From Publishers Weekly
Decked out in a Hawaiian shirt as he embarks for a cruise, the narrator of this ship-shape comedy is mighty surprised when he finds his cabin inhabited by a pajama-clad crew of pigs. And things get worse. Climbing into bed, the vacationer discovers that he's sharing a bunk: "Fred's asleep and will not budge./ His face is smeared with chocolate fudge./ All night long, I hear him wheeze./ He hogs the blankets while I freeze." McPhail's (Pigs Aplenty, Pigs Galore!) witty rhyming couplets and energetic, at times hilarious art chronicle the madcap capers of the mischievous swine, whose antics finally get them thrown off the ship. Now there's too much peace and quiet for the roommate-less fellow?until he arrives home. Repeat browsing through these pages is recommended, as it's impossible to absorb every comic visual detail the first time around. One scene?the porkers pigging out at the disgusted Captain's table?is especially riotous. Ages 3-7.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 1-2?An ocean cruise begins peacefully but doesn't stay that way for long in this wild followup to Pigs Aplenty, Pigs Galore (Dutton, 1993). For one restless night, the adult narrator shares his stateroom with a gang of cheery, hyperactive porkers, who then move out on deck, wreak various sorts of havoc, and turn the following night's dinner into a melee. McPhail casts the text as doggerel (piggerel?), arranging events to serve the rhyme rather than the other way around: "In the boiler room below/(Where pigs are not supposed to go),/They're down there pounding on the pipes/And painting pink and purple stripes." The humor takes a broad turn when the swine rip the "sultry singer's" gown, exposing her panties for all to see; so annoyed is the Captain that he has the miscreants pitched into a rowboat (they reappear safely at the end). The author's vigorous brushwork; energetic lines; and expressive, clearly drawn faces and postures effectively capture the chaos, but this second book stretches the joke a bit thin.?John Peters, New York Public Library
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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