From Publishers Weekly
Pip, a salamander afraid of the dark, sets out in search of Old Abra the wizard, hoping he will help him to be brave. His travels take him through a pitch-dark forest, "black as shadows under a rock," into a tunnel "as black as night with my eyes closed" and over the hills when night falls, "black as river mud." By the time he finds Old Abra, he has no need of the wizard's counsel, for without realizing it he has already confronted and conquered his fear. Walsh (Mouse Paint; Hop, Jump) uses boldly colored, paint-spattered cutouts that add charm and child appeal to this obvious but still helpful tale: young noctiphobes will enjoy perceiving what is happening before Pip does, and they may find a useful lesson in the notion that action can be the best antidote to fear. Ages 3-8.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
PreSchool-Grade 2-Pip, a salamander, is afraid of the dark. He seeks the advice of Old Abra, a wizard, traveling through a forest "black as shadows under a rock," into a tunnel "black as night," and across the nighttime hills "as black as river mud." When he finally catches up with Old Abra, the wise tortoise helps Pip realize that he already has the magic needed to brave the dark, with a little extra to spare. Filled with new confidence, the little lizard takes his leftover magic and finds a quiet place to rest. Walsh's cut-paper collage illustrations are bold and bright. Splatters of paint and a variety of textured papers add detail and dimension to the pictures. The animals are clearly and dramatically depicted: jumping frogs, with their graceful arms outstretched, dance across the page; an orange sun rises behind Old Abra's mottled shell, making him seem ancient and all-knowing; and Pip sets out on his quest with a worried expression and large, wondering eyes. Bright white backgrounds contrast sharply with the deeper tones, making his emotions more believable. Simple and uncluttered, the illustrations work well with the straightforward text, making this positive treatment of a common fear a good choice for sharing aloud.
Joy Fleishhacker, New York Public LibraryCopyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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