Choosing up sides by John H. Ritter  (32)
$5.99
|
This item is not eligible for Amazon Prime, but millions of other items are. Join Amazon Prime today. Already a member? Sign in.
|
|||||||||||||||||||||
Editorial Reviews
From Publishers Weekly
"Right and wrong is a simple deal, and everybody knows it. As long as you have all the facts, right and wrong make themselves very clear to you," begins 13-year-old Earl Pryor, who narrates this tale of one life-changing week. Through Earl's first-person narration, Lynch (Freewill) lays bare the pivotal period in adolescence when the world changes from the black-and-white simplicity of childhood innocence to the gray area of adulthood. Earl may remind adult readers of Steinbeck's Lenny in Of Mice and Men: his tenderness comes through in his fierce protection of his best friend, Bobby, and 16-year-old neighbor, Louisa, as well as in his deep loyalty to his parents, but all too often he uses his size 14 feet and giant limbs to prove his point. After a scuffle at school leads to a week's suspension, the structures that Earl relies upon so heavily quickly begin to unravel; he becomes disillusioned with the Catholic church, Louisa and, in the denouement, even his parents. Some readers may have trouble trusting Earl's narration at first, but if they stay with it, they gradually observe his inner monologue marrying up with the events around him. Lynch creates a hypnotic voice ("Somebody sees me and sees a man. Somebody sees me and sees a boy. Somebody sees me not at all") in this striking chronicle of a painful transition from boyhood to manhood. Ages 10-up.
Copyright 2002 Reed Business Information, Inc.
From School Library Journal
Grade 5-8-At 13, Earl is bigger and physically more mature than the other kids in his school, and he doesn't hesitate to use violence to handle conflicts. His tough-talking father actually eggs him on and encourages him to take care of himself. The novel follows a week in the boy's life after he has been suspended from school for fighting. In a rhythmic first-person narration, Lynch gets inside the head of the type of student who exists in many schools-the misunderstood kid whose confusion and anger gets him pegged as a brute and a bully, yet hidden beneath are layers of sensitivity, vulnerability, and loneliness. Readers are privy to Earl's confused thoughts about his parents, religion, his one friend, and an older girl on whom he has a crush. During that same week, he shows the first inklings of a new understanding of the world, learning that most situations are not black and white, and right and wrong are not defined in terms of absolutes. Things come to a head when Earl spots his father with another woman. In a conclusion that seems somewhat hurried and jumps ahead in time, he is last seen adjusting to his parents' divorce and is beginning to understand himself better. While there isn't much story here, the novel successfully captures the nuances of Earl's character, and is superbly written.
Todd Morning, Schaumburg Township Public Library, IL
Copyright 2002 Reed Business Information, Inc.
See all Editorial Reviews
"Right and wrong is a simple deal, and everybody knows it. As long as you have all the facts, right and wrong make themselves very clear to you," begins 13-year-old Earl Pryor, who narrates this tale of one life-changing week. Through Earl's first-person narration, Lynch (Freewill) lays bare the pivotal period in adolescence when the world changes from the black-and-white simplicity of childhood innocence to the gray area of adulthood. Earl may remind adult readers of Steinbeck's Lenny in Of Mice and Men: his tenderness comes through in his fierce protection of his best friend, Bobby, and 16-year-old neighbor, Louisa, as well as in his deep loyalty to his parents, but all too often he uses his size 14 feet and giant limbs to prove his point. After a scuffle at school leads to a week's suspension, the structures that Earl relies upon so heavily quickly begin to unravel; he becomes disillusioned with the Catholic church, Louisa and, in the denouement, even his parents. Some readers may have trouble trusting Earl's narration at first, but if they stay with it, they gradually observe his inner monologue marrying up with the events around him. Lynch creates a hypnotic voice ("Somebody sees me and sees a man. Somebody sees me and sees a boy. Somebody sees me not at all") in this striking chronicle of a painful transition from boyhood to manhood. Ages 10-up.
Copyright 2002 Reed Business Information, Inc.
From School Library Journal
Grade 5-8-At 13, Earl is bigger and physically more mature than the other kids in his school, and he doesn't hesitate to use violence to handle conflicts. His tough-talking father actually eggs him on and encourages him to take care of himself. The novel follows a week in the boy's life after he has been suspended from school for fighting. In a rhythmic first-person narration, Lynch gets inside the head of the type of student who exists in many schools-the misunderstood kid whose confusion and anger gets him pegged as a brute and a bully, yet hidden beneath are layers of sensitivity, vulnerability, and loneliness. Readers are privy to Earl's confused thoughts about his parents, religion, his one friend, and an older girl on whom he has a crush. During that same week, he shows the first inklings of a new understanding of the world, learning that most situations are not black and white, and right and wrong are not defined in terms of absolutes. Things come to a head when Earl spots his father with another woman. In a conclusion that seems somewhat hurried and jumps ahead in time, he is last seen adjusting to his parents' divorce and is beginning to understand himself better. While there isn't much story here, the novel successfully captures the nuances of Earl's character, and is superbly written.
Todd Morning, Schaumburg Township Public Library, IL
Copyright 2002 Reed Business Information, Inc.
See all Editorial Reviews
Product Details
Would you like to update product info or give feedback on images?
|
|
Inside This Book Citations: 2 books that cite this book Explore: Citations | Concordance | Text Stats Key Phrases - SIPs: melon head Key Phrases - CAPs: Bobby Norton, Earl Pryor, Pryor Church, New Hampshire, Stations of the Cross Browse Sample Pages: Front Cover | Copyright | Excerpt | Back Cover | Surprise Me! |
||