The Discovery of Heaven (Paperback)

by Harry Mulisch (Author), Paul Vincent (Translator) "At the stroke of midnight I contrived a short-circuit..." (more)
Key Phrases: sliding padlock, synthetic radio telescope, erratic stone, Sancta Sanctorum, Groot Rechteren, The Hague (more...)

Editorial Reviews

Amazon.com Review
Dutch novelist Harry Mulisch has created an epic tale of love, friendship, and divine intervention in this cerebral story of heavenly influence. On earth, the novel revolves around the friendship of a brilliant, charismatic astronomer and a talented linguist born on the same day. The two men also happen to share a lover, a woman of simple beauty who is a gifted cellist. These relationships, both intellectual and intimate, produce several intriguing conversations about science, art, and theology, and a child of uncertain paternity. The child's birth is closely followed by a number of mysterious accidents, spirited affairs, untimely deaths, and other acts that reveal the influence of higher powers. Quinten, the star-fated child, has a mission from on high to return the covenant God made with man before he was led astray by science and the dark influence of the devil. An engrossing, and at times comic, story of theology and science, angels, and earthly desires, is cleverly told in this hugely ambitious novel. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
In a new novel bulging with metaphysical speculation, Dutch author Mulisch masterfully intersperses mathematics, biology, linguistics, numerology, philosophy and theology. When two strangers meet on a cold night in The Hague, Onno Quist, a linguist and politician from a well-to-do family, and Max Delius, an astronomer, have no idea that their relationship will change the course of human existence. Their meeting, however, like many of the momentous events that occur in the novel, is no accident of chance. It is the product of the careful manipulations by two angels acting at the request of God, who, upset that people are on the verge of mapping the genetic code and thus deciphering the secret of creation, desires to wash His hands of His creation. Disgusted with human behavior, the two angels plot to retrieve the tablets bearing the Ten Commandments, thus breaking God's covenant with humanity. The two angels surmise that the 17th-century philosopher of science Francis Bacon made a pact with the devil for which all of mankind must atone?because scientific knowledge quickly superseded humanity's belief in God. The angels contrive a series of complex events involving Onno, Max and Ada Brons, a bright and beautiful cellist, in order to create Quinten, the boy who will be their unwitting instrument for fulfilling God's doomsday plan. As Onno, Max and Quinten think and work through their lives, they arrive, ultimately, at the impossible and forbidden?the discovery of heaven by means of science rather than faith. God has never been so unforgiving. Hope remains, however, that the next fallen angel might be more benevolent than the last. Mulisch, author of the critically hailed Last Call and The Assault, has created a masterpiece that not only brings his characters closer to discovering heaven but also prods them nearer to knowing themselves. Remarkably, he escalates his plot to ever more complex levels of thought without diminishing the strong, suspenseful (and, in Vincent's fluid translation, often funny) narrative thrust. This is novel-writing on a gloriously grand, hubristic scale.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 736 pages
• Publisher: Penguin (Non-Classics); Reprint edition (November 1, 1997)
• Language: English
• ISBN-10: 0140239375
• ISBN-13: 978-0140239379
• Product Dimensions: 7.8 x 5.3 x 1.5 inches
• Shipping Weight: 1.3 pounds (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars See all reviews (54 customer reviews)
• Amazon.com Sales Rank: #67,996 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

5.0 out of 5 stars The Discovery of Heaven, December 30, 2006

By	Damian Kelleher (Brisbane, Australia) - See all my reviews (REAL NAME)

Two angels are conversing. Apparently, Francis Bacon - the 16th century scientist credited with establishing, among other things, the scientific methodology known as the 'Baconian Method' - made a pact with the devil, which caused humanity to lose their way with God, instead embracing the more vapid realm of technological progress; gadgets, as it were. God is convinced that the covenant between heaven and earth is broken and has charged the angels with retrieving the original stone tablets that contain the Ten Commandments as handed down by God to Moses on the summit of Mount Sinai. To do this, a perfect human must be created - the angels intervene with twentieth century history to ensure that this occurs.

A complicated setup, to be sure. Happily, for at least the first half of the novel, the heavy theological implications of The Discovery of Heaven do not weigh the novel down. Rather, we are invited into the intelligence, artistic and creative world that is the friendship of Onno Quist and Max Delius.

They were conceived on the same day, but are completely different. Onno is hugely intelligent, but suffers from a mind that is too rarefied for the concrete harshness of the world. A savant when it comes to languages, Onno made his name in the world of linguistics by translating Etruscan. 'It was because I made Etruscan comprehensible. The greatest minds in the world had failed - even Professor Massimo Pellegrini in Rome was too stupid - so I thought I may as well do it.' For now, he studies obscure topics and lives comfortable on the interest from his father's inheritance.

Max Delius lost his parents at a very young age during World War II. His mother was a Jew; she met a predictably sad end in a concentration camp. His father was a Dutch officer in the German army, it was his hand that indirectly caused the death of his wife. As a result of this, Max lives his life convinced that at any time, the people that he holds close could leave him. He is an astronomer, spending his free time seducing a string of random women who mean nothing at all.

But when they meet by chance when Onno is hitching a ride home to Amsterdam (a meeting assisted by the unseen hand of an angel), something immediately clicks. From this random encounter comes a friendship that is strong beyond anything they have experienced before. 'Max had never met anyone like Onno, Onno had never met anyone like Max - as a self-proclaimed pair of twins, they did not cease to delight in each other.'

Once this relationship has solidified, a third party enters. Of course, she is a woman, but the novel does not take a predictable turn in having a rivalry for Ada Brons' hand dominate the story. No, she begins as Max's girlfriend and ends as Onno's wife, but the way in which this is handled never for a moment suggests a clash of will, a fight for love. Max is happy that Ada is with the one man in the world he loves without reservation, Onno is gently surprised that he could ever be married at all. Later, in Cuba, under ambiguous circumstances, Ada becomes pregnant - but to Max, or to Onno? It is not clear to them, though the angels make it clear for us.

