The Castle of Crossed Destinies (Paperback)

~ (Author) "In the midst of a thick forest, there was a castle that gave shelter to all travelers overtaken by night on their journey: lords and..." (more)
Key Phrases: following card, Saint George, Knight of Swords, Ace of Cups (more...)

Editorial Reviews

Review

Semiotic fantasy novel by Italo Calvino, published in Italian in 1973 as Il castello dei destini incrociati. It consists of a series of short tales gathered into two sections, The Castle of Crossed Destinies and The Tavern of Crossed Destinies. The novel concerns two groups of travelers through a forest, both of which have lost the power to speak as the result of traumatic events. One group is spending the night in a tavern, the other in a castle. In each place, the travelers tell the stories of their lives, using tarot cards instead of words. A narrator at each place interprets the cards for the reader, but since the tarot cards are subject to multiple interpretations, the stories the narrators offer are not necessarily the stories intended by the mute storytellers. -- The Merriam-Webster Encylopedia of Literature

Review

Semiotic fantasy novel by Italo Calvino, published in Italian in 1973 as Il castello dei destini incrociati. It consists of a series of short tales gathered into two sections, The Castle of Crossed Destinies and The Tavern of Crossed Destinies. The novel concerns two groups of travelers through a forest, both of which have lost the power to speak as the result of traumatic events. One group is spending the night in a tavern, the other in a castle. In each place, the travelers tell the stories of their lives, using tarot cards instead of words. A narrator at each place interprets the cards for the reader, but since the tarot cards are subject to multiple interpretations, the stories the narrators offer are not necessarily the stories intended by the mute storytellers. (The Merriam-Webster Encylopedia of Literature )

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Product Details

• Paperback: 144 pages
• Publisher: Harvest Books; 1 edition (April 16, 1979)
• Language: English
• ISBN-10: 0156154552
• ISBN-13: 978-0156154550
• Product Dimensions: 9.1 x 6 x 0.5 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (10 customer reviews)
• Amazon.com Sales Rank: #107,304 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars Shifting identities, March 5, 1998

By	[e-mail] (white plains,ny) - See all my reviews

Of the four books I have read by Calvino(all to be highly recommended for anyone who does not wish to be allowed to read passively, and who also is looking for something that will "delight in the re-reading", as well as the surprise in the new), "Castle" most adopts a particular structure to present a tale of shifting identities, as do his other novels. Knowledge of the Canterbury Tales is helpful, but Calvino makes sure it sits in the background and does not dominate his readings. I use "readings", if you must know, because this is the strucutre of the novel-a series of tarot card readings of a group of travelers who stop in this castle. The stories are wonderful, in the proud Italian tradition of Boccacio, Petrarch, and Chauser(who learned all he could fropm his Italian masters), and his modern master Borges, and the framing device, is interesting and used subtly and skillfully. If you don't have questions about the nature of narratives and fictions, and about the way those answers implicate how a human subject understands reality or comes to it, "Castle" may not be for you, as you may get bogged down in it's introverted labyrinthine reflections. If Borges' metaphysical fariy tales are your cup of tea, it here runneth over.

8 of 9 people found the following review helpful:

5.0 out of 5 stars cult novel that is a literary masterpiece, March 17, 2004

By	Robert J. Crawford (Balmette Talloires, France) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Just as the tarot card reading unfolds in the story, this book has innumerable levels that beg for thought and interpretation: it is part historical novel, part fortune-telling, and part a history of the great classics of western civilization. It is also a fascinating experiment in expanding the literary vehicle, adding the dimension of the cards - functioning as kind of symbolic building blocks as well as a springboard for association - that creates a parallel narrative to the gorgeous descriptive power of the work. Calvino, I feel, has created a work as complex and rich as the best of Nabokov. As with all truly great novels, there is a great deal left unsaid, that the reader can mull over if she so chooses. While the vocabulary was very difficult for my primitive Italian, it was as beautifully written as Calvino's other work.

Warmly recommended.

5 of 5 people found the following review helpful:

3.0 out of 5 stars Crossing "Castles", February 21, 2005

By	E. A Solinas "ea_solinas" (MD USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

Italo Calvino was a master of surreal storytelling -- he was, for example, one of only two authors I've seen who could manage a second-person narrative. But his gimmick falls flat in "The Castle of Crossed Destinies," a book that is intriguingly laid out, but never manages to be more than a curiosity.

In the first section, a traveler comes to a castle full of other guests, but for some reason no one there is able to speak. To tell each other about their histories, they use a pack of tarot cards to communicate their stories -- tales about love affairs, ancient cities, and Faustian pacts.

The second is pretty much the same, except that it takes place in a tavern, where mute people are still using tarot cards to describe their pasts. The stories -- evil queens, fallen warriors, even an Arthurian tale -- get darker and stranger, especially when the narrator himself began to describe his own past to the people who are watching him and the cards.

As an idea, tarot cards being used to tell a story is brilliant. Especially since the stories that Calvino spins out are not necessarily the only interpretation -- each card used to tell the story can be interpreted differently. The problem is, in the first half of the book, Calvino tries to apply this to some very boring, straightforward little stories. They tend to stop suddenly, without much of a finale.

The second half of the book uses this gimmick more skilfully, with Calvino writing in greater detail, and using more ornate, atmospheric writing. It feels less like stories wrapped around some cards, and more like stories with cards as illustrations of what might have been. He also adds a more eerie, macabre tale to this half, making it even more engaging.

The first half sags in a big way; it's almost tiring to read. But the second half of "Castle of Crossed Destinies" is where Calvino's tarot gimmick starts to pay off. Interesting, but not all that it could have been.