From Publishers Weekly
Subtitled "the Dramatic Story of the Artists and Causes that Changed America," this music history by Crosby (singer-songwriter of 1960s-1970s legends Crosby, Stills, Nash & Young) and Bender ( a political activist and founding editor of George magazine) present an overview of the musicians who stimulated America's political consciousness. This well-intentioned chronicle meets the authors' self-proclaimed goal of presenting "stories that are meant to give a sense of the wide range of activism in which artists are involved," as well as offering "a glimpse of where that ethic of activism came from, how it's grown over the years, what it's accomplished, and how it's been transmitted down the line." However, unlike Crosby's autobiography Long Time Gone, in which co-author/activist Carl Gottlieb's insightful analyses of aspects of Southern California culture gave weight to Crosby's wild tales of stoned-out times, this book reads like a collection of news clippings on more than 100 major events such as George Harrison's Bangladesh benefit, the No Nukes benefit, Live Aid, "We Are the World" and Comic Relief. (Crosby even admits to maintaining his Woodstock Concert-formed belief that "half a million people yelling Fuck! at the top of their lungs is one hell of a powerful political statement.") Crosby is sincere in his belief that musicians can help "create a climate where [world change] can happen." But this book remains more an easy-reader of protest rock than any sort of hardheaded, insightful look at the way popular music has influenced and been influenced by politics. (Mar..-- can happen." But this book remains more an easy-reader of protest rock than any sort of hardheaded, insightful look at the way popular music has influenced and been influenced by politics. (Mar.)
Copyright 2000 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Writing in anecdotal style and arranging the stories by topic rather than by chronology, these authors describe popular musical artists' involvement in American culture and history from the 1960s through 1999. Their emphasis is the political activism of performing artists and, just as im-portantly, the political power of their lyrics and songs. The authors showcase musicians' participation in civil rights, the antiwar movement, birth of the benefit, global activism, farm aid, and human rights, and provide both personal narrative and the collective memory of hundreds of performers from Harry Belafonte and Joan Baez to REM and Red Hot Chili Peppers. The case for activism is well made. The chapters include the how and why of involvement at each step along the way, the songs that sparked and fed the fires of protest, and the specific lyrics and quotes that reveal their dreams. A short preface and conclusion help structure this personal review. Behind-the-scenes black-and-white glossy photos of protests and concerts enrich the text. Crosby's recent concert tour and interview will bring teens to this book. They'll also find, however, eye-opening social history wrapped in the performer's credo, "I'm here for the same reason you are. Just to stand up and be counted for what I believe-."-Becky Ferrall, Stonewall Jackson High School, Manassas, VA
Copyright 2001 Cahners Business Information, Inc.