After decades of work, the angels have maneuvered everything and everyone into place. Max, Onno and Ada were all required to be born to properly create the child who could return the tablets to Heaven, and this has now been accomplished. The first half of the novel is concerned not with this theological problem but with the sweet, endearing friendship between Max and Onno and, to a lesser extent, the bond they share with Ada.

Mulisch is adept at creating a believable adult-male friendship. Max and Onno are both very intelligent, able to bounce ideas and theories of one another on subjects ranging from Kafka to translation and everything in between. A discussion on the noticeable warmth left behind when someone has been sitting on a chair is particularly clever, and funny in its simple truth. While the two men generally discuss matters of history, philosophy, and the spectrum of ideas, there is never a sense that Mulisch is hitting us over the head with his cleverness. Rather, we can believe that we are listening to two intelligent men talking about whatever it is that intelligent people discuss. Unlike, say, a Pynchon or an Eco, conversations do not exist to flaunt the erudition of the author, but rather the character of the characters.

Midway through the novel, pre-arranged tragedy strikes. A very pregnant Ada is involved in a car accident, she falls into a coma from which the likelihood of recovery is slim. But her child is alive and, through the intricacies of modern medicine, is delivered healthy and safe at seven months, by cesarean. Thanks to a complicated narrative device, Max becomes the caretaker of the child, Quentin.

The novel shifts quite dramatically in tone. While Onno embroils himself within the intricacies of Dutch politics, Max raises Quinten, the child which embodies the hopes of the angels, and of God. From a intellectually rambling novel of friendship and adventure, comes a more sedate, measured story of a child's growth and education.

What do we learn of Quinten? He grows up in an old castle, populated with vaguely eccentric characters, each of which is capable of - and willing to - teach him snippets of information which will come to play a large part in his destiny. From one man he learns of Judaism, from another, architecture. He is a curious, sensitive, quiet boy; his stunning good looks inspire trust and warmth in others.

The Discovery of Heaven slows down dramatically as Quinten grows from a baby to a young adult of seventeen. Oddly, large parts of his childhood are glossed over, yet the sensation of a slow novel remains. This is neither to Mulisch's credit or detriment - the novel simply changes pace, a fact which is immediately noticeable from the end of the second part and the beginning of the third.

There is never any doubt that Quinten will achieve his goal - indeed, we are almost led to believe by the angels that the large majority of twentieth century history occurred so that Quinten could be born. This is not meant to be a thriller, though the pages turn with rapidity, due to Mulisch's skill with words and penchant for interesting asides and digressions.

Perhaps the greatest pleasure in The Discovery of Heaven comes from the consistently thought-provoking text. While the last two hundred pages are dominated with theological (both Catholic and Jewish) problems and ideas, there is enough non-theological meat to satisfy any curious reader. Max's interest in astronomy serves as a jumping point for all manner of mini-essays, and Onno's autodidactism is a treat in itself. Any event, any situation, any conversation, gives Mulisch a chance to allow his characters to shine with their insight and intelligence. The narrator, nominally Mulisch himself, is certainly not shy of following whichever intellectual path takes his fancy, though these are nowhere near as involved or involving as the problems the characters themselves raise and discuss.

The Discovery of Heaven is astonishingly ambitious. It tackles a great many themes, and handles all of them with intelligence and candour. Mulisch treats his readers with dignity by explaining every difficult concept in such a way that we feel neither insulted by our lack of knowledge, or that we are in over our heads as character's spout obscure factoids and ideas. While the novel may be too difficult or too long for some, it is unhesitatingly recommended for all others who crave the sort of writing that inspires, that questions, that encourages thought.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Divine Intelligence requires endurance..., November 18, 1999

By	Peter Nudehula ([e-mail]) (Austin, Texas) - See all my reviews

Mulisch's "The Discovery of Heaven" is a beautiful novel... takes a good while to read and absorb the overflowing imagery and mindblowing brushes with the Dutch intellectuals, but to be simply put, it is inspiring. Max Delius and Onno Quist: bosom buddies (as you will learn upon reading) = the definition of true friedship, or as one may call it, Camaraderie. The travel, theology, science and history contained... enlightening. I may still be overwhelmed by the technique and detail that Mulisch had used to create this masterpiece. For any who have picked this novel up and put it down, I would highly recommend capturing what you have once let slip through your fingers. For potential readers skimming through the Amazon, you will be all the wiser for reading "The Discovery of Heaven".

15 of 18 people found the following review helpful:

5.0 out of 5 stars a philosophical joyride, August 9, 2000

By	Tina Morris "schultheiss" (Rockville, MD USA) - See all my reviews (REAL NAME)

This is one of the best books I have read in years. The way it starts off, it reminds you of "it's a wonderful life", because there is these 2 guys in Heaven discussing how they manipulate our fate here on earth. As we leave heaven and enter the story, the characters of Max and Onno immediately involve you. They could not be more different and better matched at the same time and we breathlessly follow them through the beginnings of their friendship and their incredible discussions about life, music, history, philosophy, the universe. This is one of the greatest qualities of this book: in the discussions of Onno and Max, as well as in other casual settings in the book, Mulisch displays an impressive knowledge of history, philosophy, art, and music without ever sacrificing tension in his storyline. The reader just gobbles up this information without ever having the feeling of having been lectured. The story takes some very incredible turns that will make your jaw drop and read even faster, and when it is all over, you will be sorry you finished it so fast and immediately vow to read it again because you ran too fast through all those passages of sheer beauty in thought and writing.