who is Mark Twain?" comes strongly recommended for anyone seeking a greater understanding of an American literary great whose candor makes him a contentious figure even today. It is both a quick, comprehensive introduction to readers unfamiliar with Twain and a great supplement to a full literary diet of Twain. Considering the 500,000+ pages he left behind, I am sure we can expect another book like this one in the future.

2 of 2 people found the following review helpful:

5.0 out of 5 stars More Mark Twain!, June 26, 2009

By	A. Stricklin (Nashville, TN) - See all my reviews (REAL NAME)

Amazon Verified Purchase

We were thrilled to death to purchase a "new" Mark Twain book - what a breath of fresh air! Real writing! Some of the material was not published, since Twain discovered that his story was based on incorrect facts and some pieces were not finished. However, for a real reader, it still a great book. I won't give anything away, but my daughter says that one story in the book is worth the price of the book, all by itself.

We have purchased numerous copies for family members, all of whom have loved it.