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20 of 20 people found the following review helpful:
5.0 out of 5 stars
Men (and Women) of Iron, August 11, 2000
Whenever I confront the Icelandic sagas, as I have the urge to do from time to time, I feel anew the onrush of a different reality. Did someone do you dirt? Then bushwhack him and and his family and put them all to the sword. There will be settlements to be paid based on your wealth and influence and that of your victim's friends and remaining family, and the desire of your neighbors to put a cap on a burgeoning intergenerational blood feud. Divorce? Tell your old man you've had it with him, march away, and lay claim to half of his estate. (This while women in mainland Europe barely had the right to breathe.) The LAXDAELA SAGA is one of the best of the sagas, ranking with THE BURNT NJAL SAGA as one of the greatest works to come from the Viking world -- and the greatest literary works of the 12th-14th centuries from anywhere. Its numerous cast of characters (I count 189 names in the book's helpful Glossary of Proper Names, about 40 of which begin with "Thor") boggles the mind. Just remember, these were real people, and their names are enshrined in the history of Iceland by their descendents. It takes several generations of ambushes, conniving marriages and bloody divorces, and even the introduction of Christianity around A.D. 1000 before the main story gets under way, namely the story of Gudrun Osvifs-daughter and her four marriages. This is no blushing romance: Look at Gudrun the wrong way, and start drafting your will! Her boyfriend Kjartan Olafsson dallies too long in Norway, and she marries his cousin Bolli out of spite. Then, when he returns, she does everything she can to urge Bolli to kill him and his men. A series of internecine feuds breaks out, and it takes more than twenty years for the bad blood to be drained off. Even minor characters suddenly come to life. Here is how Vigdis Ingjalds-daughter treats a man she regards as dishonorable: "Vigdis went indoors to a chest that belonged to Thord [her husband] and there, at the bottom, she found a heavy purse. She took the purse and went out with it to Ingjald [no relation], and told him to take his money. Ingjald cheered up at this and held out his hand for it. Vigdis raised the purse and struck him on the nose with it, drawing blood; she accompanied this with a stream of derisive words, adding that he would never get the money back, and told him to clear off." Life was cheap in medieval Iceland. The anonymous author of this saga was, however, a great writer who identified closely with the people and events that went into the making of this sometimes barbaric, always awe-inspiring masterpiece.
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