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Editorial Reviews
From Publishers Weekly
Starred Review. [Signature]Reviewed by Dorothy AllisonI was seduced by Eudora Welty. I had every reason to distrust her, as I had distrusted Faulkner—both of them products of the middle-class South I disdained in preference for what I called the real South—the queer and working-class writers I took as my own models. Part of my distrust came from all those photographs—those neat, well-put-together, backcover shots.You need a good biography to counter the myths perpetrated by those photos, a good biography that sends you back to the actual work, the novels and short stories and essays. Suzanne Marrs has written that biography of Eudora Welty—a book that debunks the myths and quotes enough of the writing to make you hunger for the novels and stories. Marrs takes pains to refute the image of Eudora as a perfect "Southern Lady," a "nearly petrified woman holding to the mores of the Southern past"—myths strengthened and reinforced by Ann Waldron's 1998 biography and the lengthy New Yorker article by Claudia Roth Pierpont. That Welty knew how she was imagined, and that she had the grace—a deep, resonant well of humor, insight and talent—is made plain.Here we have the necessary counterpoint: not Eudora the pitiful old maid nor Eudora the homely, the victim of her domineering mother, but the real deal: Eudora the writer who loved fiercely but never married, falling in love first with a man who, though he loved her, would always love men more, and then with a man who was not only married and faithful to his wife, but doomed by Alzheimer's and early death to recede from the genuine affection he felt for her. The story of Eudora Welty's long relationship with Kenneth Millar, who wrote detective fiction under the pen name Ross Macdonald, has the weight of genuine tragedy. Both of them believed in the magic of fate, their meeting at the Algonquin Hotel in 1971 and the years of twice-monthly correspondence that followed. One of the revelations of the biography is that Ken Millar and Eudora were in each other's company only about six weeks in total. Though Eudora tried, she was never able to complete any of the stories she began on the subject. For all the emphasis on Eudora's loneliness, her everyday life contained a rich and sustained circle of friends who were some of the great writers and public figures of the 20th century. Yes, she had her mother and cared for her deeply, but she had also friends who valued what she did and sustained her and it. Think of Katharine Anne Porter , Elizabeth Bowen, Reynolds Price, Robert Penn Warren, Stephen Spender and Anne Tyler. "You love Eudora as a friend," Ken Millar once said to Reynolds Price. "I love her as a woman." The rest of us get to love her as a writer, and with this biography—the whole of her extraordinary world. Dorothy Allison is the author of Bastard Out of Carolina, Cavedweller and the forthcoming She Who (Riverhead).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
The critics left us with decidedly mixed reviews. On the one hand, they were thrilled to peek inside the life of a writer so beloved and enigmatic. Marrs, who teaches at Millsaps College in Jackson, provides a welcome book in part because it replaces Ann Waldron’s unauthorized biography, Eudora (1998). Yet too often Marrs loses the forest for the trees, recording the endless specifics of Welty’s social calendar but not uncovering the meaning of her friendships. Still, she provides new insight into Welty’s romances and adventurous nature. Another enterprising writer will no doubt undertake another biography in 2021, when Welty’s correspondence with her mother, now sealed, is opened. Perhaps that next biography will give more texture to Welty’s complex life.
Starred Review. [Signature]Reviewed by Dorothy AllisonI was seduced by Eudora Welty. I had every reason to distrust her, as I had distrusted Faulkner—both of them products of the middle-class South I disdained in preference for what I called the real South—the queer and working-class writers I took as my own models. Part of my distrust came from all those photographs—those neat, well-put-together, backcover shots.You need a good biography to counter the myths perpetrated by those photos, a good biography that sends you back to the actual work, the novels and short stories and essays. Suzanne Marrs has written that biography of Eudora Welty—a book that debunks the myths and quotes enough of the writing to make you hunger for the novels and stories. Marrs takes pains to refute the image of Eudora as a perfect "Southern Lady," a "nearly petrified woman holding to the mores of the Southern past"—myths strengthened and reinforced by Ann Waldron's 1998 biography and the lengthy New Yorker article by Claudia Roth Pierpont. That Welty knew how she was imagined, and that she had the grace—a deep, resonant well of humor, insight and talent—is made plain.Here we have the necessary counterpoint: not Eudora the pitiful old maid nor Eudora the homely, the victim of her domineering mother, but the real deal: Eudora the writer who loved fiercely but never married, falling in love first with a man who, though he loved her, would always love men more, and then with a man who was not only married and faithful to his wife, but doomed by Alzheimer's and early death to recede from the genuine affection he felt for her. The story of Eudora Welty's long relationship with Kenneth Millar, who wrote detective fiction under the pen name Ross Macdonald, has the weight of genuine tragedy. Both of them believed in the magic of fate, their meeting at the Algonquin Hotel in 1971 and the years of twice-monthly correspondence that followed. One of the revelations of the biography is that Ken Millar and Eudora were in each other's company only about six weeks in total. Though Eudora tried, she was never able to complete any of the stories she began on the subject. For all the emphasis on Eudora's loneliness, her everyday life contained a rich and sustained circle of friends who were some of the great writers and public figures of the 20th century. Yes, she had her mother and cared for her deeply, but she had also friends who valued what she did and sustained her and it. Think of Katharine Anne Porter , Elizabeth Bowen, Reynolds Price, Robert Penn Warren, Stephen Spender and Anne Tyler. "You love Eudora as a friend," Ken Millar once said to Reynolds Price. "I love her as a woman." The rest of us get to love her as a writer, and with this biography—the whole of her extraordinary world. Dorothy Allison is the author of Bastard Out of Carolina, Cavedweller and the forthcoming She Who (Riverhead).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
The critics left us with decidedly mixed reviews. On the one hand, they were thrilled to peek inside the life of a writer so beloved and enigmatic. Marrs, who teaches at Millsaps College in Jackson, provides a welcome book in part because it replaces Ann Waldron’s unauthorized biography, Eudora (1998). Yet too often Marrs loses the forest for the trees, recording the endless specifics of Welty’s social calendar but not uncovering the meaning of her friendships. Still, she provides new insight into Welty’s romances and adventurous nature. Another enterprising writer will no doubt undertake another biography in 2021, when Welty’s correspondence with her mother, now sealed, is opened. Perhaps that next biography will give more texture to Welty’s complex life.
Copyright © 2004 Phillips & Nelson Media, Inc.
See all Editorial Reviews
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