From Publishers Weekly
In his first novel, Maddox, a former Spy magazine editor, concocts a hilariously off-the-wall satire of the memoir. The book tells the story of a young man, coincidentally named Bruno Maddox, who's taken it upon himself to recount the life story of an unnamed woman who was born on January 1, 1900. The brilliantly funny spoof begins as a classic chronicle of a long life, flush with the standard 20th-century memoir elements of war-torn England, 1920s Paris and suburban 1950s America. Bruno succeeds in presenting a merry little memoir (though he does include a few telling details that indicate that he is fabricating much of the woman's life): his unnamed protagonist discovers that she's prettier and more articulate than the other girls in her English village, moves to Paris (where she snorts cocaine with Henry Miller) and becomes a tea server at a military research facility during WWII. At this point, though, Bruno, who's crazily racing to finish the book, abruptly changes format and flashes forward to the end of her life. Now she's a decrepit old woman living in New York's Chinatown, composing a diary full of anecdotes of her glorious past and her caretaker is none other than a lovesick, aspiring writer named Bruno Maddox. Maddox's writing is purposely uppity, but the kitschy, honest overtones communicate a very witty take on love and life.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Imagine a situation in which a man is forced to write the memoir of a 100-year-old woman under extremely rushed circumstances, and you have the opening premise of this self-consciously postmodern novel. The first few chapters are amusingly filled with silly anachronisms, and the "author's" attitudes about her breasts and casual sex serve as wry commentary on the differences between the sexes. Unfortunately, this chronological narrative is abandoned, and the novel turns into the dismal diary of the elderly woman, dying in an apartment in New York City and being cared for by a young man named surprise! Bruno Maddox. Eventually, even this story line is stripped away as Bruno the narrator takes over in his desperate pursuit of girlfriend Hayley. However contrived it sounds, the unpolished, fake-memoir idea is really quite ingenious, allowing awkward sentences, typos, and ignorance of historical fact to become integral to the novel's structure. Among Bruno's ramblings are some entertaining asides on irony in modern fashion and urban life. Maddox is a former editor of SPY Magazine, and his bio makes interesting reading more so than parts of his book. For comprehensive modern fiction collections. Reba Leiding, James Madison Univ. Lib., Harrisonburg, VA
Copyright 2001 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.