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10 of 10 people found the following review helpful:
3.0 out of 5 stars
An ending unworthy of the beginning, December 28, 2001
I agree with previous reviewers that this book has many good elements, however, the author does not carry these through to the end of the book. As a result, it is an uneven read.When we first meet Hannah, in the guise of Brown Hannah (winter), it's interesting to see her struggle toward her own identity. Her world is fascinating, the flowers growing from her scalp are intriguing, and her magical abilities work beautifully within the context of the story. Her interactions with the villagers are at times touching and very revealing. The wizard who controls her is a figure of mystery. The Knights are also mysterious as they vanish into the woods on a quest for the unknown treasure. Foxkith, before his transformation into a fox, is an engaging character and love interest. One wonders how Hannah will change and grow into her powers in this environment. However, after the confrontation with the wizard, the narrative wanders. Sending Hannah to wander through the countryside is not necessarilly a poor decision, but the wandering doesn't produce much of a result. It gives us tantalizing glimpses of a world that never quite becomes fully realized. In order to keep the narrative going, the author needs to keep Hannah in ignorance, which becomes a problem. She doesn't grasp the very basic details of the stories she hears. She never correlates the idea of the Spring Maiden (or any other seasonal maiden) with the changing of her own hair and gown. Even when people name her Spring Maiden and run, fearing to offend her, she doesn't get it. I understand that keeping her ignorant of her true identity until the end is the intention, however, she simply becomes too stupid to sympathize with. Then, of course, there's the end. She finally finds what she's looking for but doesn't realize it, even though the reader realizes it instantly. The mysterious tree/woman/sorceress she speaks with, while supposed to be awe inspiring, is simply tedious. The entire ending is completely the Sorceress telling Hannah what happened. It becomes very boring. Of course, the Sorceress is also very vague about things. She frequently looses focus and has to make an effort to continue with her narrative. After taking forever to get to the point, the Sorceress becomes a non-character. Hannah does not seem to have been deeply moved. In fact, instead of tending to her beloved Foxkith immediately and changing him back into a human, she tends to others. There is no resolution with the wizard, either. An unfortunate ending. I would recommend Pierce's Darkangle Trilogy as a much better work.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars
A Mute Fox, a Mysterious Forest, and a Flower-headed Girl, June 15, 2002
'Treasure at the Heart of the Tanglewood' can be best described as a story set out in three distinct parts. The first (and most interesting) introduces us to Hannah - a young girl who lives in the Tanglewood with flowers and vines growing in her hair who must be plucked out regularly to make a drought for the Wizard that lives in the forest's heart. Apart from him, the folks of a nearby village, and her talking animal friends, the only people she comes across are the namy nameless knights that go into the Tanglewood, searching for it's mythological treasure. With one particular knight however, Hannah falls in love. She names him Foxkith, and tries to keep him from the death that inevitably awaits him. Part Two tells of Hannah's journey into the world, trying to find Foxkith's sorcerer-queen. On the way, Hannah's hair and clothes change in colour and form, as the seasons change around her. It is here that the story begins to slow, as we become aware of the truth of things long before Hannah and her comrades do. By Part Three, when Hannah reaches Foxkith's island home and the wind-up begins, we already know everything the 'sorcerer-queen' has to say. Consequently, it isn't that interesting. The fairy tale elements of the story bear a great resemblance to the Greek myth of Persephone - when this goddess walked the world it was spring and summer, when she returned to her husband in the underworld, it became autumn and winter. Another familiar motif present us the triad of goddesses of many ancient religions - Crone, Mother and Maiden, although in this story it becomes Mother, Matron and Maiden. Along with these three titles to describe Hannah and her mother, Hannah is also refered to, not only as Brown, Green, Golden or Russet Hannah, but as the Spring Maid, the Summer Girl, the Autumn Lass or the Winter Damsel. Needless to say, all the titles can get a bit confusing. This is not Pierce's best work, (disappointing after a five year absence) especially when compared to the brilliance of the Darkangel trilogy, but it *is* a worthwhile read. Meredith Ann Pierce is a masterful storyteller, and all of her works are unique. Despite the faults, the story is intriguing, drawing on ancient stories and giving them a new look, setting them in a believable fantasy world. It reads like a fleshed-out fairytale, and the though the ending is predictable, the beginning draws you in in far enough that you are compelled to keep on reading.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Good, but just a few things..., July 4, 2001
"Treasure at the Heart of the Tanglewood" is definitely one of the best books I've read in a while. It featured all the best of Meredith Ann Pierce: good characters, a good plot, and an interesting world to explore through the book.Tanglewood's main character, Hannah, is very well developed. It was interesting to see the changes in her personality over the course of the book manifest in the changing color of her dress. I was disappointed to find that the character Foxkith spent most of the book silent and amnesiac, and I would have liked to see more development of his character. This is my main bone to pick with the book, which brought it down to four stars instead of five stars. Also, I would have liked to have known more about the Wizard and about the Tree-Goddess. I was very curious about what the Wizard's real feelings for Hannah were, and I didn't feel that this topic was explored enough. As with her previous Darkangel and Firebringer Trilogies, Pierce has managed once again to take a somewhat clichéd plot type and, through her style, make it fresh and interesting. I didn't understand why Hannah et al spent a good deal of the latter half of the book wandering around the countryside--this did not seem to serve any purpose in the plot, except being the medium for her change from Green Hannah to Golden Hannah. Also, I thought that Hannah's discovery of love should have been a bigger event than it was--before meeting Foxkith, she had agonized over what "love" was, but it was not clear in the story when exactly she discovered this emotion within herself. Finally, I was intrigued by the bits and pieces of the world that Pierce showed us during the story: the Tanglewood, the village, the Holymen. The book left me wishing for a sequel, so I could continue to read more about this particular world. Pierce, as always, does an excellent job creating an engaging fantasy milieu for her story. Overall, "Treasure at the Heart of the Tanglewood" is a very well-written book, which I would not hesitate to recommend to any of my friends. My greatest wish is that Pierce would make this book part of a series, as there is so much unused material from the book to work with.
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