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Five Plays (Penguin Classics)
 
 
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Five Plays (Penguin Classics) (Paperback)

by Thomas Middleton (Author), Bryan Loughrey (Editor), Neil Taylor (Editor) "Enter WITGOOD, a gentleman, solus..." (more)
Key Phrases: probo tibi, est animal rationale, bawdy innuendo, Master Dampit, Master Hoard, Master Witgood (more...)
4.2 out of 5 stars See all reviews (4 customer reviews)

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Editorial Reviews

Product Description
Thomas Middleton (1580-1627) was one of the most prolific and fascinating playwrights of the Jacobean era, producing nearly fifty theatrical pieces in a quarter of a century. This collection comprises five of his most powerful plays, from the comedies satirizing city life, "A Trick to Catch the Old One", and "A Chaste Maid in Cheapside", to his later tragedies "Women Beware Women" and "The Changeling", in which Middleton reveals a world dominated by the corrupting power of lust and subject to the futility of human pretensions. Also included is "The Revenger's Tragedy", originally ascribed to Cyril Tourneur, a Revenge Play infused with sardonic wit and biting irony.

About the Author
Thomas Middleton, one of the greatest of Jacobean dramatists, was born in 1580, the son of a well-to-do London bricklayer. He went to Oxford but seems not to have gained a degree. Thereafter he pursued the precarious career of a professional writerin London. In a quarter of a century he wrote, either on his own or in collaboration, nearly fifty plays and other theatrical pieces. His greatest contemporary success was A Game at Chess, which was suppressed by the government. He died in 1627.

Product Details

  • Paperback: 464 pages
  • Publisher: Penguin Classics (October 4, 1988)
  • Language: English
  • ISBN-10: 0140432191
  • ISBN-13: 978-0140432190
  • Product Dimensions: 7.6 x 5 x 0.9 inches
  • Shipping Weight: 11.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #341,556 in Books (See Bestsellers in Books)

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    #2 in  Books > Literature & Fiction > Authors, A-Z > ( M ) > Middleton, Thomas

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4 Reviews
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14 of 14 people found the following review helpful:
5.0 out of 5 stars True dramatic masterpieces from the English Renaissance, September 9, 2005
By Q (my office) - See all my reviews
This is probably the best available collection of Middleton's wonderful plays. It includes the interesting "city comedies": "A Trick to Catch the Old One" and "A Chaste Maid in Cheapside," which reveal so much about 17th century London culture. The highlight of this collection, however, is undoubtedly the 3 great tragedies "The Revenger's Tragedy," "Women Beware Women" and "The Changeling." Modern movies have nothing on Jacobean drama when it comes to sex and violence. Incest, adultery, murder, and poison are all the order of the day here. The female leads are fascinating psychological studies. These are disturbing plays! Unlike the Oxford editions of Middleton, the editing here never gets in the way of your enjoyment of the text. Footnotes are used to aid with the occasionally unfamiliar language, but they are never obtrusive. The introduction is insightful and interesting. If you like Shakespeare, you will probably enjoy Middleton also. While his poetry is not as consistently sublime as Shakespeare's, Middleton is fully comparable with the other great English Renaissance playwrights Christopher Marlowe, Ben Jonson, and John Webster. The only really significant play by Middleton which is missing here is "A Game at Chess," an anti-Catholic satire which is historically fascinating.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Not too keen on the introduction, but., October 11, 2004
First, there's an irritating mistake in the blurb, which says: "'In this play,' T.S. Eliot wrote of Women Beware Women, 'Middleton is surpassed by one Elizabethan alone and that is Shakespoeare.'" First of all, Eliot was writing about The Changeling; and second, he qualified his statement with "in the moral essence of tragedy" and remarked that Middleton's plays were inferior to Webster's great tragedies in poetry and dramatic technique. Another inaccuracy is the Introduction's claim that Middleton received "little approving attention" in the first half of the 20th cent. -- though T.S. Eliot praised him highly both as a comic and a tragic writer (not to mention his repeated praise of The Revenger's Tragedy, which he thought was by Tourneur), and William Empson treated the subplot of the Changeling in Some Versions of Pastoral.

The trouble with the introduction otherwise is that it ignores the verse, the characterisation, the handling of individual scenes -- in short, everything that makes these plays worth reading -- and talks entirely about Themes instead. The development of Middleton's verse style is something that should be mentioned at least in passing in a selection of his plays; and maybe some attention should have been paid to the details of the Middleton-Rowley collaboration in The Changeling.

The plays are well worth reading, though, especially the three tragedies. The comedies have their moments, certainly, but I find them less immediately enjoyable than Jonson's, Shakespeare's or Massinger's.
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6 of 8 people found the following review helpful:
4.0 out of 5 stars The top five?, August 4, 2001
By "clayzebra" (Bryn Mawr, PA United States) - See all my reviews
This edition contains what can be argued to be Middleton's most famous plays: A Trick to Catch the Old One, The Revenger's Tragedy, A Chaste Maid in Cheapside, Women Beware Women, and The Changeling. I always appreciate it when a collection contains "greatest hits" without being interspersed with more obscure works. Penguin Classics also includes a nice introduction.

As for the actual plays, they are classic Renaissance drama. There is plotting, marriage, and revenge. Fans or students of Jonson, Massinger, Marston, and Shakespeare are likely to be interested in these as well.

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3.0 out of 5 stars Edition well-suited for intermediate academic study
This is a serviceable compilation for the study of Thomas Middleton, a contemporary of Shakespeare who is often compared favorably to the famous bard. Read more
Published on March 11, 2005 by Matt Hetling

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