Woman in the Wall (Paperback)

by Patrice Kindl (Author) "Hello. My name is Anna..." (more)
Key Phrases: secret room, Foster Addams, Bitter Creek, Frank Albright (more...)

Editorial Reviews

From Publishers Weekly
An agoraphobic seven-year-old girl retreats into secret passages she has built in her house until her family nearly forgets her. PW said, "Kindle follows her magical Owl in Love with a novel featuring an equally gripping premise." Ages 10-14.
Copyright 1998 Reed Business Information, Inc.

From School Library Journal
Grade 5-8. Exceedingly shy Anna, 14, narrates her life story. When she is seven, her mother tells her she must go to school. The school psychologist arrives at the run-down family mansion only to mistake Anna for a doll and somehow ends up with her in her purse. This is enough to impel the child to hide in a secret room she has readied overnight by putting up a false wall in the family library. Over the years, she adds new rooms, passages, a kitchen, peepholes; and no one notices. Although she continues repairing, baking, and sewing as her family requests, gradually her mother and older sister, Andrea, choose to forget her. When one of Andrea's ignored admirers sticks a love letter addressed to "A" into a crack in the stairs, Anna answers it, thus setting in motion a chain of events that lead to her discovery. This story cannot make up its mind what it wants to be. It could be fantasy. Rooms diminish and disappear. No one pays much attention to this engineering prodigy scurrying through the walls for seven years. Yet Kindl's messy ruminations on puberty drag the story kicking and screaming back to realism. At any rate, it is a disturbing novel. Anna's mother's casual acceptance of her daughter's self-imposed isolation will be unsettling to many children, and readers are not privy to the woman's explanation of the sudden appearance of a third daughter to her soon-to-be husband. The author's shrill Victorian trill pushes the story in a gothic direction. For a more palatable offering on shyness delivered with a hint of Victorian flavor, try Jean Ure's The Children Next Door (Scholastic, 1996).?Cindy Darling Codell, Clark Middle School, Winchester, KY
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Reading level: Ages 9-12
  
• Paperback: 192 pages
• Publisher: Puffin (September 1, 1998)
• Language: English
• ISBN-10: 0141301244
• ISBN-13: 978-0141301242
• Product Dimensions: 7.7 x 5.1 x 0.5 inches
• Shipping Weight: 5.8 ounces
• Average Customer Review: 4.3 out of 5 stars See all reviews (51 customer reviews)
• Amazon.com Sales Rank: #864,162 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars Hiden Within the Walls, February 25, 2000

By A Customer

This book was great! It is about a little girl named Anna who is very shy and likes to hide. One day Anna feels that she is at high risk when her mom wants to send her to school and to see a physchologist. To overcome her risk Anna decides to build a secret world inside the walls of her house. When Anna is in the walls she watches her famly and her older sister, Andrea's parties.I think that this book was really interesting. It is a book for people who enjoy reading books that are different. I recommend this book if you don't like scary books, but you do like a little bit of mystery. It is the type of book you cannot put down once you start, you have to keep reading.

6 of 6 people found the following review helpful:

5.0 out of 5 stars Alex's Book Review, November 2, 2003

By A Customer

Patrice Kindl, author of "Owl in Love," produces yet another captivating story with her newest release, "The Woman in the Wall." The novel is written in first person, from the perspective of 14 year-old Anna Newland. Anna is not your typical teenage girl, though. Unlike her sisters, Andrea and Kirsty, who always seem to stand out, Anna wants just the opposite...to blend in. However, it's not people she wants to blend in with, so much as, the house. Or put more distinctively, the walls.
Anna lived in an old Queen Anne Victorian that was more like a mansion than a house and was built in the 1880's. She resided there with her mother and two sisters. Andrea was three years older than Anna and Kirsty was two years younger, so Anna was the middle child. Their father disappeared when Anna was only three. Anna, though extremely shy, had always been a very clever child and by the age of seven she had not only learned to sew clothes, but was also very handy with tools. She never wanted any recognition for the things she did, in fact, it was her desire to go through life completely unnoticed. It was because of this retiring disposition that when Ms. Newland insisted Anna go to school, she hid.
Anna created a small room out of plasterboard, lumber, and empty space that was actually just a room and passageway. The room was under the stairs and could only be entered through the basement. It had never been her intention to live there, just to have a secure hiding place but after an incident involving the psychologist from the school, Anna began coming out less and less. In fact, she built more and more secret passages. As time went on she only snuck out at night to get food. She had everything she needed within the walls and could go almost anywhere in the house, undetected. She went on this way for five years and though her mother protested, there was nothing she could do.
After a while, Andrea seemed to forget all about her but Ms. Newland and Kirsty continued to speak to her through the walls occasionally. Two days before her fourteenth birthday Anna received a love letter through a crack in the wall, written to "A" and signed, simply, "F". Anna decided to write back but it wasn't until he wrote his next note that she realized "F" had meant the letters to be for Andrea. Meanwhile Anna had begun to fall in love with this mystery man, so instead of telling him the truth, she went on pretending to be Andrea, always signing the letters with "A".
One day Anna overheard her mom talking to a man named Mr. Albright. It turned out that they were getting married and he wanted to move. Ms. Newland said she didn't want to move but couldn't tell him why. Being quite angry that her family had failed to mention this slight detail to her, Anna threw a huge fit and finally wore herself out. When she awoke she wasn't alone, someone else was in the wall with her. Two unexpected visitors bring startling news and Anna is faced with making a difficult decision: whether she should leave the sanctuary of the walls, the only home she's ever known or rejoin her family in the outside world once again.
A fairly fast-paced book, I greatly enjoyed the author's usage of literary elements. Kindl's straightforward approach sets a somewhat relaxing tone in that we can all relate, to a certain extent, to this desire for acceptance and understanding. Her interpretation of how the main character responds to situations is undeniably realistic and is only enhanced by the offbeat sense of humor of her character. Written so that you never know what to expect, "The Woman in the Wall," will hold your interest, through the climax, until very end.

3 of 3 people found the following review helpful:

3.0 out of 5 stars Intriguing premise, poor writing, March 23, 2006

By	Emera (-) - See all my reviews

Rendered nearly invisible by her painful shyness, Anna is the middle girl of three sisters living with their mother in a rambling Victorian home. Traumatized by the impending threat of school, at seven years old she retreats into passageways and secret rooms of her own construction, and lives within the walls of her home for the next seven and a half years. Anna is content to hide away, nearly forgotten by even her family, until her own growth as a woman renders her 'invisibility' no longer possible. A stray love note pushed through the walls of her refuge appeals to her developing emotions, and the time approaches for Anna to once more venture into the outside world.

The premise of The Woman in the Wall is fascinating: a forgotten daughter rendered into a living household ghost, a home concealed within a home. At first its wistful style offers a playful mix of Gothic fairy tale and surreal modern fantasy, but Kindl's writing almost immediately falls short of its aim. As jarringly mundane aspects of Anna's adolescence are introduced, the book increasingly dissolves into a weepy, implausible pastiche. Normally I have no problem with suspension of disbelief when it's called for, but here the fantasy robs the mundane parts of believability, and the mundane parts are rude interruptions of the fantasy. The narration careens between "artsy," "quirky" whimsy and typical adolescent histrionics, without any working integration. Though arguably this could be construed as a reflection of Anna's emergence from her fantasy hideaway into the real world, it mostly felt as if the author was trying to do too much without having the skill to support it.

Essentially, the book is too much pretension and not enough substance. Though Anna's story could have been a moving modern fairy tale about escapism and self-isolation, The Woman in the Wall more often seems clumsy, superficial, and implausible.