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Comment: The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels.

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Diary of a Madman and Other Stories (Penguin Classics) Paperback – February 28, 1973

4.4 out of 5 stars 26 customer reviews

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Product Details

  • Series: Penguin Classics
  • Paperback: 187 pages
  • Publisher: Penguin Classics; Later Printing edition (February 28, 1973)
  • Language: English
  • ISBN-10: 0140442731
  • ISBN-13: 978-0140442731
  • Product Dimensions: 5 x 0.5 x 7.7 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Best Sellers Rank: #2,925,628 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Bruce Kendall VINE VOICE on October 14, 2000
Format: Paperback
Nikolai Gogol had an extraordinarily important influence on Russian literature. A contemporary and friend of Pushkin, he left his mark in several areas, as playwright, novelist and short-story writer. Every Russian writer to come after him acknowledges and reveres Gogol, from Dostoevsky to Bulgakov and on. This collection is a great introduction to Gogol. All of his most famous stories are included. "Diary of a Madman" shows us the disintegrating psyche of a minor civil servant during the era of the repressive rule of Nicholas I. Gogol had problems with Nicholas' censors (who were as vigilant as Stalin's) and he didn't exactly ingratiate himself with this depiction of bureaucratic malaise. The second short-story in the volume, "The Nose," again pokes fun at officialdom, but also takes us on a proto-magical-realism ride through mid-eighteenth century St. Petersburg (As an aside, you can currently take St. Petersburg tours of Gogol's fictional landscape, just as you can Dostoevsky's, [and Bulgakov's Moscow]). The third entry in the collection, "The Overcoat," deals again with an inconsequential bureaucrat (guess what Gogol's background was?) , whose entire existence is wrapped around a new overcoat. Suffice it to say that the story does not end happily for poor Akaky Akakievich. This is in some ways Gogol's signature piece. The story basically involves us in a humorous, at times capricious narrative, but the humor is infused with a great deal of pathos, to the point where we can almost call these tragicomedies.
The longest story in the collection, "How Ivan Ivanovich quarreled with Ivan Nikiforovich," is a case-in-point.
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Format: Paperback Verified Purchase
Beware of translated works that don't mention the name of the translator.

That should have been my first clue. I'm not sure who did the translating of this collection, but he obviously does not have a thorough knowledge/appreciation of Russian humour and literature. I can say this because I'm from Russia and after reading the original version of Diary of a Madman (I didn't bother further with the others) and comparing it to this one, I was disappointed by how lengthy and confusing the passages were. The language was tripping over itself, rather than flowing with the Gogolian humour and absurdity. It was boring and difficult to follow and had none of the finesse that, for instance, Pevear and Volokhonsky's version was able to capture. Most surprising is that entire sentences were missing from certain passages. It seems that whenever there was a phrase the translator couldn't make sense of or see how it fit into the scheme of things, he just omitted it entirely!!! This is really offensive to the writer and unfair to the readers.
For goodness sake, he didn't even get the name of the dog right!! It's "Medji," not "Meggy"---just because this sound doesn't exist quite the same in the English language, doesn't mean you can rename the dog! (Unless it isn't read "Meggy" like "Peggy" but most English readers will read it this way anyway)
But the dog isn't the most important part. It's really the fact that the translator did not do Gogol justice. He did not treat this work with the dignity and reverence it deserves and as a result, has put out a shoddy interpretation of a classic tale.
I gave two stars because I did notice some attempts to capture the complexity of dry wit, as is often the style of satirical Russian authors. It is indeed very difficult to do this with English. Whoever this translator was, they made a solid effort; unfortunately, he just couldn't carry it. And the publisher should be more selective with the quality of work it puts its stamp on.
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Format: Mass Market Paperback Verified Purchase
I only became familiar with Gogol through references in the work of Philip Roth. After all, great writers should give their due to their predecessors. Five of Gogol's most celebrated short stories are included in this collection. While I can only classify myself as a fan of three of these stories, this collection is still worth purchasing.

"The Diary of a Madman" harkens Kafka-esque images of man versus isolation and the bureaucracy in the story of one man's sometimes humorous spiral into madness. Scorned in love and work, the main character retreats into an alternate reality. "The Nose", the story of a runaway body part, possesses elements of Kafka's "Metamorphisis". A fiction that borders on absurdity can still be frightening. It brings to mind that the superficial image one presents in society is too important. "The Overcoat", having themes of superficiality and prized possessions, is a peculiar tale. Taunted by his co-workers for the condition of his overcoat, the main character makes many sacrifices to replace his coat. To a point, the new overcoat becomes more of an obsession than it should.

While "The Carriage" and "Taras Bulba" are also included in the set, I do not believe they carry the same feeling as the other stories. To a degree, "Taras Bubla" almost seemed out of place in the set. The collection of short stories is enjoyable and highly recommended to lovers of literature. It brings the thought to mind of what other works of literature were hidden from American eyes by communism.
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