From Publishers Weekly
Malkani's debut novel is set among the South Asian rudeboys of London's Houndslow section. Aimless, middle-class 19-year-old Jas is adopted by a small gang headed by Hardjit, a Sikh bodybuilder, that includes sexual braggart Ravi and Hindu nationalist Amit. The crew, with Jas in the backseat, ride around a lot in a Beamer and say things like, "Dat bitch b trouble, u get me?" To make money, they unblock stolen cell "fones." This attracts Sanjay, a Desi entrepreneur who hires them and organizes their activities. Briefly, the money rolls in, and Jas, taken under Sanjay's wing, makes the more hazardous move of courting the beauteous but Muslim Samira Ahmed. Hardjit's feeling about Muslims and Samira's brothers' feeling about Hindus mean that disaster starts mounting for Jas before you can hum a chorus of
West Side Story. Malkani, who is director of the
Financial Times's Creative Business section, follows such masters of the London subcultural slumming sendup as Martin Amis and Will Self, but this book doesn't have the verbal gear to keep up; Jas's strained, graffiti-like teen talk is wearying (as is a major plot point centered on the EU's value added tax) and never rises to the kind of Burroughsian lyricism one is hoping for. And a final twist on race isn't much of a surprise.
(June 26) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
From The New Yorker
London's second-generation Asians are given the "Trainspotting" treatment in this slang-driven first novel, about four "desis" ("our own word for homeboy") who fight and preen in the backwater borough of Hounslow. Jas, the teen-age narrator, was a "dickless khota" before being taken under the muscled wing of the self-styled gangsta Hardjit, and his painstaking efforts to emulate his cohorts' "rudeboy finesse" are related in illuminating detail: facial hair should look "drawn on with a felt-tip pen" and riding in a Beemer requires staring "out the window like some big dumb dog with a big slobbery tongue." The incessant blend of boyish patois and text-message speak ("we had 2 call Davinder b4 we left dis place, innit") is captivating, but the plot becomes overwrought and absurd when the boys stumble into the world of high-stakes crime.
Copyright © 2006
The New Yorker
--This text refers to the
Hardcover
edition.
See all Editorial Reviews