The Third Man (Paperback)

~ (Author) "ONE NEVER knows when the blow may fall..." (more)
Key Phrases: second bezirk, sewer police, lone rider, Rollo Martins, Anna Schmidt, Harry Lime (more...)

Editorial Reviews

From Library Journal

Greene's novella, or "entertainment," was written in 1950 as a sort of preliminary draft for a screenplay and was not actually intended to stand alone as a written work. The motion picture, stated Greene, is better than the story because it is the story in its finished state, and it is the film, starring Joseph Cotten and Orson Welles, that most people will remember. This audiobook, however, brings the story to life very effectively, with all its suspense, odd turns of plot, and intriguing characters placed in the powerful setting of post-World War II Vienna. Murder, racketeering, mystery, and subterfuge combine for a compelling tale that is simple, economical, concise, and very satisfying. Reader Martin Jarvis communicates the mood and pace with intensity and skill and good character differentiation. Chapter breaks and side ends are marked musically by, what else, the famous zither-performed theme song. The story, complete on two cassettes, will please patrons who prefer a shorter commitment. Recommended for all popular collections.?Harriet Edwards, East Meadow P.L., NY
Copyright 1999 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

Review

"Graham Greene was in a class by himself... He will be read and remembered as the ultimate chronicler of 20th-century man's consciousness and anxiety." -- William Golding

"Greene was a great writer who spoke brilliantly to a whole generation." -- Alec Guiness

"Jarvis never misses an opportunity to accentuate Greene's elegant descriptions, making the nuances hard-edged and poetic at the same time. Jarvis excels at making each player distinct, but never lets any one overshadow the compelling drama of secrets, searches and shifting allegiances. Smooth and precise, Jarvis brings Greene's story alive in exquisite detail and with superb characterizations." -- AudioFile, October/November 1998

"Jarvis, an award-winning narrator, captures the cynicism and paranoia of the story...He effortlessly slips into a flat American twang or the clipped speech of a working-class Brit. But that's secondary to his smooth, deep voice and intelligent interpretation." -- Los Angeles Times, August 1998

"Narrator Martin Jarvis' performance is first-rate." -- Chicago Tribune, August 30, 1998

"Some books are so effective on tape that they're arguably better heard than read. Audio Editions' version of Graham Greene's The Third Man, read by Jarvis, begins with the haunting zither music of the film, and Jarvis' cynical, assured voice brings Harry Lime to seedy life - and death." -- The New Yorker, October 19, 1998

Publishers Weekly 1998 Audio Award Winner for Literary Classics. -- Publishers Weekly

Graham Greene was "a master storyteller, one of the first to write in cinematic style with razor-sharp images moving with kinetic force." -- Newsweek --This text refers to the Audio Cassette edition.

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Product Details

• Paperback: 160 pages
• Publisher: Penguin (Non-Classics) (May 1, 1999)
• Language: English
• ISBN-10: 0140286829
• ISBN-13: 978-0140286823
• Product Dimensions: 7.6 x 5.1 x 0.6 inches
• Shipping Weight: 3.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (18 customer reviews)
• Amazon.com Sales Rank: #388,570 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

5.0 out of 5 stars Intrigue, betrayal, and constantly shifting alliances, May 22, 2002

By	Linda Linguvic (New York City) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

When Graham Green wrote this in 1949, he had a screenplay in mind. However, even though this short novella is only 157 pages long, it certainly can stand on its own. The setting is post-war Vienna, a once-beautiful city that was now nothing but war rubble. It's administered by the four victorious nations, Russia, France, Great Britain and the United States, and they all communicate with each other in the language of their former enemy. There's a somber mood, a feeling of decay and destruction throughout. And, of course there's a mystery, and lots of suspense, as the reader is swept into a story of intrigue, betrayal and constantly changing alliances.

The form is interesting too as it's narrated by a British policeman. He has some interesting philosophical discussions with the lead character, a fellow Brit named Rollo Martins who has been summoned to Vienna by a long-time friend, Harry Limes, only to find a funeral in progress for Limes when he arrives. The mystery deepens as he sets upon doing his own form of detective work. The writing is stark, with excellent dialog and the cast of characters is somewhat confusing at first. As we learn more and more, the book picks up speed and we're hurtled into the conclusion that, while it is satisfactory, never really answers all of the questions raised. With just a few words though, it made me look at some deeper issues than the plot, such as the moral conscience of the characters as well as the particular time period in which they lived. And if there are no easy answers? Well, that's the way life is.

