Cassandra at the Wedding [Import] (Paperback)

~ Dorothy Baker (Author) "I TOLD them I could be free by the twenty-first, and that I'd come home the twenty-second..." (more)
Key Phrases: clutch bag, pyloric valve, tank suit, Vera Mercer, New York, John Thomas Finch (more...)

Product Details

• Paperback: 208 pages
• Publisher: Penguin; n.e. edition (September 24, 1970)
• ISBN-10: 014001604X
• ISBN-13: 978-0140016048
• Shipping Weight: 1.1 pounds
• Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)

Customer Reviews

Most Helpful Customer Reviews

28 of 28 people found the following review helpful:

5.0 out of 5 stars Baker's crafting of an "unreliable narrator" is worthy of greater notice, November 18, 2005

By	T. M. Teale (Colorado Springs, CO, USA) - See all my reviews (REAL NAME)

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This review is from: Cassandra at the Wedding (Paperback)

The novel, Cassandra at the Wedding (first published in 1962), starts out simply enough; the first-person narrator, Cassandra Edwards, tells us that the spring semester has ended at Berkeley, California, where she is writing an M.A. thesis on the contemporary French novel; and she's packing a bag to drive to her parents' ranch near Tipton to attend her sister Judith's marriage to a truly lovable man. Not only is Cassandra a budding scholar, she's a talented pianist, and competitive swimmer, and she loves her sister more than anyone--even more than her sister's fiancee--so Cassie thinks. For this is the point: Cassie cannot bear to part with her nearly identical twin sister and will do almost anything to stop their wedding. As Cassie lets us deeper into her thought processes, the reader will find that--as learned and cultured as she is--Cassie isn't aware of the effects she has on others and on herself: Cassie is often cynical, passive aggressive, and wantonly perverse in her refusal to "get it," i.e., to love and let love. Her insolence towards the people she says she loves is an astonishing dismissal of their emotional lives. The fact that Dorothy Dodds Baker makes it easy for us to see Cassie without Cassie seeing herself is testament to the author's mastery of irony and understatement. Without a doubt Baker has created a character who is both infuriating and heroic. In fact, it's Cassie's youth and intelligence that makes her inability to let her sister go such a riveting contemporary drama. Also of note: The NYRB book cover is an appropriate painting by David Park; Deborah Eisenberg's "Afterward" is informative.

15 of 17 people found the following review helpful:

5.0 out of 5 stars a stunning rebuke to shallow-as-glass chick lit, June 15, 2008

By	Jesse Kornbluth "Head Butler" (New York) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: Cassandra at the Wedding (Virago modern classics) (Paperback)

You're a twin --- so close to your sister that she moved across the country.

Now she's getting married to a man you've never met and cutting the cord for good.

And you're her only bridesmaid.

In the universe we now inhabit --- the urban chickscape of "Sex and the City" --- Cassandra Edwards would have a posse of smart-talking, Chardonnay-swilling pals to help her through this overwrought moment. They'd gab for hours about her choice of a bridesmaid's dress. They'd speculate about the groom's endowment. And they'd tease Cassandra for her ambivalence about catching the bouquet.

"Cassandra at the Wedding" is a stunning rebuke to that shallow-as-glass sensibility.

More to the point, it's a smart, stylish, disturbing novel --- a book much too good to languish at an Amazon.com ranking of 1,000,000.

But then, Dorothy Baker is not exactly a household name. Young Man with a Horn --- her fictionalized account of the doomed jazz great Bix Beiderbecke --- was published in 1938. It's pure pleasure; I've read it a dozen times since discovering it as a kid. I thought it was her only novel until a Butler reader tipped me to "Cassandra at the Wedding", the last of what turn out to be Baker's three novels.

Like "Young Man with a Horn," this novel begins effortlessly: "I told them I could be free by the twenty-first, and that I'd come home the twenty-second." That makes Cassandra seem chatty and friendly. Well, it doesn't take long for her bitchy side to surface. Example: Her twin's beloved is John Thomas Finch. Cassandra's comment: "Where'd she meet him --- Birdland?"

Soon we see that Cassandra is an inventory of neurosis. She's writing a thesis about French writers rather than be a writer --- her mother wrote plays and novels --- but she's stumbling even in her academic writing. Her biggest issue, naturally, is her twin. She's just obsessed. And with every detail of their lives. She was, she notes, born "two ounces heavier and eleven minutes older than the one named Judith."

As children, they lived on the Northern California ranch where Judith will be married. They came right home after school: "We didn't need people." Now, even though separated, they're so in tune with one another that they have both bought the same dress to wear at the wedding.

To Cassandra, that's one more metaphor for all that's wrong about Judith's wedding --- one more reason she must stop it. She explains this to us at great length, and some readers, wading through these pages, will think this book is just talk talk talk. It's not. Baker is doing something far more subtle and accomplished --- she's presenting a close account of an unraveling personality.

On the wedding day, there's an event. No spoilers here, but it's not the wedding, and it is a shocker. And it leads to more. And, in the end, you feel you've come to know some people at least as complex as you are and as twisted as some people you know.

Oh, there's a twitch I've failed to mention. "With men I feel like a bird in the clutch of a cat, terrified, caught in a nightmare of confinement, wanting nothing but to get free and take a shower," Cassandra tells us. Translation: She's gay. Context: "Cassandra" was published in 1962, so at no point is this ever made explicit. But you can read the entire book without being aware of her sexuality. For me, that's the mark of good writing.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Here comes the bride, her sister and a lot of trouble, October 18, 2009

By	Alysson Oliveira "Alysson Oliveira" (Sao Paulo-- Brazil) - See all my reviews (TOP 1000 REVIEWER)

This review is from: Cassandra at the Wedding (Paperback)

Dorothy Baker's beautiful "Cassandra at the Wedding" maybe the grandmommy of all wedding related dysfunctional family genre - which more recently includes two brilliant movies "Margot at the Wedding" and "Rachel Getting Married". All these stories features a homecoming, a problematic sister and the coming to terms with we will never be able to get rid of our families - no matter how problematic they are.

This novel in centered on Cassandra and her twin sister, Judith, who is about to get married. The protagonist's homecoming brings along some past reminisces and trouble, such as a difficult relationship between siblings. Baker, however, is more interested in plot development throughout character development. The narrative moves on as the lives of people who populate the book move forward. It is a interesting device that the writer explores with brilliancy.

Divided into three parts, the narrative is opened and closed by Cassandra - with a Judith's intermission in between. Through their eyes we see the world in different colors and shapes. Despite being twins with the same appearance, the two sisters approach the world, life, family and Judith's wedding in different forms. Baker is very able to make two different narrators, each with her own voice and plausibility.

In "Cassandra at the wedding" , just like life, we smile, we cry, we feel happy, sad and overcome problems and find new ones. With her accurate prose, Baker is capable of capture these with their nuances, beauty and sadness.