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Editorial Reviews
From Publishers Weekly
Ford expertly created a surreal alternate landscape in his acclaimed fantasies The Physiognomy and Memoranda; here, in his fourth novel, sepia-colored old New York is the fever-dream world. Piero Piambo is the portraitist of choice among New York's nouveau riche in 1893, but his career fills him with self-loathing. When a blind man with uncannily white eyes offers him "a job like no other" painting the mysterious Mrs. Charbuque Piambo quickly accepts, as the hefty commission will allow him to abandon society portraiture. But the terms of the deal are very strange: Mrs. Charbuque insists that she will hide behind a screen; to divine what she looks like, Piambo may ask her questions, but not about her appearance. It soon becomes clear that she will not be interrogated; instead, like a possibly "unhinged" Scheherazade, she mesmerizes Piambo with her story of growing up convinced she possessed psychic powers conferred on her by twin snowflakes. Piambo's opium-addicted friend Shenz convinces him to investigate his mysterious model, leading them to interview a deranged "turdologist" who sheds light on her past. But then Piambo is assaulted by a man identifying himself as Mr. Charbuque, demanding to know why the artist is "seeing my wife." And there are other dangers about, as the city is under attack by a parasite that eats "the soft tissue of the eye" and causes its victims to weep blood. Add dangerously unstable characters speaking with delicious floridity, unexpected bursts of macabre humor and violence, and a gender-bending subplot that subtly picks up steam, and you have a standout literary thriller.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-A true literary thriller. In New York City at the turn of the 20th century, Piambo is a young artist earning his bread painting "corrective" portraits of plain society wives, beautifying them for the canvas and their husbands. He has a crisis of conscience when one woman, standing under her portrait, leans close and whispers, "I hope you die." As he restlessly wanders the streets that night, a blind man approaches, claiming to know him by his dishonest smell, and offers him the commission of a lifetime: paint a portrait of his employer and receive compensation so grand that he will never have to paint another wife. The catch? Piambo will not be permitted to see Mrs. Charbuque. She will sit behind a screen, and he may ask her questions; from the answers he is to divine her essence. If he captures her likeness, compensation will triple. From this irresistible premise, Ford devilishly spins his story in prose so controlled-yet so dark with underlying fever and inevitability-that it calls to mind Mary Shelley's Frankenstein. The philosophical and psychological aspects loom large, and Mrs. Charbuque is a near-masterpiece-part sphinx, part hydra, the stuff of the most potent myths. A subplot involving a possible plague adds some hardcore spookiness and, of course, points back to Mrs. Charbuque. This book is smart, spellbinding, and sure to knock any teen's favorite suspense/horror tale from top place to second.
Emily Lloyd, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.
See all Editorial Reviews
Ford expertly created a surreal alternate landscape in his acclaimed fantasies The Physiognomy and Memoranda; here, in his fourth novel, sepia-colored old New York is the fever-dream world. Piero Piambo is the portraitist of choice among New York's nouveau riche in 1893, but his career fills him with self-loathing. When a blind man with uncannily white eyes offers him "a job like no other" painting the mysterious Mrs. Charbuque Piambo quickly accepts, as the hefty commission will allow him to abandon society portraiture. But the terms of the deal are very strange: Mrs. Charbuque insists that she will hide behind a screen; to divine what she looks like, Piambo may ask her questions, but not about her appearance. It soon becomes clear that she will not be interrogated; instead, like a possibly "unhinged" Scheherazade, she mesmerizes Piambo with her story of growing up convinced she possessed psychic powers conferred on her by twin snowflakes. Piambo's opium-addicted friend Shenz convinces him to investigate his mysterious model, leading them to interview a deranged "turdologist" who sheds light on her past. But then Piambo is assaulted by a man identifying himself as Mr. Charbuque, demanding to know why the artist is "seeing my wife." And there are other dangers about, as the city is under attack by a parasite that eats "the soft tissue of the eye" and causes its victims to weep blood. Add dangerously unstable characters speaking with delicious floridity, unexpected bursts of macabre humor and violence, and a gender-bending subplot that subtly picks up steam, and you have a standout literary thriller.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-A true literary thriller. In New York City at the turn of the 20th century, Piambo is a young artist earning his bread painting "corrective" portraits of plain society wives, beautifying them for the canvas and their husbands. He has a crisis of conscience when one woman, standing under her portrait, leans close and whispers, "I hope you die." As he restlessly wanders the streets that night, a blind man approaches, claiming to know him by his dishonest smell, and offers him the commission of a lifetime: paint a portrait of his employer and receive compensation so grand that he will never have to paint another wife. The catch? Piambo will not be permitted to see Mrs. Charbuque. She will sit behind a screen, and he may ask her questions; from the answers he is to divine her essence. If he captures her likeness, compensation will triple. From this irresistible premise, Ford devilishly spins his story in prose so controlled-yet so dark with underlying fever and inevitability-that it calls to mind Mary Shelley's Frankenstein. The philosophical and psychological aspects loom large, and Mrs. Charbuque is a near-masterpiece-part sphinx, part hydra, the stuff of the most potent myths. A subplot involving a possible plague adds some hardcore spookiness and, of course, points back to Mrs. Charbuque. This book is smart, spellbinding, and sure to knock any teen's favorite suspense/horror tale from top place to second.
Emily Lloyd, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.
See all Editorial Reviews
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