From Publishers Weekly
Lyricist and editor-publisher of Jazzletter, Lees is little known to the general public but highly esteemed by music professionals and those who appreciate highly literate criticism and accomplished storytelling. This collection of his Jazzletter essays perceptively examines the work of Johnny Mercer ("the finest lyricist in the English language") and composers Hugo Friedhofer and Francy Boland, the singing styles of Dick Haymes, Peggy Lee, Edith Piaf, Jo Stafford and Frank Sinatra ("our poet laureate, the best singer we've ever had"), the reasons why big bands were killed off and the implications for song writers of the influence of French on the English language. A long final chapter, "A Journey to Cologne," tells how an international group of people made an album of songs (with Sarah Vaughan as soloist) based on poems by Pope John Paul II. A feast for those who love surprises.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
A collection of fascinating personal essays that have appeared in Jazzletter , a newsletter edited and published by lyricist Lees. The essays concern singers (Frank Sinatra, Jo Stafford, Dick Haymes, et al.), composers, and lyricists of the World War II-Postwar era of popular music. In addition to examining the artistry involved in composing music and writing lyrics, Lees looks at the connections between popular music and social and historical trends; one essay, for example, looks at the differences between French and American language and culture, and the impact on lyric writing. Recommended for large music collections. M.J. Streiff, Carnegie Lib. of Pittsburgh
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.