The Marble Faun: or, The Romance of Monte Beni (Penguin Classics) (Paperback)

by Nathaniel Hawthorne (Author), Richard H. Brodhead (Contributor) "FOUR INDIVIDUALS, in whose fortunes we should be glad to interest the reader, happened to be standing in one of the saloons of the sculpture-gallery,..." (more)
Key Phrases: sculptor fancied, dead monk, furry ears, Monte Beni, New England, Saint Peter (more...)

Editorial Reviews

Review
?Describ[es] Rome and Italian scenes as few others have.? ?Anthony Trollope -- Review --This text refers to an out of print or unavailable edition of this title.

Review
“Describ[es] Rome and Italian scenes as few others have.” —Anthony Trollope --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 528 pages
• Publisher: Penguin Classics (November 1, 1990)
• Language: English
• ISBN-10: 0140390774
• ISBN-13: 978-0140390773
• Product Dimensions: 7.6 x 5 x 1 inches
• Shipping Weight: 0.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.6 out of 5 stars See all reviews (16 customer reviews)
• Amazon.com Sales Rank: #586,029 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

19 of 21 people found the following review helpful:

3.0 out of 5 stars Innocents Abroad, March 16, 2002

By	IRA Ross (HOBOKEN, NJ United States) - See all my reviews (REAL NAME)

_The Marble Faun_ concerns three young American artists, Miriam, Hilda and Kenyon, and their Italian faun-like friend, Donatello, whose characters are transformed while on their stay in Rome, the Eternal City. _The Marble Faun_ is very reminiscent of Henry James' novella, "Daisy Miller," where a young and innocent American woman falls under the deleterious spell of this European city. In fact, Hilda, while visiting one of its art galleries is warned by an old German artist to go back to America soon "or you will go never more...The air has been breathed too often, in so many thousand years, and is not wholesome for a little foreign flower like you, my child, a delicate wood-anemone from the western forest-land." Hilda witnesses a serious crime being committed by Donatello and Miriam (supposedly, neither of whom would have done so were it not for the evil influence of Rome's atmosphere) and becomes overwhelmed from ensuing feelings of guilt and depression. Despite her Puritan heritage, Hilda is compelled to unburden herself by seeking confession with a Catholic priest, who suggests that she convert to Catholicism. Hilda seriously considers, but decides to resist this transformation.

Hawthorne spends much of the novel in describing in detail Rome's architecture, its art galleries, churches, and its many other landmarks and shrines. When relevant to the story--especially in the author's depiction of the catacombs (from whence Miriam and Donatello commit their unforgivable deed), sunlight streaming through a church's stained glass windows, the extinction of a legendary flame standing before a lofty shrine, and the majestic bronze statue of a pope stretching out his hand in benediction--the effects are quite wonderful. However, a sizable portion of the novel is merely endless travelogue, which seriously detracts from this fairly well-told gothic romance. I did very much like Hawthorne's portrayal of carnival-time in Rome towards the end of the book, and the author's conversation with Kenyon and Hilda at the novel's conclusion is quite charming.

13 of 14 people found the following review helpful:

5.0 out of 5 stars Hawthorne's Best Novel, August 10, 2001

By	Steve Thompson (Denver, CO) - See all my reviews

I've always failed to understand why The Marble Faun has been overlooked for so long. Hawthorne did a masterful job of weaving together many different elements -- from mythological references and the retelling of The Fall, to Rome's amazing architecture and the beauty and power of art, and ultimately to some of the fundamental questions faced by humanity. He may have done this with such mastery and subtlety that not everyone picks up on the undercurrents of the text that hold this book together.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Splendid 19th Century Travel Companion!, May 23, 2001

By	"alorentzen" (Massachusetts) - See all my reviews

Thinking about traveling to Italy? Wait! Do not leave behind your most useful travel companion. Disregard Rick Steve's and Let's Go. The Marble Faun was the premiere 19th Century travel guide to Rome and should be for the 21st century traveler. This book will lead you around the ancient city without skipping any of the awe-inspiring sights. For travelers after The Marble Faun's publication in 1860, the novel was a necessary item for their European escapades. Masterfully constructing his story around four distinct characters, Miriam, Hilda, Kenyon, and Donatello, Hawthorne takes the reader on an adventure which holds as much intrigue as the splendid landmarks these travelers encounter in their own journeys. For one who enjoys art and the discussion of art, this book will provide everlasting enjoyment. Indeed, Hawthorne captures the ex-patriot community of artists who settled in Rome during the 19th century in an attempt to associate themselves and their work with the Old Masters. Through Hawthorne's exceptional narrative, the reader gains further understanding of the mindset of copyists who wish to discover the true essence of such famous works as the faun of Praxiteles. This work experiments in its narrative form and one must be willing to flow with it. The chapters at times jump from different characters and events with out much warning to the reader. In addition, Hawthorne interjects his own point of view from time to time. If the reader is sensitive to this un-structure then they will have little trouble enjoying the mystery as well as the valuable description. Hawthorne changed the standards for American travel writing with this novel. Without it, Henry James, among others, may not have followed his lead. It is time The Marble Faun won the recognition it deserves!