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Better Together
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Editorial Reviews
From Publishers Weekly
Walker has applied her considerable scholarship to re-spin classic fairy tales, reinterpret folklore staples and write a few original stories of her own in a manner that reflects a serious?and sometimes funny?feminist mind. Wordplay groaners (characters named Barbidol, Devi Jones, Lowkey) and contemporary mores, terms and conveniences in ancient settings (running water, a silicon-based race, true-crime stories, private schools) may amuse some. But the strength of the work lies in rich, lyrical straight pieces like "The Descent of Shaloma," "The Oracle" and "The White God." In perfect read-aloud cadence, the stories elevate women to the heroic roles: Gorga, who umasks the dragon; Ugly, who lives narcissism-free with the Beast; Jill, who descends the beanroot into the earth; Ala Dean, who asks the lamp not for riches but for peace and equality; White Riding Hood, who feeds the hunter to the wolves. Walker introduces each of the 28 stories with a brief commentary on its origins and meaning?from Gotterdammerung to Jung. Her feminism is couched in complexities that make this a book to build a seminar around. Illustrated by Laurie Harden.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA?Traditional fairy tales describe the princess (or heroine) as beautiful, obedient, generous, and kind; of all these, beauty is the most prized attribute. Walker's women are gutsy, resourceful, realistic, and firmly in tune with nature; their beauty comes from within. In "Ugly and the Beast" (one of the turnabout stories), Ugly is loved by her family and by the Beast for her sweetness; her far-from-perfect looks are irrelevant. "Princess Questa" confronts her fears of making changes, and, with growing confidence, takes control of her life. Environmental messages are woven into such stories as "White Riding Hood" and "The White God." Antiviolence themes appear in "Barbidol"; in "Snow Night," the good stepmother effectively thwarts the attempted rape and murder of her stepdaughter. The excellent explanations that precede each story provide scholarly references to Babylonian, Sumerian, Biblical, Greek, Roman, Celtic, and German myths and creation stories. The author's writing style is witty, whimsical, creative, clever, mostly smooth, and only occasionally heavy-handed in message. Her 28 stories belong in all YA collections. The book can be used for booktalking and as a source for creative writing or short-story assignments. It is not, however, for those who believe in the very traditional views of women. These fairy tales are tools for empowerment.?Judy Sokoll, Fairfax County Public Library, VA
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
Walker has applied her considerable scholarship to re-spin classic fairy tales, reinterpret folklore staples and write a few original stories of her own in a manner that reflects a serious?and sometimes funny?feminist mind. Wordplay groaners (characters named Barbidol, Devi Jones, Lowkey) and contemporary mores, terms and conveniences in ancient settings (running water, a silicon-based race, true-crime stories, private schools) may amuse some. But the strength of the work lies in rich, lyrical straight pieces like "The Descent of Shaloma," "The Oracle" and "The White God." In perfect read-aloud cadence, the stories elevate women to the heroic roles: Gorga, who umasks the dragon; Ugly, who lives narcissism-free with the Beast; Jill, who descends the beanroot into the earth; Ala Dean, who asks the lamp not for riches but for peace and equality; White Riding Hood, who feeds the hunter to the wolves. Walker introduces each of the 28 stories with a brief commentary on its origins and meaning?from Gotterdammerung to Jung. Her feminism is couched in complexities that make this a book to build a seminar around. Illustrated by Laurie Harden.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA?Traditional fairy tales describe the princess (or heroine) as beautiful, obedient, generous, and kind; of all these, beauty is the most prized attribute. Walker's women are gutsy, resourceful, realistic, and firmly in tune with nature; their beauty comes from within. In "Ugly and the Beast" (one of the turnabout stories), Ugly is loved by her family and by the Beast for her sweetness; her far-from-perfect looks are irrelevant. "Princess Questa" confronts her fears of making changes, and, with growing confidence, takes control of her life. Environmental messages are woven into such stories as "White Riding Hood" and "The White God." Antiviolence themes appear in "Barbidol"; in "Snow Night," the good stepmother effectively thwarts the attempted rape and murder of her stepdaughter. The excellent explanations that precede each story provide scholarly references to Babylonian, Sumerian, Biblical, Greek, Roman, Celtic, and German myths and creation stories. The author's writing style is witty, whimsical, creative, clever, mostly smooth, and only occasionally heavy-handed in message. Her 28 stories belong in all YA collections. The book can be used for booktalking and as a source for creative writing or short-story assignments. It is not, however, for those who believe in the very traditional views of women. These fairy tales are tools for empowerment.?Judy Sokoll, Fairfax County Public Library, VA
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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