Most Helpful Customer Reviews
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16 of 16 people found the following review helpful:
4.0 out of 5 stars
Kooky and inventive novel of two young men's coming of age., November 24, 2005
The eccentric and attention-seeking graphics of the bookjacket convey the idea that this book is fresh, daring, kooky, and inventive--and the book is all these things! But it is also serious and thoughtful, touching on universal themes and the essence of what makes us human. With young "heroes" who are sometimes both earnest and sweetly vulnerable, the book contains moments of profound melancholy, as well as deep sadness, behind its bravado and its finger-snapping brio.
Jonathan Safran Foer, a character bearing the same name as the author, is looking for the woman he believes saved his grandfather Safran from the Nazis. Traveling to the Ukraine, he meets Alex Perchov, a young man representing a Ukrainian travel agency which specializes in taking tourists to the sites of vanished shetls. Alex, a not-quite-fluent translator, and his "blind" grandfather, who serves as the driver, travel with Jonathan to the site of Trachimbrod, his family's village, collecting stories and legends which will help Jonathan learn about his family and his Ukrainian Jewish heritage.
Parts of the book are a bit sophomoric. (How many farting dog jokes does one need? And do we really need to know the details of Grandfather Safran's 132 mistresses?) The fictional Jonathan's letters and comments as he writes a novel about his trip are an artificial device for dealing, perhaps, with the author's uncertainties and/or heading off criticism, while the chapters he includes for Alex's review, are, of course, the actual chapters of this book. And Alex's misuse of language, while often very funny, begins to pall after numerous repetitions.
But these are minor criticisms in view of the author's immense achievement in dynamically presenting two young men as they explore who they are, where they come from, and how they fit in the world. As the sought-after story of each boy's grandfather emerges, the depth and breadth of family relationships and cultural history become clearer to character and reader alike. The dramatic and moving conclusion clearly establishes Foer's credentials as a brilliant new talent. Mary Whipple
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
Most is "Illuminated", October 7, 2005
Jonathan Safran Foer takes literary risks and entertaining leaps in his debut novel, "Everything is Illuminated," an amusing chunk of magical realism. It's a tragicomic experience, centering on the devastation of the Holocaust, and a modern-day quest for the past.
A young Jewish American man -- same name as the author, Jonathan Safran Foer -- travels to the Ukraine. His reason: to locate Augustine, a woman who apparently saved his grandfather from the Nazis... only he just has a photo to guide him. He's accompanied by an annoying, flatulent dog, and an old man haunted by war memories.
He also corresponds with the old man's quirky grandson Alex, and new revelations are made about both young men through their letters. And in the third story-line, we are treated to the history of Trachimbrod, an endearing shtetl full of peculiar people... which was destroyed by the Nazis long ago.
"Everything is Illuminated" seems to be primarily about the past and present, and how those two things connect. To twentysomethings now, World War II seems as distant in some ways as the Trojan War, unless brought to life by someone else's words. Foer may not have been there during the Holocaust, but his unique novel will leave you thinking and wondering about the past.
It's certainly an unconventional story. Foer has a quirky, offbeat style that gets a little off-kilter. And he bends everything from his narrative to the characters to the English language ("spleening"?). Not to mention reality -- by naming his alter ego Jonathan Safran Foer, he blurs the line between fiction and reality. Is this based on anything real? Does Alex exist? Is there a Trachimbrod? At the end of the day, none of it matters. Even if these things don't actually exist, they certainly do have real counterparts.
Foer's book is not quite a work of genius. Sometimes the fragmented, topsy-turvy narrative runs away from him. Not to mention that the in-jokes -- the flatulent dog, the Russo-American dialect -- do not age terribly well. But the humor and magical realism tinges start to fade as the Holocaust looms overhead. While the opening chapters may make you laugh, it becomes far deeper and more intricate later on.
"Everything" may not be totally illuminated, but it is a quirky, sometimes saddening book that stumbles and takes a few risks. A flawed but excellent debut.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
the rare exception where the film is better than the book, December 31, 2007
Having seen the film, I anticipated that, as is so often the case, the book would be much better. I was disappointed. There are the tragi-comic moments between Jonathan and Alex, and certainly there are poignant and touching moments as well, particularly when Jonathan reaches Trachimbrod. But, as other reviewers have said, the book has its odd places as well that were distracting and frustrating. Farting dogs, detailed descriptions of sexual conquests, and the corrospondence between Alex and Jonathan were particularly rough going. The discussion of Russian (and Ukrainian) anti-Semitism and the relationship between Alex and his family were spot-on descriptions of my memories of Russia, which was a strength.
In all, I have very stong, very mixed feelings about the book. Foer is a great writer, and does so with wit and an artist's eye for detail. However I could have done without some of the literary devices he used. In the final analysis, I thought the film was superior to the book, which was disappointing.
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