What's Bred in the Bone (Cornish Trilogy) (Paperback)

by Robertson Davies (Author) "THE BOOK MUST BE DROPPED..." (more)
Key Phrases: rum start, Mary Jim, Francis Cornish, Prince Max (more...)

Editorial Reviews

From Publishers Weekly
Known to discerning readers for his beguiling Deptford Trilogy and the more recent Rebel Angels, Canadian author Davies has written another irresistible novel. His story of the secret life of Francis Cornish, full of ironic twists and surprises, has the added enticement of a look inside the rarefied world of art experts and restorers. There is even a hint of the thriller genre, since Cornish joins British Intelligence to participate in an international scheme to defraud the Nazis of Old Masters. But this is primarily a character study, built around the theme: "what's bred in the bone comes out in the flesh," with the corollary that suffering endured when one is young builds character for later achievements. Born into an eccentric, wealthy Canadian family in a backwoods town, enduring a lonely and suffocatingly pious upbringing, Cornish eventually becomes a respected art appraiser and collector, at the sacrifice of his considerable talent as a painter. In addition to the tantalizing story of how this comes about, related with elements of intrigue and mystery, Davies delivers a wickedly funny, trenchant dissection of provincial society and some witty observations about religion and art. The book is seamlessly constructed, interpolating some marvelous set pieces of comic intensity, and the reader hurtles through the taut, compelling narrative wishing it would never end. 25,000 first printing; BOMC alternate. Foreign rights: Curtis Brown. November
Copyright 1985 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal
In this extraordinary fictional biography, the highly gifted Davies (The Cunning Man, Audio Reviews, LJ 11/15/95) makes use of guardian angels to tell his remarkable tale. Francis Cornish endures a secretive childhood in a remote town, fascinating encounters with its embalmer, and time in prewar Oxford where he studied art and philosophy. He eventually discovers his superior artistic talents and the problem of finding his own unique style. Author Davies has produced a gripping story of artistic triumph and heroic deceit, told with deep insight into the worlds of art and international espionage. This work is tailor-made for the eloquence of narrator Frederick Davidson. A fine addition to any library.?James Dudley, Copiague, N.Y.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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Product Details

• Paperback: 448 pages
• Publisher: Penguin (Non-Classics) (January 1, 1990)
• Language: English
• ISBN-10: 0140097112
• ISBN-13: 978-0140097115
• Product Dimensions: 6.8 x 4.1 x 1.7 inches
• Shipping Weight: 9.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars See all reviews (17 customer reviews)
• Amazon.com Sales Rank: #623,420 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars Davies certainly isn't faking, June 23, 2001

By	J. W. Reitsma (Haarlem, the Netherlands) - See all my reviews (REAL NAME)

This is the first book by Davies I ever read, and it remains my favourite. As I found out later, it is the centrepiece of what came to be known as the Cornish trilogy. It is the story of Francis Cornish, a talented artist from provincial Canada who is recruited into the British secret service and participates in a major art forging operation intended to thwart the nazis. In the course of the process he finds and loses the love of his life, paints a medieval tryptich depicting the Marriage at Canaan that is also a representation of the major figures in his life (all of them very colourful), unmasks another forger after the war and ultimately has to give up his career as a "medieval painter" when his masterpiece is purchased by a Canadian museum on the assumption that it is genuine. Cornish's life is narrated by his daimon, a sort of "biographical angel", and has many more twists and turns than I can possibly describe here. The book is full of Davies' urbane wit and Jungian wisdom. It tails off a bit towards the end, but that is compensated in the "sequel" about his nephew Arthur and his patronage of the arts, "The Lyre of Orpheus". Highly recommended, but I suggest you start with the first part of this trilogy, "The Rebel Angels". Newcomers, beware: Davies' fiction is highly addictive.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Even without the trilogy, an excellent book, June 26, 2000

By	"julies_27" (San Jose, CA USA) - See all my reviews

I didn't realize this was the middle book of the Cornish trilogy and read it first. I haven't read the other two yet, but I have to say that this book is excellent and one of the most entertaining books I have read this year. This book chronicles the odd adventures of Francis Cornish in a sweeping story which moves from Canada to Europe. Francis Cornish is just enough unlucky that you sympathize with his trials and tribulations, but his fantastic artistic skills and his many riches make him someone the reader might envy and not understand. Davies is an expert at telling this sort of life story, and I think this one is even more enjoyable than Fifth Business. He has a sense of what it is like to have characters at the hands of fate; in this novel, the daimons quite literally command and shape Francis's destiny. Reading this book definitely wanted to make me read the rest of the trilogy.

6 of 6 people found the following review helpful:

5.0 out of 5 stars One of the best novels ever written in any language., October 14, 2001

By	desefinado "desefinado" (Centennial, CO USA) - See all my reviews

Davies always anchors his world in the primal instincts, the truths of human nature. You are never quite prepared for the surprising complexity of his characters or the fate that awaits them. The realistic evolution of Francis from troubled boyhood to artistic savant is really a modern version of David Copperfield, except the female characters are more fully dimensioned than Dickens could ever manage. And there is nothing of Dicken's stuffiness here. This is great literature with a Monty Python flair. No matter how you slice it a convincing argument can be made that during the last ten years of his life Davies was the greatest living novelist writing in English.