9 of 9 people found the following review helpful:

3.0 out of 5 stars An interesting curiosity, but by no means a classic, November 7, 2000

By	"scottish_lawyer" (Edinburgh, Scotland) - See all my reviews

Greene's novella of The Third Man reminds me a lot of Whit Masterton's Badge of Evil (adapted by Orson Welles for Touch of Evil). It is a pacy story, exciting, with enough to keep a reader's interest, but when contrasted with the film that followed it does not bear comparison.

This is simply a film treatment. It was a novella written by Greene to provide a plot, and characters for an original screenplay director Carol Reed wished him to write (following an earlier successful collaboration). It was never intended to be a stand alone novel. And in a fascinating introduction Greene advises the reader of the changes forced on the original screenplay in the collaboration.

In the novel the story is narrated by Major Calloway, and is reliant on other's recollections of events (notably the writer Rollo Martins). The central character (Joseph Cotten in the film) is Rollo, not Holly Martins. Rollo being an English writer of Westerns under the pen name Buck Dexter. This leads to a "comic" misunderstanding where Martins is mistaken for a great English Man of Letters, B Dexter. Never convincing the change to an American lead ejects this from the film, and allows the comedy of the literary meeting to arise from Martins championing by Calloway's sergeant in the film.

The change to an American lead in the film, and therefore the change in nationality of Harry Lime (originally to have been played by Noel Coward, but thankfully played by Orson Welles in the film) meant that an anicllary character (Cooler) became Romanian in the final film - in order to avoid upsetting American filmgoers.

Aside from the changes to character, there are one or two alterations to plot (particularly in relation to Anna).

The novella as a stand alone text is a passable entertainment, and demonstrates Greene's ability at creating quirky interesting characters, and giving a novel a sense of place and atmosphere. Vienna is wonderfully evoked (although whether this stems simply from the writing, or is recollections of a wonderful film, I cannot be certain). It does not rank alongside the great Greene entertainments, such as Our Man in Havana; and certainly cannot rate with great novels like The Power and the Glory, The Human Factor, or The Heart of the Matter.

This is little more than an interesting curiosity, an opportunity for a reader to view the rough draft of a screenplay for one of the greatest films ever made. From it we learn that Greene could not write a book that was not entertaining, but we also see just how much of a role Carol Reed, actors, and music, had in creating the final film. Film is very much a collaborative process, and this film treatment was written with that very much in mind.

6 of 6 people found the following review helpful:

4.0 out of 5 stars 1949: when "fear outweighed comedy" in occupied Vienna., March 28, 2005

By	Mary Whipple (New England) - See all my reviews (TOP 50 REVIEWER)    (COMMUNITY FORUM 04)

Written originally as the outline for the screenplay of the famous 1949 film of the same name, Greene sets the story in Vienna just after World War II, employing the sectors established by the conquering British, Americans, French, and Russians to provide tension, mystery, and an almost palpable aura of menace as residents and visitors alike must deal with four different governments, four sets of officials, and four collections of laws as they move throughout the city. With massive bomb damage, the city is still emerging from devastation. Black markets, selling everything from food to penicillin, abound.

Rollo Martins, the author of cowboy novels written under the name of Buck Dexter, arrives in Vienna to visit an old school friend, Harry Lime, only to find that he has arrived on the day of Lime's funeral. Investigating Lime's death, Martins learns that a neighbor saw the traffic accident that killed Lime and observed three men carrying Lime's body from the scene. Only two of those men have been identified--the third man has vanished.

As Martins investigates, he must deal with the city's several different governments, each of which has carved out a sector. The initial co-operation among sectors has vanished, and co-operation with the Russian sector is almost non-existent. Wanted men use the city's sewers to escape from one sector to another, where they cannot be followed. The investigation of Lime's death becomes more complex when an inebriated Martins is sure that he has seen Harry Lime on the street.

By turns exciting and darkly humorous, the novel is a curiosity among Greene's entertainments, since this story was never written to be a novel at all. Intensely visual in its descriptions and action, it lacks the characterization and thematic focus which one associates with most of Greene's work. The novel's dialogue, rather than narrative, conveys the story, as it does in the film, and the setting in a war-torn city adds to the sense of danger and drama. Certainly not one of Greene's "finished" novels, it is still fun to read, especially when one is familiar with the even better film of it, directed by Carol Reed and starring Orson Welles, Joseph Cotton, and Trevor Howard. Of particular interest to those studying writing and film-making, Greene's novella is full of wit and dark theatrics, and includes everything from a chase through the sewers to a love story. Mary Whipple