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Better Together
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Editorial Reviews
From Publishers Weekly
The rendering of Baudelaire's ground-breaking classic into English has been tackled numerous times in various ways since the 19th century. In this version, rather than utilizing rhymed stanzas, free verse or prose, prolific poet and translator Waldrop attempts to capture Baudelaire's ever-elusive tone in versets, paragraphs of "measured prose" similar to those used in the King James Bible. While readers may miss the compression and restraint that line breaks demanded in earlier translations, Waldrop does succeed in approaching Baudelaire's layered irony, at once serious and over-the-top, comic and scandalous. Reading "Like some rake...gumming the brutalized tit of a superannuated whore" , it becomes clear why the French government saw fit to ban some of this work in 1857. At the same time, Baudelaire-the archetypal urban dandy-could see the beauty of a female beggar ("your sickly young body, densely freckled, has a sweetness for this poor poet"), identify himself with the "awkward and ashamed" albatross abused by sailors, and see in a naked lover "the hips of Antiope united with the bust of a beardless boy." Waldrop sounds off on all-things-Baudelaire in an informative introduction. New translations of this seminal poet will continue to surface with each new generation of readers and writers: Waldrop brings a contemporary feels to Baudelaire's most important work.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Review
'Jonathan Culler's 24 page introduction is thoughtful and informative; and the editorial apparatus of bibliography, chronology and notes on the text are up to the high standard of the series.' Acumen Magazine
'McGowan's fine poetic sense uses the springing monosyllable to good effect; A reader who goes straight to James McGowan's versions will be well rewarded. A scrupulous and sensitive poet has made the whole of Baudelaire's poetry in verse available in English so that the unique quality of the original consistently survives.' Harry Guest, Journal of European Studies, XXIV (1994)
'Culler's insistence on Baudelaire's depressing conclusions is welcome at a time when these poems are frequently subjected to evangelical optimism. McGowan urges us to consult other translations. His own generally reliable versions - given his satanic pact with symmetry - are probably now the best place to start.' Graham Robb, French Studies, Vol. 48, Pt.4
See all Editorial Reviews
The rendering of Baudelaire's ground-breaking classic into English has been tackled numerous times in various ways since the 19th century. In this version, rather than utilizing rhymed stanzas, free verse or prose, prolific poet and translator Waldrop attempts to capture Baudelaire's ever-elusive tone in versets, paragraphs of "measured prose" similar to those used in the King James Bible. While readers may miss the compression and restraint that line breaks demanded in earlier translations, Waldrop does succeed in approaching Baudelaire's layered irony, at once serious and over-the-top, comic and scandalous. Reading "Like some rake...gumming the brutalized tit of a superannuated whore" , it becomes clear why the French government saw fit to ban some of this work in 1857. At the same time, Baudelaire-the archetypal urban dandy-could see the beauty of a female beggar ("your sickly young body, densely freckled, has a sweetness for this poor poet"), identify himself with the "awkward and ashamed" albatross abused by sailors, and see in a naked lover "the hips of Antiope united with the bust of a beardless boy." Waldrop sounds off on all-things-Baudelaire in an informative introduction. New translations of this seminal poet will continue to surface with each new generation of readers and writers: Waldrop brings a contemporary feels to Baudelaire's most important work.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Review
'Jonathan Culler's 24 page introduction is thoughtful and informative; and the editorial apparatus of bibliography, chronology and notes on the text are up to the high standard of the series.' Acumen Magazine
'McGowan's fine poetic sense uses the springing monosyllable to good effect; A reader who goes straight to James McGowan's versions will be well rewarded. A scrupulous and sensitive poet has made the whole of Baudelaire's poetry in verse available in English so that the unique quality of the original consistently survives.' Harry Guest, Journal of European Studies, XXIV (1994)
'Culler's insistence on Baudelaire's depressing conclusions is welcome at a time when these poems are frequently subjected to evangelical optimism. McGowan urges us to consult other translations. His own generally reliable versions - given his satanic pact with symmetry - are probably now the best place to start.' Graham Robb, French Studies, Vol. 48, Pt.4
See all Editorial Reviews
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