From Publishers Weekly
High school junior Charles Weston, whose paintings convey "truth" so powerfully that all who see them promptly fear and/or dislike him, has just arrived at Whitman, a boarding school for artists. The school's amenities notwithstanding, Charles has enrolled simply in order to meet Graeme Brandt, a senior, and author of a YA novel that Charles finds brilliant in its send-up of people's shallowness ("Life is just one big game of Simon Says.... Nobody even wants to admit they're playing"). Charles, who now refuses to let others see his paintings, is hoping that Graeme can show him "how to get beyond the game... show me how to keep from locking myself away inside a studio forever." While the boys connect immediately, Charles realizes that Graeme is also "playing," just like Graeme's protagonist ("He knew what Simon wanted before Simon even said anything"). When Charles pushes Graeme to find his true self ("You're nothing but a lifeless mirror that reflects everyone's expectations!"), Graeme commits suicide and camouflages it as a heart attack, leaving a note explaining his actions to Charles. Alphin (Counterfeit Son) adds texture by inserting Graeme's journals between Charles's narration, and she brings unusual candor to her portrayal of gay characters. But while the author taps into adolescent visions of the artist's life and the difficulties of being an individual, her constant reiteration of these themes grows tiresome. Metaphors run a little thick, and the quagmires seemed overcooked. Ages 14-up.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Grade 8 Up-In this psychological novel, Charles enters a boarding school for the arts hoping to find a place where he can stay true to his nonconformist nature. Absorbed with painting in a vivid and distorted way, he wants to make friends with people who like him for himself and teachers who will accept his work. As in the children's game Simon Says, he finds himself mirroring others rather than pleasing himself. Charles knows that Graeme, a student writer whom he idolizes, shares a search for identity. Excerpts from Graeme's journal appear at intervals, revealing a parallel childhood. Elements of a homosexual crush draw the two together but the path to self-realization has a tragic end when Graeme commits suicide. As in many YA novels, the adults here are peripheral and antagonistic, providing a perfect setting for self-perceived isolation. Charles's musical roommate, Adrian, and the editor of the student journal, Rachel, are well-developed supporting characters who, as grounded individuals, become the ones who ultimately help the protagonist feel a sense of belonging. Plot development is emotional rather than eventful, and some of the details surrounding Graeme's death are not plausible. It defies logic that, in a small boarding school, Charles would learn about the teen's "fatal heart attack" from the newspaper. Still, adolescents will relate to the disconnected characters who feel painfully alone and will be encouraged by the acceptance of their uniqueness.
Vicki Reutter, Cazenovia High School, NYCopyright 2002 Cahners Business Information, Inc.