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Editorial Reviews
Amazon.com
The title of Seamus Heaney's first collection of poetry since winning the Nobel Prize in 1995 is the term used in Ireland for a carpenter's level, an earthy physical allusion to matters of spirit that is quintessential Heaney. And indeed this volume deals masterfully with the finding of a level balancing point in ethical, moral, and spiritual affairs. Heaney has famously likened his craft to the farming activities of his childhood, comparing his pen to his father's spade; here he extends that analogy, comparing the lines of a poem to furrows being plowed in the earth, and "the poem as ploughshare that turns time/ Up and over." Heaney's furrows are straight and clean, his loamy lines abundantly fertile. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
As the title suggests, this new collection from the 1995 winner of the Nobel Prize is a study in balance. Heaney reveals how simple things, such as a thimble or a swing, can hold the weight of history-and how history can alter the emotional weight of an object. "Two Lorries" takes the romantic innocence of a coalman's truck, circa 1940, with its driver who stops to flirt with the poet's mother, and measures it against a present-day "heavier, deadlier one, set to explode." Meanwhile, the poems revel in wordplay. A favorite tactic is the repetition of words within a lines or stanzas, which can yield such simplicity as in "Bisected sunlight in the sunlit yard," or be as savvy as a politico's speech: "Like the disregarded ones we turned against/ Because we'd failed them by our disregard." Heaney, at the peak of his career, is the fulcrum of two Irelands: one that is lyrical and lush with tradition and love; another that is ticking and could "catch the heart off guard and blow it open."
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
The title of Seamus Heaney's first collection of poetry since winning the Nobel Prize in 1995 is the term used in Ireland for a carpenter's level, an earthy physical allusion to matters of spirit that is quintessential Heaney. And indeed this volume deals masterfully with the finding of a level balancing point in ethical, moral, and spiritual affairs. Heaney has famously likened his craft to the farming activities of his childhood, comparing his pen to his father's spade; here he extends that analogy, comparing the lines of a poem to furrows being plowed in the earth, and "the poem as ploughshare that turns time/ Up and over." Heaney's furrows are straight and clean, his loamy lines abundantly fertile. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
As the title suggests, this new collection from the 1995 winner of the Nobel Prize is a study in balance. Heaney reveals how simple things, such as a thimble or a swing, can hold the weight of history-and how history can alter the emotional weight of an object. "Two Lorries" takes the romantic innocence of a coalman's truck, circa 1940, with its driver who stops to flirt with the poet's mother, and measures it against a present-day "heavier, deadlier one, set to explode." Meanwhile, the poems revel in wordplay. A favorite tactic is the repetition of words within a lines or stanzas, which can yield such simplicity as in "Bisected sunlight in the sunlit yard," or be as savvy as a politico's speech: "Like the disregarded ones we turned against/ Because we'd failed them by our disregard." Heaney, at the peak of his career, is the fulcrum of two Irelands: one that is lyrical and lush with tradition and love; another that is ticking and could "catch the heart off guard and blow it open."
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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