The Third Man and The Fallen Idol (Classic, 20th-Century, Penguin) (Paperback)

~ (Author) "One never knows when the blow may fall..." (more)
Key Phrases: sewer police, ginger pop, baize door, Rollo Martins, Master Philip, Anna Schmidt (more...)

Product Details

• Paperback: 160 pages
• Publisher: Penguin Classics (July 1, 1992)
• Language: English
• ISBN-10: 014018533X
• ISBN-13: 978-0140185331
• Product Dimensions: 7.6 x 5 x 0.5 inches
• Shipping Weight: 4.2 ounces (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #349,194 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

4.0 out of 5 stars Two dark, ironic stories which led to early noir films. , June 24, 2005

By	Mary Whipple (New England) - See all my reviews (TOP 50 REVIEWER)    (COMMUNITY FORUM 04)

The Third Man, written originally as the outline for the screenplay of Carol Reed's famous 1949 film of the same name, is set in occupied Vienna just after World War II. The sectors established by the conquering British, Americans, French, and Russians contribute to an atmosphere of tension and mystery, and an almost palpable aura of menace as residents and visitors alike must deal with four different governments, four sets of officials, and four collections of laws as they move throughout the city.

Rollo Martins, an author of cowboy novels, arrives in Vienna to visit an old school friend, Harry Lime, only to find that he has arrived on the day of Lime's funeral. Investigating Lime's death, Martins learns that a neighbor saw the traffic accident that killed Lime and observed three men carrying Lime's body from the scene. Only two of those men have been identified--the third man has vanished.

As Martins investigates Lime's death, the novel is by turns exciting and darkly humorous, intensely visual in its descriptions and action, but lacking the characterization and thematic focus which one associates with most of Greene's work. The novella is full of wit and dark theatrics, and includes everything from a chase through the sewers to a love story.

The Fallen Idol, sometimes known as "The Basement Room," is, by contrast, a psychological, rather than plot-based story. Nine-year-old Philip, who idolizes the family's butler Baines, since his parents pay little attention to him, is left with Baines and his wife while the parents go on vacation. Baines is having an affair, and Philip innocently discloses this to his wife.

The resulting confrontation results in an accident in which the wife ends up dead, and Philip, panicked, runs out, only to be picked up by a policeman, to whom another naive remark conveys the idea that Baines has murdered her. Irony and a delightfully drawn child's point of view (unusual for Greene) make The Fallen Idol one of Greene's more interesting and twisted stories.

Both The Third Man and The Fallen Idol led to film collaborations between Greene and director Carol Reed--The Fallen Idol in 1948, and Reed's more famous film of The Third Man in 1949. Dark humor, elaborate ironies, and surprising twists characterize both stories and show Greene to be a master manipulator of perceptions. Mary Whipple

4 of 4 people found the following review helpful:

5.0 out of 5 stars Two sides of Greene: One good and another great, August 21, 2005

By	Alysson Oliveira "Alysson Oliveira" (Sao Paulo-- Brazil) - See all my reviews (TOP 1000 REVIEWER)

As Graham Greene admits in the preface of the novella "The Third Man", this story 'was never written to be read but only to be seen'. When invite by director Carol Reed to write a screenplay, the British novelist decided to write a short story first and then develop the script. As he confess, it is too hard to write a movie without having worked on the story previously, because the movie depends also on characterization, mood and atmosphere, and these are hard to be captured in the first time in a screenplay.

"The Fallen Idol" on the other hand, was already a published story when Reed invited Greene to work in the screenplay. The writer suspected it wouldn't be a good movie, but accepted the 'challenge' due to the respected he had for the director.

Greene wrote "The Third Man" only as a blueprint for the script and, nevertheless, both story and movie are great. It is a novella with a little more than 100 pages, and yet largely entertaining, as the writer wanted it to be. Not many writers are capable of doing such a amazing story without pretension -- because it is not easy to acquire simplicity.

The plot is not complicated as well. A British writer arrives in the pos-War divided Vienna to meet an old friend, who turns out to be dead. But there are some suspicious events surrounding his death -- and he also has a gorgeous girlfriend, who is very sad. Rollo, the main character, ends up investigating the death and there comes many twists in the plot of the story.

"The Third Man" is a very short narrative, nevertheless, Greene succeeded in all he wanted. More than anything, the story has atmosphere. Vienna is destroyed, picking up the pieces -- so are the characters who are caught in a plot bigger than themselves. However much Rollo doesn't want to be involved with his friend's death -- he can't avoid due to the train of events that catch him.

The writing is Greene at his best. The plot is convincing and well built with tension and fun coming from every page. Although the novel is slightly different from the movie, fans of Carol Reed's genial "The Third Man" can't be disappointed with the short story that was the genesis of this that is considered the best British movie ever.

"The Fallen Idol" is even a shorter story, and Greene couldn't believe it could be translated into a movie. It is a good piece of writing with believable characters and an engaging plot. But, when compared to "The Third Man" it lacks energy -- but it is not really a problem, since Greene's writing are never bad.

8 of 11 people found the following review helpful:

3.0 out of 5 stars An interesting story but not classic Graham Greene, February 6, 1999

By A Customer

The author states in the preface that "The Third Man" was never written to be read but only to be seen" which perhaps explains the sketchy treatment of characters throughout the story.At times I was confused by the various people in the book and had to reread some pages.The storyline was interesting and quite exciting and I look forward to seeing the film. The other story in the book,"The Fallen Idol",is only 30 pages long but Greene manages to convey a sinister atmosphere and great depth of characters-a very enjoyable story.