Amazon.com Review
In
The Club Dumas, Arturo Pérez-Reverte explored the labyrinthine world of antiquarian book dealers, spicing his tale of mystery and murder with characters straight out of
Paradise Lost and
The Three Musketeers. Next came
The Flanders Panel, a brilliant puzzle comprised of art, chess, and untimely death whose resolution lies in a painting by a Flemish master. In
The Seville Communion, Pérez-Reverte turned his sights on the tangled politics of the Roman Catholic Church as an appropriate backdrop--for murder. In his fourth novel translated into English, the Spanish writer changes centuries (if not his focus on homicide), returning to the mid-1800s to follow the exploits of Don Jaime Astarloa, the eponymous fencing master.
The year is 1866 and revolution is brewing in Spain. The corrupt Bourbon queen, Isabella II, is slowly losing her grip on power as equally corrupt exiled politicians vie to be her successor in a new republic. Against this background of political upheaval, Don Jaime goes about his business, teaching a dying art to a dwindling number of students. This is a man who resists changing times; to a friend he explains, "I have spent my whole life trying to preserve a certain idea of myself, and that is all. You have to cling to a set of values that do not depreciate with time. Everything else is the fashion of the moment, fleeting, mutable. In a word, nonsense." But then Adela de Otero--a woman with a mysterious past and an amazing talent for swordplay--comes into his life, and Don Jaime's world is turned upside down. As always, Pérez-Reverte offers literary excellence, a thumping good mystery, and fascinating insight into an arcane practice, in this case, fencing. Though the 19th-century politics in the book may resonate more with a Spanish audience than with English readers, the moral at the heart of The Fencing Master is universal: "to be honest, or at least honorable--anything, indeed, that has its roots in the word honor." In this, Don Jaime and Arturo Pérez-Reverte both succeed. --Alix Wilber
From Publishers Weekly
Spain's bestselling novelist follows three polished and erudite thrillers (The Flanders Panel; The Club Dumas; The Seville Communion) with a fourth that combines the classic art of fencing, 19th-century Spanish monarchical politics and the eternal lure of the femme fatale. Don Jaime Astarloa, aging and solitary, is Madrid's greatest fencing master, eking out a threadbare living in this age of the pistol by teaching the sons of the nobility. In the hot summer of 1868, while rumors abound in Madrid of possible insurrection and the forced abdication of Queen Isabelle II, Don Jaime is visited by a beautiful young woman calling herself Adela de Otero, who offers him double his usual fee to teach her a secret, famously difficult sword thrust. At first Don Jaime refuses to consider a woman as a student; but with her intricate knowledge of fencing and the mysterious, tiny scar at the corner of her mouth, Adela wins him over and proves to be an expert fencer, gifted, disciplined and determined. Soon she is winning Don Jaime's heart as well. Thus is set into motion a complex succession of plots and counterplots analogous to the thrust and parry of a fencing match. P?rez-Reverte is a master of lushly atmospheric suspense, and his prose is as spellbinding in the fencing gallery as it is in the arcane realm of honor and loyalty that shapes Don Jaime's world. The mysteries unravel to the final pages, as Don Jaime pursues his lifelong dream of discovering "the unstoppable thrust," not in politics, contemplation of his art or even romance, but on the floor of battle. 100,000 first printing; $100,000 ad/promo; author tour. (June) FYI: The Ninth Gate, the film of P?rez-Reverte's The Club Dumas, directed by Roman Polanski and starring Johnny Depp, will open in April.
Copyright 1999 Reed Business Information, Inc.
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