Review
Masterpieces of English lyric poetry, written and illustrated by William Blake. Songs of Innocence, published in 1789, was Blake's first great demonstration of "illuminated printing," his unique technique of publishing both text and hand-colored illustration together. The rhythmic subtlety and delicate beauty of both his lyrics and his designs created rare harmony on his pages. The poems transformed his era's street ballads and rhymes for children into some of the purest lyrics in the English language. In 1794 Blake published Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul. It contained a slightly rearranged version of Songs of Innocence with the addition of Songs of Experience. The poems reflect Blake's views that experience brings the individual into conflict with rules, moralism, and repression; as a result, the songs of experience are bitter, ironic replies to those of the earlier volume. The Lamb is the key symbol of Innocence; in Experience its rival image is the Tyger, the embodiment of energy, strength, lust, and aggression. See also THE TYGER. --
The Merriam-Webster Encyclopedia of Literature
Review
Blake's polarities as poet and artist are ... directly revealed. The illustrative ingenuousness and sweetness of
Songs belie the explosive lyricism that girds these poems.
(
Leonard Baskin The Washington Times )
Part of the pleasure of this lovely volume results from Andrew Lincoln's intel-ligent introduction and commentary.... But the greatest pleasure by far is the color reproduction itself.... One of the most beautiful and finely finished copies we have.
(
Irene Tayler Blake: An Illustrated Quarterly )
It is a very strong light indeed that comes from these quarto volumes. They reproduce, plate by plate, Blake's hand-lettered verses and colored illustrations. . . . These illuminated books, masterpieces of the book maker's art, answer critical questions, especially about the poet's late, recondite allegories. They remind the poetry scholar that his Blake was first a visual artist, indebted to Raphael and Michelangelo, and second a writer beholden to Spenser and Milton. . . . The greatest contribution of the Princeton facsimiles is that they have made
Milton and
Jerusalem accessible in the only form Blake ever wished to present them.
(
Daniel Mark Epstein New Criterion )
--This text refers to the
Paperback
edition.
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