From Publishers Weekly
The 10th collection of poems by suspense novelist (Boy in the Water; Forecasts, May 3) and poet Stephen Dobyns (Velocities; Common Carnage) is a modern morality cycle with an Everyman-like figure named Heart at its center. In 61 episodic poems, Dobyns reels off the foibles of Heart, who comes to resemble Charlie Brown as seen by Charles Bukowski. Heart is foiled repeatedly in his ill-conceived attempts to attract women (his knife-sharp steel valentine is intercepted by the bomb squad; he buys chest wigs to bolster his masculinity, but ends up eating them). His quest for happiness comes to an end over and over in similarly amusing and depressing anecdotes, and by the book's close one wonders whether Heart might not do well to listen to Prozac. Or even to FreudADobyns's willful sarcasm seems to want to foreclose its possibilities, as if by filling this book with cartoon versions of anxiety some genuine problem of lyric identityAis Heart really only misogynistic Spleen?Amight be forestalled. Which is not to dismiss the more pointed cartoons: in "Great Job," Heart takes the craze for validation to the point of running down into the street in the rain and telling everybody "Great job" as they pass. At the center of the book is a meditation on depressive inertia, "Oh, Immobility, Death's Vast Associate," in which Dobyns takes a stab at figuring out why most of existence is spent in a hostile state of doing nothing. In this case, it might just be a well-deserved rest. (Sept.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Essaying his tenth collection of poems, Boston-based poet Dobyns pays complex tribute to admired poets John Berryman, Zbigniew Herbert, and others and in the process mines a new richness for his already skillful verse. Like his predecessors, Dobyns invents a second self, a kind of sad clown, whose zig-zag wanderings through life reflect issues both personal and universal; Dobyns's protagonist, Heart, frets over love, death, and dental work. In the center of these frank, witty anecdotes, Dobyns has placed a long poem (his most personal to date), the title lines of which suggest the whole book's meaning and preoccupation: "Oh, immobility, death's vast associate,/ you are the still center around which we jog." Like his maker, Heart clings to the hope that "when the world quits at last, he'll be like a bright bulb/ before the power is cutAstill burning, still bright." This is Dobyns's finest volume to dateAsplendidly free, profound, and absorbing. Highly recommended.AGraham Christian, Andover-Harvard Theological Lib., Cambridge, MA
Copyright 1999 Reed Business Information, Inc.
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