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132 of 138 people found the following review helpful:
5.0 out of 5 stars
The hawthorn as extended metaphor, July 22, 2008
There will be no spoilers in this review.
As in her first novel, In the Woods, Tana French has created another sensuous, lyrical, haunting, suspenseful story. Although it is considered a mystery, it is much much more than that. It is a story of identity in all its literal and metaphorical forms. It is a social commentary (but never sententious) and it is also about fear and flight and love.
Casie Maddox and Sam O'Neill are detectives from In the Woods. Although Operation Vestal (from In the Woods) is mentioned several times, these books can be read in any sequence without ruining it for the reader. The setting is again Dublin, Ireland.
Cassie is the star attraction of this story as she goes undercover to live with four liberal arts doctoral candidates whose housemate, Lexie Maddox, is found dead from a stabbing in an abandoned cottage. Lexie Maddox looks exactly like Cassie, and the name is her last undercover alias, which adds to the mystery. The housemates will be told that she survived the stabbing.
It isn't necessary to give too many plot details. What is more important is the response from reading. This is a generous, gorgeous, thoughtful, poetic story. The tone is almost elegiac at times, especially during her descriptive paragraphs, and the author's use of the extended metaphor is prolific and often profound. At the end of the novel, I looked up hawthorn (the tree, flower, bush) on Wikipedia and had a chill run up and down my spine. Her descriptions, turns of phrase, elegant passages and graceful unfolding keep me fastened and fascinated. What I love about Tana French is that her novels are both character-driven AND plot-driven. She does not sacrifice one for the other. With most mysteries, I only read them once. But The Likeness can be read again just for the aesthetics. Also, there is no deus ex machina here. The story is excellently paced with a well-timed delivery of its climax.
Tana French is no lightweight, but she makes the story accessible to anyone who enjoys reading. She has that gift to appeal to a variety of readers-- even readers who look for largely escape mysteries. But this is not escape reading; it is the kind of reading that makes you ponder. It is philosophical and it echoes. It has shadows, swirls, hollows, heart,humanity, tension, suspense, whispers, hawthorn, hawthorn, hawthorn...
I look forward to the third book that Tana French is working on, with Frank Mackey (from The Likeness) as the main protagonist.
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31 of 33 people found the following review helpful:
5.0 out of 5 stars
another Edgar to come for Tana French?, July 18, 2008
The extraordinary follow-up to Tana French's Edgar-winning "In the Woods," "The Likeness" beautifully combines the narrative and the lyrical, interspersing moments of transcendent illumination with leisurely confident story-telling that doesn't let you go for a moment. The language is wonderful, the characterizations are complex and believable, and the suspense builds to a climax that surely will soon be incorporated into "a major motion picture." French credits her readers with intelligence and taste, letting this book be read on many levels, from dramatic mystery to speculation on subjects like the guts and work that being loved take; the thought that in life you take what you want and then pay for it (though you don't know in advance what the price will be); the changing nature of social subversion (which used to be expressed through discontent and now takes the form of contentment); what happens to people and societies when group memory is lost. A wonderful mystery, but not just a mystery. Highly recommended.
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29 of 31 people found the following review helpful:
3.0 out of 5 stars
Gorgeous writing, flimsy plot, December 2, 2008
Likeness is one of those off-kilter books that you love to read because the prose is stunning, but which fails completely as a novel. In order for French's plot to work you have to believe: 1)that an undercover cop could pass herself off as another person to a group of people who knew her "double" intimately, 2)that a person can go from being a hat designer to a PhD student in one year (transcripts? application process? recommendations?),3) that grad school students act like 15-year-olds (well, OK maybe that's not so far off the mark),4) that a trained undercover cop would keep important evidence (the diary) from her superiors, etc. etc. etc. I simply did not buy any of it. There were problems with the writing as well. I found the trendy post-modern "quotes" (Star Trek, Alice's Restaurant) disruptive. And those endless ambiguous, interrupted conversations hinting at dark secrets got old after a while. I wanted some resolution. Even the relationships between the characters were unconvincing. Was Cassie actually supposed to be in love with Sam? Why did Cassie want to be Lexi? Why did the villagers care so deeply about a woman who had died almost a hundred years earlier? In short, the premise was implausible, the book was over-written, and the psychology shaky.
French is a fabulous writer. I'm hoping that her third novel will be a charm.
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