Native North American Art (Oxford History of Art) (Paperback)

~ (Author), Ruth B. Phillips (Author) "Native North American art, after five centuries of contact and colonialism, is extraordinarily rich and diverse..." (more)
Key Phrases: formline style, crest poles, fibre arts, Northwest Coast, North America, Native American (more...)

Editorial Reviews

Review

"The best guide yet to understanding the complexities of Native North American art....a solidly ground, sophisticated history, combining art history, anthropology, and cultural studies...splendidly well-written...useful and timely."--Gerald McMaster, Curator of Art, Canadian Museum of Civilization
"An outstanding new volume in the Oxford History of Art series. Designed to introduce readers to the depth and diversity of Native regional art, it is also a highly readable introduction to Native North American history and anthropology."--Foreword
"A fine statement, covering in fewer than 300 pages the artistic output of most Native American tribes across the northern hemisphere over a period of more than eight centuries.... Illustrations are especially fresh, varied, and well chosen."--Library Journal
"Nicely organized and clearly written-- very good illustrations."--Pat McDonald, Calhoun Community College
"This book has it all--a fresh, readable style, wonderful supporting photos and diagrams, and it's inexpensive. Berlo and Phillips also present a holistic view of Native American Art--just as it should be. Brava!"--Helen Barnes, Wichita State University
"An excellent textbook--politically aware and well-written. An especially good bibliographic essay. One of the best aspects of this text is the integration of arts from all periods--ancient through contemporary."--Matthew Looper, California State University at Chico
"An excellent book which includes information on various ethical issues surrounding the collection, display, and documentation of native American arts."--Maude Wahlman, University of Missouri, Kansas City

Product Description

This exciting new investigation explores the indigenous arts of the US and Canada from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. The richness of Native American art is emphasized through discussions of basketry, wood and rock carvings, dance masks, and beadwork, alongside the contemporary vitality of paintings and installations by modern artists such as Robert Davidson, Emmi Whitehorse, and Alex Janvier. Authors Berlo and Philips fully incorporate substantive new research and scholarship, and examine such issues as gender, representation, the colonial encounter, and contemporary arts. By encompassing both the sacred and secular, political and domestic, the ceremonial and commercial, Native North American Art shows the importance of the visual arts in maintaining the integrity of spiritual, social , political, and economic systems within Native North American societies.

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Product Details

• Paperback: 304 pages
• Publisher: Oxford University Press, USA (November 19, 1998)
• Language: English
• ISBN-10: 0192842188
• ISBN-13: 978-0192842183
• Product Dimensions: 9.3 x 6.6 x 0.4 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #262,552 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

5.0 out of 5 stars a must-have, for all levels., September 17, 2003

By A Customer

Berlo's and Phillips' erudite, critical voices are a welcome change from the often glossy, sales-driven world of Indian art writing. True to form, they have together crafted a sophisticated and highly readable survey of pre-contact, historic and contemporary Indian art, suitable for undergrads, grads, and the casual layperson. This book fills a HUGE gap, and stakes out a territory that few other scholars would dare venture; between connoisseurship, anthropology, visual culture and criticl theory. It is therefore to be expected that specialists of a particular region might take issue with some of their finer details. But specialist nit-picking misses the larger point of this book: to show how Native tribes across North America continued their cultural traditions despite colonialism and intertribal contact. It is a complex, interwoven history, but Indian art emerges, through this book, as one of the most vital, politically engaged arts in America today. This book sets the standard for Indian Art surveys.

7 of 9 people found the following review helpful:

4.0 out of 5 stars Difficult to read at first but picks up throughout., May 27, 1999

By A Customer

The book is a bit slow at first and seems to linger on certain topics but the overall images are better than other books on the same topic.

5.0 out of 5 stars Online too, September 19, 2009

By	R. Mower - See all my reviews (REAL NAME)

The book is a text book for my college class. I was delighted that for only a little extra I was able to get an online version as well as the hard copy. This is helpful when I am writing papers and need to search a topic. Information is up-to-date and respects the request of tribes not to show pictures of come ceremonies.