Moments of Being (Paperback)

~ (Author) "This collection of autobiographical writings by Virginia Woolf brings together unpublished material selected from the Woolf archives at the British Library and the University of..." (more)
Key Phrases: Virginia Woolf, Hyde Park Gate, Sketch of the Past (more...)

Editorial Reviews

Product Description

Moments of Being contains Virginia Woolf’s only autobiographical writing: “By far the most important book about Virginia Woolf...that has appeared since her death” [Angus Wilson, Observer (London)]. Edited and with an Introduction by Jeanne Schulkind; Index.

From the Publisher

8 1.5-hour cassettes --This text refers to the Audio Cassette edition.

See all Editorial Reviews

Product Details

• Paperback: 240 pages
• Publisher: Harvest Books; 2 Sub edition (August 23, 1985)
• Language: English
• ISBN-10: 0156619180
• ISBN-13: 978-0156619189
• Product Dimensions: 7.9 x 5.3 x 0.7 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #39,498 in Books (See Bestsellers in Books)

  Popular in these categories: (What's this?)

  #5 in	Books > Literature & Fiction > British > Classics > Woolf, Virginia
  #6 in	Books > Literature & Fiction > Authors, A-Z > ( W ) > Woolf, Virginia
  #22 in	Books > Literature & Fiction > British > 20th Century

Customer Reviews

Most Helpful Customer Reviews

67 of 68 people found the following review helpful:

5.0 out of 5 stars Woolf's most beautiful autobiographical writing, January 25, 2001

By A Customer

People who have enjoyed Woolf's novels or diaries will surely find her essay "A Sketch of the Past" deeply moving and helpful in illuminating her other works. In "Sketch," the longest essay in this volume, Woolf recounts her earliest childhood memories--both beautiful (hearing the waves break on the shore at her family's summer home) and sinister (her stepbrother's unwelcome sexual advances when she was a small child). She develops a theory about memory and about transcendent experience in this essay. She discusses her powerful drive to reshape and write about the past: "I feel that strong emotion must leave its trace; and it is only a question of discovering how we can get ourselves attached to it, so that we shall be able to live our lives through from the start." In this essay Woolf proposes that in moments of ecstasy we have a meaningful vision of the world itself: "it is a constant idea of mine; that behind the cotton wool is hidden a pattern; that we--I mean all human beings--are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words, we are the music; we are the thing itself. And I see this when I have a shock."

51 of 55 people found the following review helpful:

5.0 out of 5 stars Possibly the greatest autobiographical work ever written, July 12, 2002

By	R. Luo "recfreq" (Los Angeles, CA USA) - See all my reviews (REAL NAME)

Virginia's genius is all over this volume, esp in A Sketch of the Past. From the first sensations of childhood (waves splashing against the shore) to the tragedy of the death of her mother and sister, it is the most revealing work of creativity ever written. You'll learn about her life, her work, and even how you might become a great writer. Examine the parallels with To the Lighthouse and you'll be amazed. Yes, this is how she come to be what she is; and her life and what she writes.

21 of 23 people found the following review helpful:

5.0 out of 5 stars One of the Great Memoirs of the 20th century, January 21, 2005

By	Eric Maroney (Brooktondale, NY) - See all my reviews

Virginia Woolf's Moments of Being is one of the great artifacts of literary modernism -- and it also possesses the virtue of being superbly written; few writers are of the caliber of Woolf when it comes to documenting the subtle nuances of human emotion and thought. Her voice is unwavering and clear; it is analytic and critical without every sacrificing its self-effacing quality and humility - and the clarity of its emotional tone. She handles the pain and loss in her life with a kind of imaginative double barreled shotgun: she destroys those that have inflicted pain on her, while exalting those that loved her. But as she hacks away at one and beatifies the other she always places both in very real, very human terms. There are also sparks of real humor here that cannot be overlooked, like the moment in the essay "Old Bloomsbury" when Lytton Strachey walks into the room and seeing a stain on Vanessa's white dressed pronounces "Semen?" and with one word ushers in the 20th centuries fixation with discussing sexual matters. We are to believe that one word carelessly said becomes the hallmark of an entire century.