Excellent Women (Penguin Classics) (Paperback)

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Editorial Reviews

Amazon.com Review

An unqualifiedly great novel from the writer most likely to be compared to Jane Austen, this is a very funny, perfectly written book that can rival any other in its ability to capture the essence of its characters on the page. Mildred Lathbury, the narrator of Pym's excellent book is a never-married woman in her 30s--which in 1950s England makes her a nearly-confirmed spinster. Hers is a pretty unexciting life, centered around her small church, and part-time job. But Mildred is far more perceptive and witty than even she seems to think, and when Helena and Rockingham Napier move into the flat below her, there seems to be a chance for her life to take a new direction. --This text refers to an alternate Paperback edition.

Review

A startling reminder that solitude may be chosen and that a lively, full novel can be constructed entirely within the precincts of that regressive virtue, feminine patience. -- John Updike, The New Yorker

Reading Barbara Pym is . . . a wonderful experience, full of unduplicable perceptions, sensations, and soul-stirrings. -- Newsweek

[One of] the finest examples of high comedy to have appeared in England during the past seventy-five years. -- Lord David Cecil

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Product Details

• Paperback: 256 pages
• Publisher: Penguin Classics (December 26, 2006)
• Language: English
• ISBN-10: 014310487X
• ISBN-13: 978-0143104872
• Product Dimensions: 7.5 x 5 x 0.5 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (34 customer reviews)
• Amazon.com Sales Rank: #108,327 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

65 of 67 people found the following review helpful:

5.0 out of 5 stars Witty, perceptive, belongs on a syllabus somewhere, November 20, 2000

By	C. Ebeling "ctlpareader" (PA USA) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

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This review is from: Excellent Women (Paperback)

Don't leap to the assumption that a book written fifty years ago about an unmarried do-gooding gentle woman would have nothing for a contemporary audience. Despite its London church parish setting well populated with the spinsterish "excellent women" of the title, Pym's book delivers sharp observations about men and women, together and apart, and society's expectations for all. Her truths are pungent a sexual revolution later.

Relevancy aside, this is a good read. Pym lays out her well-defined world much as Jane Austen does, providing a critical and always witty tour. The characters are drawn as sharply as any Austen delivered. The novel is entertaining but rewardingly complex as it probes not only gender and social mores but also asks if Mildred Lathbury, the protagonist and narrator, is choosing the life of an excellent woman or if she is saddled with it. To use a contemporary phrase, it is about having a life, and this deceivingly gentle-seeming book is asking questions that are as rugged and significant as any asked in our less regulated times.

27 of 28 people found the following review helpful:

5.0 out of 5 stars Mellow fruitfulness, June 18, 2007

By	Jay Dickson (Portland, OR) - See all my reviews (TOP 500 REVIEWER)

There are certain books that really can't be fully appreciated until you're older and can bring to them the understanding of maturity: Henry James's "major phase" novels, for example, and perhaps Jane Austen's MANSFIELD PARK. A writer whose talents completely eluded me when I was younger was Barbara Pym; her world of elderly churchgoers and celibate vicars in postwar England seemed too grim to me when I was in my early twenties, and I saw her novels as tragedies rather than as the brilliant comedies they really are. EXCELLENT WOMEN fully deserves its current reissue status in the Penguin Classics series because it really IS a twentieth-century English classic. Its title has famously come to describe a certain kind of character to which Barbara Pym thoroughly lays claim as an author, and is thus often considered the most emblematic of Pym's works (it is certainly one of the funniest).

The comic genius of the novel is not that its heroine, the respectable and virginal and shabby-genteel Mildred Lathbury, is unwanted by her society, as I misunderstood when I was in graduate school, when I first read the novel. Rather, she is TOO much in demand, and not only is of great use to the church officials who want her to shine the brass of their decaying pews, but also of the confused married neighbors in her lodgings and even the few bachelors she knows (who subtly feel her out for her interest in marrying them--overtures which she always curtails). Although Mildred is puzzled by the work of the anthropologists she meets, she is herself too much of an anthropologist ever to commit to married life (or even sharing a room with another spinster friend). Her constant self-deprecation is always offset by her unspoken understanding that her life is far too rich in its observations of others for her to subsume her ego fully into another's needs. Pym has been frequently compared to Jane Austen, and the comparisons are quite just, though it should be noted that her work is more like the more autumnal and scathing PERSUASION than the giddy exuberance of PRIDE AND PREJUDICE.

26 of 28 people found the following review helpful:

5.0 out of 5 stars A thoroughly delightful novel of timeless appeal..., October 22, 2005

By	Vincent Henley "Chronic reader" (Morgan Hill, CA USA) - See all my reviews (REAL NAME)

This review is from: Excellent Women (Paperback)

This book is a window into what was perhaps a better time when such things as good manners in social interaction were held in higher esteem than now. I wondered while I read this book why it was never my good fortune to have met an "excellent woman" such as the protagonist Mildred Lathbury. Perhaps such women existed only in post war London and not in the America of the last quarter of the twentieth century if they existed at all. Such is my loss, but I can at least enjoy the carefully crafted character of Pym's women as they cope with their rather ordinary, but very real and believable lives.

Barbara Pym is not a Jane Austen, and I don't mean that negatively, as she is worthy in her own right without the comparison. She is at least as observant of her time, its people and its customs as Jane was of hers. Seen through the eyes of Mildred Lathbury, this period of less than a year's span around 1951 or so contains momentous human events such as romance and disengagement, breakup and reconciliation, old friends revisited, new friends explored, new experiences, and the hopefulness of companionship and romance to come. Mildred imagines herself to have been in love once long before and the reader is sidetracked into wondering how she came to realize that she was not in love, even as she speculates on the types of men with whom she might now come to find herself in love. But, she seems to have given up on love and become reconciled to being over thirty and likely to remain unmarried forever.

There is a sort of grayness about Mildred's existence that she recognizes with some dissatisfaction, but has come to accommodate with resignation. It is only at the end that she realizes that she might indeed be included in the painting of a greater canvas of life than she has previously known, despite her reconciliation with her apparent lot in life. The book ends, not in the usual comedy ending where the happy end is known for certain, but on a note of great hope where the reader is left with no doubt that for at least one "excellent woman" things will indeed work out very well.

This is a thoroughly delightful book and I highly recommend it for all readers with even a touch of a romantic soul.