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56 of 61 people found the following review helpful:
4.0 out of 5 stars
Would've Given It a 5-Star Rating If Not for..., October 8, 1999
its rather hurried and ambigious ending, which leaves the reader having to form his/her own version of the ending ie. whether a happy or sad one. (Read the Signet Classic, the afterword by Jerome Beaty explains that Charlotte Bronte actually wanted a somewhat sad ending to the story, but her father wanted it to be a happy one, so Bronte compromised by leaving the ending 'hanging' so that the readers can decide for themselves how the story ends.)Apart from the above dissapointment, this is a marvelous classic and beautifully written, a great and indepth analysis of the workings of the human heart and mind. I loved it better than Jane Eyre (except for the ending: Jane Eyre's is more complete and satisfying). You'll love the character of M.Paul - despite his eccentric behaviour, he's really a darling with a heart of gold, which Lucy Snowe soon discovers! I recommend that you buy the Signet Classic version which has the English translation to the over 400 French phrases found in the book.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Villette, Charlotte Bronte's underrated masterpiece, September 20, 2000
Having read this book 7 times over the past 15 years, I find that the story and characters just get better and better! As much as I idolize _Jane Eyre,_ this story of the oft depressed and melancholy Lucy Snowe sparks the imagination. Lucy is a Jane Eyre without the chutzpah, and with loads less self-esteem; but shares Jane's strict code of conduct, and forces you to value her. In a way, I believe Lucy finds an even worthier match than Jane did--in M. Paul Emmanuel, passionate professor of literature. In a way, the scenes between him and Lucy excite my imagination all the more, because they're understated, AND because I already know how the story ends. The pain lends the love story incredible passion--the tame, orderly, parallel love story of Graham and Paulina just places that of Paul and Lucy in greater relief. The two greatest actions in the book--a slap and a kiss--are so climactic and satisfying, that when I get to that section of the novel, I won't put it down until the end. I am still reeling! Was it better to have loved and lost? _Villette_ answers that question with a resounding affirmative.
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36 of 43 people found the following review helpful:
4.0 out of 5 stars
A portrait of the artist as Lucy Snowe, March 10, 2000
"Villette" is a more complex, mature novel than "Jane Eyre" and, to many readers, a more unsatisfying one. Unlike "Jane Eyre", "Villette" is no Cinderella tale, and there is no Rochester to stir the heroine's -- and the reader's --emotions. In "Villette", Bronte gives us Lucy Snowe, whom she resembled in many ways: plain, prim, no-nonsense, practical to a fault, and suffering the pains of unrequited love. Unlike the happy ending which delighted us in "Jane Eyre", Lucy finds a hope of happiness at last with M. Paul Emanuel, only to have her prospects shipwrecked literally and figuratively at the end of the book. Many readers have a problem with Bronte's liberal use of French throughout the book which disrupts the narrative, and her forays into Gothic romanticism, which seem contrived and artificial. A more serious problem, for this reviewer, is Bronte's insularity and her narrow-minded frame of reference which rejects anything un-English and un-Protestant. Even with these flaws, "Villette" is a deep, thought-provoking portrayal of the pain of lost illusions.
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