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Editorial Reviews
Amazon.com
In this eclectic anthology of war writings, military historian John Keegan (author of The Face of Battle and The Second World War) has collected some of the best that has been thought and said about armed conflict over the course of 25 centuries. Keegan is especially interested in how war has evolved over time; his introduction is a brief history of this development, from the heroic age of individual combat to the horrific "total war" of the 20th century. He begins with a pair of 5th-century-B.C. excerpts from Thucydides and concludes with a British soldier's brief description of combat against Iraqi soldiers in the 1991 Gulf War. In between are selections by Julius Caesar, Davy Crockett, Victor Hugo, George Orwell, and many others. If there is a theme to this book, it may be the clash of cultures: what happens when different military traditions collide, such as when the Romans invaded Britain, the Muslim Turks besieged Malta, or General Custer and the 7th Cavalry faced the Sioux in Montana. He understandably gives only cursory attention to several wars--the U.S. Civil War, Korea, and Vietnam--and lingers a bit on his coverage of the First World War (which Keegan views as a key to interpreting the whole 20th century) and the Second World War. The selections themselves are continually exciting, and rarely predictable. There are even a few poems thrown in for good effect. The Book of War may focus on an awful subject ("The history of all forms of warfare is ... essentially inhumane," writes Keegan), but it is also full of awfully good writing. --John J. Miller --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Keegan (the bestselling The First World War) stands out among contemporary writers of military history for the literary sensibility he brings to the subject. In his introduction to this anthology, he writes that he organized his selections around contrasting military traditions: a "Western" way of war based on a code of behavior that includes mercy to the vanquished, and a more tribal approach observing few inhibitions. Thankfully, Keegan's literary sense overrides this artificial framework. He offers nearly 100 vignettes from around the world, selected with an artist's eye and a historian's judgment, that combine to show war's multiple faces. The authors are great captains like Julius Caesar and the Duke of Wellington, as well as front-line warriors such as Gulf War veteran Andy McNabb. Elizabeth Custer has her place, as do Davy Crockett and Rudyard Kipling. Some accounts capture the immediacy of war, like William Laurence's narratives on the atomic bombing of Nagasaki. Some voices are matter-of-fact, like George MacDonald Fraser's account of soldiers' stoic mourning of a comrade. Others, like Ernest Hemingway's 1918 letter from the Italian front, are self-consciously literary. Familiar settingsAthe trenches of the Great War; Russia in 1812Acontrast with Jesuit missionary Paul Ragueneau's account of an Iroquois Indian raid in 17th-century Canada. What the selections share is passion. All the men and women in these pages engage their experiences fully. Once again, Keegan has opened a door onto the human condition, showing that we are defined by warAat least in part. Major ad/promo. (Nov.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
In this eclectic anthology of war writings, military historian John Keegan (author of The Face of Battle and The Second World War) has collected some of the best that has been thought and said about armed conflict over the course of 25 centuries. Keegan is especially interested in how war has evolved over time; his introduction is a brief history of this development, from the heroic age of individual combat to the horrific "total war" of the 20th century. He begins with a pair of 5th-century-B.C. excerpts from Thucydides and concludes with a British soldier's brief description of combat against Iraqi soldiers in the 1991 Gulf War. In between are selections by Julius Caesar, Davy Crockett, Victor Hugo, George Orwell, and many others. If there is a theme to this book, it may be the clash of cultures: what happens when different military traditions collide, such as when the Romans invaded Britain, the Muslim Turks besieged Malta, or General Custer and the 7th Cavalry faced the Sioux in Montana. He understandably gives only cursory attention to several wars--the U.S. Civil War, Korea, and Vietnam--and lingers a bit on his coverage of the First World War (which Keegan views as a key to interpreting the whole 20th century) and the Second World War. The selections themselves are continually exciting, and rarely predictable. There are even a few poems thrown in for good effect. The Book of War may focus on an awful subject ("The history of all forms of warfare is ... essentially inhumane," writes Keegan), but it is also full of awfully good writing. --John J. Miller --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Keegan (the bestselling The First World War) stands out among contemporary writers of military history for the literary sensibility he brings to the subject. In his introduction to this anthology, he writes that he organized his selections around contrasting military traditions: a "Western" way of war based on a code of behavior that includes mercy to the vanquished, and a more tribal approach observing few inhibitions. Thankfully, Keegan's literary sense overrides this artificial framework. He offers nearly 100 vignettes from around the world, selected with an artist's eye and a historian's judgment, that combine to show war's multiple faces. The authors are great captains like Julius Caesar and the Duke of Wellington, as well as front-line warriors such as Gulf War veteran Andy McNabb. Elizabeth Custer has her place, as do Davy Crockett and Rudyard Kipling. Some accounts capture the immediacy of war, like William Laurence's narratives on the atomic bombing of Nagasaki. Some voices are matter-of-fact, like George MacDonald Fraser's account of soldiers' stoic mourning of a comrade. Others, like Ernest Hemingway's 1918 letter from the Italian front, are self-consciously literary. Familiar settingsAthe trenches of the Great War; Russia in 1812Acontrast with Jesuit missionary Paul Ragueneau's account of an Iroquois Indian raid in 17th-century Canada. What the selections share is passion. All the men and women in these pages engage their experiences fully. Once again, Keegan has opened a door onto the human condition, showing that we are defined by warAat least in part. Major ad/promo. (Nov.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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