Amazon.com Review
While it often seems true that every town in America has become depressingly alike, fully franchised and chain-stored to death, short story writer George Singleton offers a compelling rebuttal in his second collection,
The Half-Mammals of Dixie. Almost all 15 of its stories are set in or around a fictional South Carolina town called Forty Five, and Singleton's eccentric characters--flea-market hustlers, a fish aquarium salesman, a bogus "primitive" artist--are hard to imagine outside the narrow civic boundaries of his singular imagination.
A writing teacher and ashtray-collecting, flea-market hound himself, Singleton builds most of his stories around first-person narrators, evoking such writers as Flannery O'Connor, Barry Hannah, and Raymond Carver, but infusing each tale with his own brand of sly humor and outsider skepticism. Singleton is particularly good at capturing the rhythms and peculiarities of southern speech, as in this passage from "When Children Count": "You sound exactly like my dead sister," this woman said, pushing her full cart into Tammy's backside. "I ain't never heard nothing like that. Say this: 'I will never, ever order a club sandwich here, what with the ptomaine.' Say it. Say."
While most of the stories are funny--"Richard Petty Accepts National Book Award" is an absolute marvel of conception and execution--a few of the tales that hit hardest are much darker. Especially haunting is "Bank of America," which centers around four childhood friends who still gather annually as adults in a swamp-land tree house, from which they fish for turtles and are forced, one fateful year, to confront the consequences of past misdeeds. Despite the story's title, which refers to a character who works at a national chain of banks, Singleton tells the story in a voice that's as unique as the flawed, but mostly likable, characters who populate his hometown. --Keith Moerer
--This text refers to the
Hardcover
edition.
From Publishers Weekly
Singleton expands upon the peculiar conceits of his debut collection, These People Are Us, in these 15 offbeat stories. Set mostly around the little South Carolina backwater of Forty-Five, they take on everything from racism to alcoholism to head lice, with plenty of laughs along the way. A hapless father clumsily tries to use his nine-year-old son to win back his high-school sweetheart (now the boy's teacher) in "Show and Tell," sending him off to school with old love notes, corsages and jewelry he had given her and making the boy pass them off as precious antiques. Another father launches a one-man crusade against a racist newspaper deliverer in "Fossils." "What Slide Rules Can't Measure" details the bizarre lives of denizens of the flea market circuit, while the title story follows an aquarium salesman to a bizarre motivational seminar, where he meets a scarred woman who sells audio books to the blind. "This Itches, Y'all" features a boy who fled youthful ignominy as the star of an educational film on head lice, then returns to his 25th class reunion to find unexpected celebrity. As in the first volume, the narrators tend to be relatively sophisticated men (or boys) who find themselves surrounded by feckless "pallet-heads." Some may find the tone of intellectual superiority condescending, but it's usually tempered by self-deprecation, to wonderful comic effect.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to the
Hardcover
edition.
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