Poetic Meter and Poetic Form (Paperback)

~ (Author)
Key Phrases: terminal trochee, spondaic substitution, trisyllabic substitution, Old English, Paradise Lost, Modern English (more...)

Product Details

• Paperback: 190 pages
• Publisher: McGraw-Hill Humanities/Social Sciences/Languages; Revised edition (January 1, 1979)
• Language: English
• ISBN-10: 0075536064
• ISBN-13: 978-0075536062
• Product Dimensions: 8.1 x 5.4 x 0.6 inches
• Shipping Weight: 2.1 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #272,438 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

41 of 41 people found the following review helpful:

5.0 out of 5 stars And for the poet!, September 25, 2004

By	Stephanie L. Wilde (San Jose, California) - See all my reviews (REAL NAME)

Fussell's foreword says that his book is for aspiring readers, not aspiring writers. But if you are an aspiring poet, I think Fussell has something to offer that is absent in most "handbooks".

One of the most important things Fussell addresses is how the form of a poem affects the meaning and impression of the total poem. For example, he notes how many poetic forms are inevitably coloured by their initial or most famous use. He says regarding Tennyson's In Memoriam stanza-form, that it "is now so closely associated with the sturdy, serviceable elegaic atmosphere of In Memoriam itself that...its uses now seem limited to occasions which either resemble or mock the original" (Ch 8 The English Stanzas).

Another chapter that poets will find helpful is Metrical Variations, in which Fussell examines how poets substitute variant feet to create particular effects. Or if your interest is in free verse, he devotes a chapter to examining the characteristics of successful free verse, including how line breaks create effects.

This is not a substitute for a general handbook of poetry, and assumes a minimal knowledge of poetic technique, meter, &c. But if you are serious about reading or writing poetry, I don't think you can afford to miss this book.

45 of 49 people found the following review helpful:

5.0 out of 5 stars Not for the neophyte, but a tremendous study, July 23, 2004

By	Rocco Dormarunno (Brooklyn, NY) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

When I was 21 and in my first year of graduate school, Paul Fussell's "Poetic Meter and Poetic Form" was one of the first text books assigned to me. When I bought the book and saw how slim it was, I snickered, "Grad school's gonna be a walk in the park!"

Yeah, RIGHT!

This densely packed tome is not for the uninitiated and definitely not absorbed in just one reading. On and off, over the last 20 years, I have come back to this book to refresh my memory and, usually, to astonish myself. The book's real strength, besides Professor Fussell's obvious command of his subject, and his ability to convey that command, is in the sprinkling of dozens of anecdotes by and about poets about other poets and poetry. Even at this late date in my life, I can't pretend to understand the entire book but what I do understand I admire and respect. "Poetic Meter and Poetic Form" is not recommended to anyone studying poetry; it is urgently required.

21 of 21 people found the following review helpful:

5.0 out of 5 stars a classic in the field of formal verse, May 1, 1998

By	[e-mail] (Massachusetts) - See all my reviews

This book is a classic of prosodic exposition. (And understand, when I call a book a classic, I am not just lapsing into a cliche; it really IS a classic.) Fussell shows us the relations between form and content, between rhyme and rhythm on the one hand and the function of these formal devices to illuminate meaning on the other. The book also devotes a chapter to empirical observations on the properties of free verse, and it includes a concise bibliography of other works on prosody. Highly recommended.