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Editorial Reviews
From Publishers Weekly
Departing from his National Review persona and his spy master series, the erudite Buckley (Spytime) concocts a charmingly sympathetic tale tracing the fictional relationship between a young boy and the King. Buckley captures the hope, the yearning, the magic and pathos of the '50s and'60s as few authors have in this Almost Famous-like reflection on two turbulent decades. Orson Killere is 14 when his socialist convictions get him caught stealing Elvis albums from the U.S. Army base PX in Wiesbaden where his widowed mom works for the base commander. Obsessed with the King's music, Orson and his girlfriend, Priscilla Beaulieu, suffer mightily when the judge puts Elvis recordings off-limits. Then, miraculously, Elvis himself, hearing of the sentence and stationed nearby, shows up one morning and sings to Orson in his kitchen. Priscilla is called over and Presley, smitten with the 14-year-old girl, makes plans to marry her and enlists Orson as lifelong confidante. As time goes by, Elvis leaves the army and his film career takes off; Orson starts an SDS-type group and gets kicked out of college at the height of the '60s; and Priscilla strikes a deal with her parents, living at Graceland until she can marry Elvis. The well-worn contours of Elvis's story take on a fresh sharpness when subjected to Buckley's surprisingly tender treatment. This is a low-key pleasure of a read, a nostalgic tale that eschews mush and a heartfelt tribute to the tragic figure who touched so many lives. (July)Forecast: Buckley springs a pleasant surprise on readers with this novel. Reviews, major advertising and promotion, author appearances and perhaps mentions in the punditry circles Buckley frequents will attract interest, and a promotion at the annual Elvis festival in Tupelo, Miss., in August will alert hardcore Elvis fans.
From Library Journal
Fast on the heels of Spytime, National Review founder and former Firing Line host Buckley presents his 14th novel. This lackluster affair is filled with so little energy that one suspects that the author was as bored as his readers will be. Orson Killere, whose widowed mother works at the military base in Wiesbaden, Germany, in the 1950s, becomes a fan of Elvis Presley. When 15-year-old Orson gets caught stealing Elvis's latest album from the base's PX, Presley (stationed nearby) comes to Orson's home to meet him and his closest friend (and fellow Elvis fanatic), 14-year-old Priscilla Beaulieu, with whom Elvis falls instantly in love. Although their lives inevitably veer off in different directions, Orson remains Elvis's one true fan (and we know what happened to Priscilla). It's hard to imagine someone making Elvis and the 1960s and 1970s uninteresting, but Buckley succeeds beyond all reasonable expectations. Buy only for demand, and then sparingly.
- Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
Departing from his National Review persona and his spy master series, the erudite Buckley (Spytime) concocts a charmingly sympathetic tale tracing the fictional relationship between a young boy and the King. Buckley captures the hope, the yearning, the magic and pathos of the '50s and'60s as few authors have in this Almost Famous-like reflection on two turbulent decades. Orson Killere is 14 when his socialist convictions get him caught stealing Elvis albums from the U.S. Army base PX in Wiesbaden where his widowed mom works for the base commander. Obsessed with the King's music, Orson and his girlfriend, Priscilla Beaulieu, suffer mightily when the judge puts Elvis recordings off-limits. Then, miraculously, Elvis himself, hearing of the sentence and stationed nearby, shows up one morning and sings to Orson in his kitchen. Priscilla is called over and Presley, smitten with the 14-year-old girl, makes plans to marry her and enlists Orson as lifelong confidante. As time goes by, Elvis leaves the army and his film career takes off; Orson starts an SDS-type group and gets kicked out of college at the height of the '60s; and Priscilla strikes a deal with her parents, living at Graceland until she can marry Elvis. The well-worn contours of Elvis's story take on a fresh sharpness when subjected to Buckley's surprisingly tender treatment. This is a low-key pleasure of a read, a nostalgic tale that eschews mush and a heartfelt tribute to the tragic figure who touched so many lives. (July)Forecast: Buckley springs a pleasant surprise on readers with this novel. Reviews, major advertising and promotion, author appearances and perhaps mentions in the punditry circles Buckley frequents will attract interest, and a promotion at the annual Elvis festival in Tupelo, Miss., in August will alert hardcore Elvis fans.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Fast on the heels of Spytime, National Review founder and former Firing Line host Buckley presents his 14th novel. This lackluster affair is filled with so little energy that one suspects that the author was as bored as his readers will be. Orson Killere, whose widowed mother works at the military base in Wiesbaden, Germany, in the 1950s, becomes a fan of Elvis Presley. When 15-year-old Orson gets caught stealing Elvis's latest album from the base's PX, Presley (stationed nearby) comes to Orson's home to meet him and his closest friend (and fellow Elvis fanatic), 14-year-old Priscilla Beaulieu, with whom Elvis falls instantly in love. Although their lives inevitably veer off in different directions, Orson remains Elvis's one true fan (and we know what happened to Priscilla). It's hard to imagine someone making Elvis and the 1960s and 1970s uninteresting, but Buckley succeeds beyond all reasonable expectations. Buy only for demand, and then sparingly.
- Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
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